Friday evening, June 4, Greenbeck Dermatology
Jake
Five days after returning from the Cape, I find myself facing another unsettled weekend. In a couple of days, Jess will drive the kids back to Chatham, where they’ll spend the rest of the summer. Without me.
Can’t think of that now, Jake. Just focus on work.
“Fuck,” I mutter.
“Yeah, I know. That dude was a total nightmare.”
I glance up at Erin, realizing she must think I’m reacting to our last patient – a skittish-looking guy who seemed disappointed to learn the brown spot on his chest wasn’t a melanoma.
“Jeez,” she whispers. “From the way he reacted, you’d think he wanted cancer.”
“On some level, he probably did.”
“But that’s nuts.”
“Yup.” I check my wristwatch, realizing I may have a shot at getting home before Jess this evening. “Some people have personality disorders, and if you let them, they’ll draw you right into their dysfunctional world.”
As if on cue, Nina Greenbeck catches my attention, frantically waving to me from across the room. Everything is urgent with Nina. Decked out in a tangerine dress suit, she looks like an exotic bird engaged in a vibrant plumage display. When we make eye contact, she taps her watch and holds up five fingers, then points to her office.
“Shit,” I say under my breath. “I have five minutes to live.”
Nina’s on the phone (surprise, surprise), seated behind a modernistic glass desk she probably commissioned to showcase her long legs, which always seem to be on display. She greets me with a wave of her perfectly manicured pinkie-finger, then turns her back to me and continues her phone conversation. Apparently, Howard Stern threw a kick-ass party out in Southampton this weekend.
How long am I supposed to sit here and listen to this shit? I pretend to be busy with my iPhone, re-reading old e-mails and texts. When I’ve worn out that distraction, I size up the woman who’s technically my boss. At fifty plus years (her exact age remains a heavily guarded secret), she still has a body capable of turning heads from a distance, but up close, there’s something jarring about her look. A photograph on her desk confirms she once had some natural beauty, but now, she looks more like a cut-and-paste version of body parts meeting the stereotype of beautiful: a Frankensteinish beauty. From what I’ve heard around the office, she’s spent much of her adult life traveling the world in search of the best plastic surgeons, accruing a Deforde nose and chin from Park Avenue, Sloan eyes from Beverly Hills, Gonzalez breasts from Rio, and regular liposuction tune-ups from Mitch Markum. At this point, she’s been worked over so many times it’s impossible to tell what’s real anymore.
“Jake?” She finally lifts the mouthpiece of her headset to signal her conversation’s over. “Did you have a good week?”
I pretend there’s a trace of sincerity in her question. “Yes, absolutely. Things have run smoothly in the office.”
“And Jessica and the children?”
“They’re doing well, thanks. How were the Hamptons?”
“Oh you know, the usual. Too many functions to catch a breath. One of these weekends, Al and I will just have to sneak out there without telling any of our friends. Perhaps then we’ll finally get a real break.”
A break from what? I think as I nod and give her a fake smile. You don’t fucking do anything.
Satisfied that she’s offered me enough small talk, Nina turns her attention to a thick stack of spreadsheets. She slides them across the desktop toward me, her tone suddenly all business.
“Now I know you’ve had a busy day, but I’d like you to take a look at these before you go home.”
“Sure… what are they?”
“They’re your accounts receivable for last quarter. I’ve highlighted some items for you to review. You’re still having some of the same – problems.” Her voice breaks nasally over the last word.
I glance at the spreadsheets, noting the messages scrawled in red ink, and suddenly feel like a school kid who’s just been handed a corrected piece of homework. We’ve gone through this exercise before, and the take home message is always the same: you’re not billing enough.
“I’ll look these over,” I grumble.
“Yes, please do that. And I’d especially like you to focus on your cosmetic product sales for March and April. After our last conversation, I was surprised to see your numbers actually went down last month. How can you explain that?”
“The economy hasn’t been so hot.”
She dismisses my point with a flick of her wrist. “This is Greenwich, Jake. Just look at the other providers’ numbers. They’re tripling or even quadrupling your cosmetic revenue stream. Right here, for example…” She holds up the spreadsheet, looking like she’s about to swat my head with it. “Would you like to guess how many patients you referred to our spa for microdermabrasion last month?”
“A few,” I offer.
“Try three. That’s an appalling number, Jake.”
“But look at my patients! Half my visits last month were kids, coming in for problems like acne or warts. Am I supposed to sell ‘Greenbeck Eye-lifting Serum’ to a bunch of teenagers and toddlers?”
“They have parents, don’t they?”
“You’re joking, right?” I can tell from Nina’s expression that she’s actually dead serious. “Really – do you honestly expect me to sell cosmetic products to a mother bringing in her child for an acne visit?”
She leans forward, ice-blue eyes locking with mine. “Yes, I do. And if you can’t, then at least send that kid out with our full line of acne products and an appointment for a teen facial. If you see a baby with eczema, recommend our gentle soap-free cleanser and moisturizing cream. When someone comes in for a skin check, you send her out with a bottle of our sunscreen. Bottom line: everyone should leave with at least one Greenbeck product. We’re not a charity operation, Jake. We’re a business.” She taps her bright orange fingernails against the glass desktop. “And a profitable business at that, when we all do our jobs correctly.”
“But I’m a doctor, Nina.” I palm my forehead. “I didn’t go to medical school to earn a degree in sales and marketing.”
“Oh please. Don’t take that ‘holier than thou’ attitude with me. You want to earn a good living, just like the rest of us.”
“Sure, but it’s not like I’m not contributing to the practice. When I last checked, I’m still taking home less than a quarter of what I bring in.”
She purses her Juvederm-pumped lips and sighs. “I hate to break it to you, but you barely cover your overhead. And what do you think’s going to happen next year when Medicare cuts our reimbursements another five percent? What’s going to happen when all the managed care plans jump on that bandwagon?”
I shrug. “Guess we’ll have to find other sources of income to cover the losses.”
“Exactly. That’s why you should be selling tubes of antibiotic ointment instead of giving them away!”
“I get your point, Nina.” You soulless harpie. “I’ll keep it in mind.”
“Good. Oh, and before you go – there is one more thing that I’d like to discuss. I believe you saw a patient named Briana Caulder last Friday.”
“That’s right,” I answer cautiously. Judging from Nina’s tone, she’s not about to thank me for seeing her husband’s last minute pain-in-the-ass add on.
“Yes, well, I read your office note and would like to point out the Caulders are very important clients. You should know they weren’t very happy with the service you provided. They’ve already requested copies of Mrs. Caulder’s medical record.”
“That’s fine with me,” I snap. “You don’t need to be worried about my documentation.”
Nina flashes me a look like I’ve just spilled cheap beer on her Versace. “It’s not your notes that concern me. It’s your professional demeanor. We’re in a service profession, Jake. Now if our important clients aren’t satisfied with the service we provide, then they’ll go elsewhere.” She shakes her head in disgust. “And they’ll take their friends with them.”
“That may be the case." I shift to the edge of my seat. “But I’m not going to perform malpractice just to keep some VIP happy.”
“Malpractice?” Nina arches an eyebrow. “Aren’t we being a little bit melodramatic?”
“Actually, that’s exactly what Mrs. Caulder asked me to do. She wanted a script for Accutane without the required work-up, so I refused. Under the circumstances, what was I supposed to do?”
“For starters, you could’ve handled the situation more tactfully. The Caulders are a very influential family in this area. If I were a young doctor trying to build my practice, I’d be bending over backward to keep them happy.”
I shake my head. “I’m sorry, Nina, but I just don’t work that way.”
“Riiight.” She dismisses my words with a lazy hand wave, her bangles jingling loudly. “Suit yourself. You obviously know better. But don’t say I didn’t try to help you.”
Before I can reply, the queen of Greenbeck Dermatology swivels in her chair, showing me the back of her platinum blonde head, and launches into another phone conversation.
Sitting in my cubicle-sized office a few minutes later, I stare at my computer screensaver, trying to put the meeting with Nina out of my mind. Unable to forget her words, I try scribbling the words “bitch bitch bitch bitch” over and over again on a bunch of Post-it notes. Fortunately, Albert Greenbeck doesn’t see my tribute to his wife when he strolls into my office. He grins broadly and places his hand on my shoulder.
“There he is!” he announces, looking relaxed and as tanned as a dermatologist can respectably look. “The man who held down the fort while we were away.”
I rise to greet him with a handshake – an awkward gesture given the cramped nature of my office – and notice he’s dressed more casually than usual, wearing a white Oxford shirt with the top button open, beige trousers, and a tweed sports jacket instead of his usual Armani suit ensemble. Dressed down like this, he looks surprisingly young and engaging, like a college professor returning from a sabbatical.
“So,” he continues, brushing a few strands of salt-and-pepper hair away from his eyes (for a man in his mid-60s, Al Greenbeck has a remarkably full head of hair). “I hear Nina’s been giving you a hard time about your numbers.”
“You could say that. She wants me to bill more. I’ll try, but –”
“Jake!” he interrupts cheerfully, “Say no more. You’ll get there. Don’t worry about it. I’ll tell Nina to back off, but that’s not why I’m here. I wanted to talk to you about something much more important. How is the Replacidin trial going?”
“It’s going well.” I study his expression. “Would you like to review some of the data?”
“Sounds good. I’d love to see what you’ve got, but first…” He rests his hand on my shoulder. “Let’s grab some coffee. You must be tired after a busy week.”
I follow him to his office, feeling my anxiety grow with every step. Al Greenbeck never does anything without an agenda, and this level of personal attention can only mean one thing: he wants something from me. When he asks his secretary to bring us two coffees, my heart starts to race. He must want something really big.
“So tell me,” he begins, leaning forward in his plush leather desk chair. “How are you finding the practice? Have we met your expectations?”
“Absolutely,” I lie. “It’s been a wonderful learning experience so far.”
Greenbeck smiles. “You’ve certainly come a long way, my friend. I’m especially impressed by the clinical trials work you’ve done for us.” He leans forward as if he’s about to share an important secret. “That’s the part Nina doesn’t get, Jake. You and I are researchers at heart. We’re not in this for the money. We’re in it for the discovery. We’re explorers, out to change the landscape of our field. Isn’t that what gets you out of bed fired up every morning? Isn’t it the chance to make a difference that counts?”
I nod eagerly, which is how I respond to most of Doctor Greenbeck’s grandiose statements. Jess likes to call it brown-nosing, but in my defense, I’m not the only one who reacts this way to the man who Oprah recently called the “Dermatologist to the Stars.” Most people treat him more like a high-profile politician or actor than a doctor, and he clearly relishes the role, exuding confidence from every pore.
“Take our work with Replacidin, for instance,” Greenbeck continues. “Do you know how many centers worldwide are involved in our phase three trial?”
“Twenty five,” I say, remembering how he recently boasted about the number.
Greenbeck frowns. “Try nineteen. That’s the number of centers that have given us data we can actually use.” He reaches over to pull a bulky binder from the bookshelf, then pages through its contents. “That leaves us with a cohort of 280 eligible patients.”
“But… don’t we need at least 300 subjects to meet the protocol?”
We both share a moment of silence, acknowledging the gravity of this development.
Replacidin, a neurotoxin engineered to cause long-acting muscle paralysis, has been in development for close to a decade. In that time span, the lethal molecule has traveled far, moving from the obscurity of rain forests and coral reefs into research labs throughout the world, finally finding its way to Pulsar Nanotechnologies – an ambitious biotech startup with dreams of creating the next big thing.
With Replacidin, they’ve found it. Once the drug gains FDA approval, it will dethrone Botox as the most popular cosmetic procedure in the world. When our results are published, all competitors will be wiped out, practically overnight.
Which is why even a week of delay could translate into millions of dollars lost. As Replacidin’s lead clinical investigator, Greenbeck is directly responsible for keeping the project running smoothly.
“You see our problem,” he notes somberly.
The human trial stage – called the “Replacidin Efficacy and Safety Trial,” or REST for short – started a few months before I joined Greenbeck Dermatology. The preliminary data, which someone recently leaked to the press, promises to make Replacidin an instant blockbuster worth countless billions to Pulsar Nanotech.
But that’s just the tip of the iceberg. Replacidin is only the first of many drugs in Pulsar’s R & D pipeline. Its launch is sure to make a big splash, but the line-up of innovative treatments to follow will represent the true medical revolution – one that’s based on a patented nanotechnology vehicle designed to deliver drugs with mind-boggling precision. As Greenbeck once put it to me: “It’s not just about treating wrinkles. Imaging sheaths of carbon nanotubes for neurons, allowing stroke victims and paraplegics to walk again. Imagine nanospheres implanted as islands in the pancreas of a diabetic, making insulin shots a thing of the past. Or tethered to a tumor mass, releasing targeted chemotherapy for decades.”
“How do we get the other centers to enroll more volunteers?” I ask, my thoughts returning to the problem at hand.
Greenbeck shoves away the study binder in disgust. “We don’t, Jake. They’ve royally screwed up already. I don’t trust them.”
“So what’s the alternative?”
“Well, my friend…” Greenbeck flashes me his made-for-TV smile – the one that supposedly charmed the ladies of The View so much a few months ago. “We’ll just have to do it ourselves.”
He must notice my dazed expression, because he bobs his head enthusiastically. “Hey, you said it yourself. People are dying to get into the study! We have hundreds of names on our waiting list.”
“But,” I stammer, thinking of what it would take to start two dozen patients from scratch, “There isn’t enough time. Even if we could recruit that many people… it’s just too much.”
“Nonsense! Here’s how it can work: Nina and I will prescreen our list of potential candidates. Starting next week, we’ll free up your schedule so that you can dedicate enough time to the study. You’ll only have to enroll” -- he closes his eyes while making the calculation -- "an average of five new subjects per day. For you, that’ll be a cake walk.”
I nod dumbly, which he takes to be a sign of approval.
“Perfect! Now if we start tomorrow, we should finish all new treatments within a month. That still gives us six full months to draft and revise our paper. We can add the new data right at the end.”
“I’m still not sure…” I trail off when I catch the warning flicker in Greenbeck’s eyes.
“Listen, Jake.” He leans forward so I can smell his cologne from across the desk. “I’ve just offered you the chance to be one of the REST paper’s lead authors. Don’t kid yourself. This is the kind of opportunity that only comes around once in a lifetime… if you’re lucky.”
“But what about my scheduled patients?”
“Don’t worry about that.” Greenbeck’s gray eyes fix on mine. “Our study takes priority. Again: I’ve just invited you to be second author on what’ll probably turn out to be the most important scientific article of the decade. So what do you think?”
“Wow,” I stammer. “I, um… I don’t know what to say. This is such an honor.”
“No need to thank me.” Greenbeck holds out his hand, waiting for me to take it. “You’ve earned this opportunity.”
Now is the perfect moment, a chance to finally listen to my inner voice. I should tell Greenbeck that he wants more from me than I can give, that I can’t be his work mule any longer.
But then what? As I play out the consequences, it’s clear I’ve left myself with alarmingly few options. If I defy Greenbeck now, then he can erase the past year of my professional life. I’ll have nothing to show for all that mind-numbing work but a few residual pay checks and a lukewarm job reference. The painful truth is that Greenbeck can replace me in less than a week, since there are hundreds of aspiring mules eager to take my place. I’m trapped.
“So what do you say?” Greenbeck asks, an impatient edge entering his voice. He’s not used to being left hanging, even for a few seconds.
I shake his hand and thank him for yet another exciting opportunity. Of course I’ll get the job done, I promise. What else can I do?
It wasn’t always this way. One short year ago, I had jumped at the opportunity to join Greenbeck Derm. It was, after all, the opportunity of a lifetime. Who wouldn’t want to be Al Greenbeck’s protégé? Back then, if someone had asked me to describe the man, I would have gushed with praise. I would have pointed to his many accomplishments, then proudly explained how I’d been hand-picked to follow in his impressive footsteps. In short, Al Greenbeck represented everything I dreamed of becoming – the promise of a bright, exciting future.
Now, glancing around his grand office, at the gilded walls adorned with countless diplomas, awards, publication clippings and other professional trophies, it’s hard to fully grasp how empty that promise has become.
*
“So Slick Al’s dumping this all on you.” Jess eyes me knowingly. “Can’t say that I’m surprised.”
“I can always refuse.”
“Yeah, but you won’t. You never do.”
“Here, I’ll call him right now.”
I move toward the phone, but Jess waves me off. “Don’t sweat it Jake. I understand. We’ve both got work to do.”
It’s Friday night and I’ve just broken the news that I’ll be going into the office for most of the weekend. Jess is standing in the foyer of our center-hall colonial, still dressed for work, with an expression of total exhaustion on her face. For a moment, it feels as if we’re strangers, surprised to run into each other in a setting as familiar as our home.
“I’m really sorry,” I say, “but I just couldn’t find a way to get out of it. Can’t you and the kids stay for one more day? I just don’t want you to…” I trail off miserably, not wanting to say the words “leave so soon.”
Jess lets out a barely audible sigh and shakes her head. “I don’t think that’s such a good idea. My folks are expecting us in time for dinner tomorrow. Besides, it’s not wise to drag things out, don’t you think? You know how Emma is with transitions.”
“Yeah," I concede, following her into the kitchen, “but I haven’t really had a chance to say goodbye to the kids. It’s just one more day. You can still head out Sunday morning.”
As I plead my case, she rummages through the refrigerator to pull out a bottle of Evian, eyeing me with annoyance in between sips. By the time I’m done talking though, her expression has softened into something approaching pity.
“Hey." She reaches out to touch my shoulder. “Don’t make this into something it’s not, okay? We’re just talking about a few months. Summer will be over before you know it.”
“And then what?”
Instead of answering right away, she hangs up her navy suit jacket, then kicks off her pumps before turning to face me. Standing in the narrow hallway, our bodies are suddenly so close I can smell the mint on her breath, and in that instant, my wife looks more beautiful, and distant, than ever – like an idealized memory, already fading into the past. “I wish I could tell you that I knew, Jake,” she whispers.
“Yeah,” I whisper back, wishing I could just give her the right answer. But there is none. “So do I.”
How did we get to this point? It’s a question I’ve asked myself every night for months now, ever since I found myself sleeping alone. There are no simple answers.
Sometimes, like tonight, I go back to the beginning, closing my eyes and picturing the moment when we met. I was a first-year med student at the time, spending an afternoon at the Harvard University Health Services. I remember the scene with surprising clarity. Time hasn’t blurred the faces, or erased trivial details: the acrid smell of the patient cubicle, or the pained expression on her boyfriend’s face. He’s seated at the edge of the exam table, doubled over in pain, and Jess has her arm draped around him, gently massaging the small of his back. They make a striking couple: the kind of handsome pair that would be hard not to envy when you saw them walking down the street together, hand in hand.
As I enter in my dorky white lab coat, the boyfriend – Chris or something – gripes about not wanting to deal with another med student. That’s when Jess looks up at me and I catch the sparkle in her eyes, like she’s recognizing an old childhood friend. When she reaches out to shake my hand, the look of familiarity is gone, replaced by the formal body language of a pleasant stranger. Even if things had ended there – if Jess and I had never crossed paths again – I’m sure she’d still be in my memories thanks to that one brief encounter. But of course our paths did cross again, less than a week later.
Alone now with these memories, I think of something Mom once told me, years before I lost her, Dad and my sister Abby in the tragedy that changed my life. I remember dismissing it as a cheesy cliché at the time. She’d described a healthy relationship as a tree. First, you set down solid roots, and then everything that follows grows from that foundation. All the experiences that fill a happy life together, all the branches, the leaves, the flowers – they’re supposed to draw their life from that one sturdy base. It’s your shared past together that nourishes the present, right?
But what if Mom had it backward? What if it’s the present that feeds the past? Maybe that’s where the roots really lie, keeping those perfect memories alive, giving them all their color and meaning. And if those roots become poisoned, then how long before that poison seeps into the past?
What if it starts to feel as if Jess and I were never right for each other – not even in the beginning?
***
© Copyright 2025 graymartin. All rights reserved.
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First of all let me state in my opinion that the writing is top drawer. It is seamless and what I would call even flawless. The reader falls right in beside Jake through your talent and sees everything through his eyes. As to the scene between Nina and Jake. First of all I was blown away by the knock down description of her. She lives. The dialog between them is fast and effective. I don't find it boring in any way. I do however feel the pace slows down a bit too much with the technicality involved in the Replacidin details. Onward and upward, great job. Ron VS
Hi Gray,
Well, I loved this. I especially loved the dialogue between Jake and his bosses. I thought you did a wonderful job of showing how superiors can be...well, superior in the most passive/aggressive way! I don't have anything to offer in the way of improvement. You may want to watch the designer name dropping. The first two times with the doctors, I thought it fine, but when you mentioned Ann Taylor in Jess's scene, I thought maybe it was too much of that. That's such a picky thing, but having just met with two agents, I'm always surprised what they choose to pick on!!
Anyway, your writing is wonderful in this. Lots of great description and introspection and great set-up for maybe some things to happen to stretch Jake's ethics.
~Ann
Re the Replacidin, I'd put the REST definition closer to where Geeenbeck first mentions it; otherwise I have to shift from thinking of it as some sort of rest cure. No, I don't think it's too technical. By this time your reader, at least this one, is enjoying the opportunity to find out more about the whole dermatology biz.
Re Nina and Jake, I'd resist the temptation to make Nina too black-and-white. For example, in the paragraph beginning "Yeah, right," she seems like some sort of Michael Jackson overkill. One or three of your excellent details could suffice and leave the reader feeling that, although she may be flawed, she's of our common genus.
My only carp about the "Jake Meets Jess" part is specificity. I'd like him, or her, to say something memorable, which later on could even become a clue. Or not. It's your scenario and you're doing it magnificently!
Al seems just right, probably a beguiling crook.
Hey gray,
I liked the telling about the new drug in the works, especially that it's a neurotoxin. I'm betting this has to do with bree and the injection that kills the doctor. If so, nice foreshadowing. at the start of this story, I wondered about you starting with his death, but now I'm seeing the method of your madness. this story reminds me of the Columbo plots, where the viewer gets to see the crime, then watch Lt. Columbo solving the crime. as with all good detective work, it boils down to Means, Motive, and Opportunity. Had no problem with the Jake and Jess backstory either, for it further develops these characters. well done.
He definitely had/has some issues.
Apparently, Howard Stern threw a kick-ass party out in Southampton this/last weekend.
At fifty(-)plus years...
..but now[,] she looks more like a cut-and-paste version of body parts meeting the stereotype of beauty:/--a kind of Frankenstein of beauty./..a Frankensteinish beauty. ?
..and the take home message/and the bottom line is always the same: (Y)ou're not billing enough.
Well(,) they have parents, don't they?
Well(,) for starters, you could've...
"Ri[i]ght."
Well(,) then suit yourself... *since you start several sentences with "Well" maybe you could drop this one and just say, "Suit yourself".
*I was surprised that Al had his wife serve coffee. why wouldn't he have his secreatary fetch the coffee?
Again:/, I've just invited you...
Don't sweat it(,) Jake.
Hey," she says, reaching out to touch my arm(,) "(d)on't make things/this into something it's not(.) Okay?
They make a striking couple:/--the kind of handsome pair...
As I enter(ed) (the exam room, wearing) my dorky white jacket/lab coat... *since this is his recollection, I think past tense works better.
...I think of something (M)om once told me..
*I liked the analogy between a relationship and a tree.
Thanks for the good Sunday read, graymartin.
take care,
nathan
gray....Another great chapter. Loved your information about the new drug. It was informative without being boring. Also thought the dialogue with his superior was very realistic. As with most jobs it always comes down to the dollar and I thought you portrayed Jake's frustration with this situation very well. The only suggestion I would make would be to maybe tighten up the flashback scene at the end. I liked it, but perhaps could be trimmed. Sometimes condensing will bring a little more tension to the piece. Again, just my opinion.....Denise
This writing is so much fun to read. Loved those details "her exact age heavily guarded secret" LOL. Those details about how she had been put together were too good!
This is a fast paced world and I liked the mention of The View, helping to set the scene.
All that talk about the Hamptons was fun, too. So posh or pretend posh! :)
The details about the drug were just right. We see so many commercials about new drugs nowadays. That jargon is familiar. T Cat
Hi Gray,
So this is where your book starts, IMO. The REST trials. (I'd use the acronym after you explain it, btw - I thought REST mean sleep, when I first read it.)
I do not think you've overdone the medical details at all - this is what I expect in a med thriller, and it's very very well done. Your expertise shines in this chapter. : )
Jake's marital problems work here, as does the flashback, but again, too much chit-chat.
As for the office scene, the nurse should be cut back, as should the waiting time with Nina. I have a scene similar to this in CR ch 1, where my lead waits for her boss to get off the phone, then sees her secretary. I took most of it out because it didn't advance the story. We know Jake is a peon at his job, so you don't need to prolong how whipped and powerless he feels via Nina.
Great description of Nina's plastic surgery looks, btw, and I can visualize Albert perfectly! : )
If agents have passed on this so far, it's because Jake's personal story isn't brisk enough yet, your main story starts here, and the Bree story needs to be weaved in to the main story much more closely.
Of course, who am I to say? I've been rejected or ignored like 15 times. This summer is my third attempt, after umpty ump revisions. But since I've suffered from the exact same flaws in my storytelling and paid a very expensive writing coach to point them out to me over the last 12 months, I'm sharing her words of wisdom with you: identify and stay on Jake's deep driving desire. What does he need more than anything in the world? Self-respect? His wife's love? His growth, so he gets what he needs, should mirror your plot development, while the stakes are made apparent from the git-go.
Condense, edit, eliminate chit chat and everything that doesn't stay on your through line of the plot and Jake's character.
So, for example, the nurse, who adds authenticity to your setting, needs to be scaled back, just like the ER doctor in that scene in The Fugitive where Harrison Ford sees the kid and reads his X-rays. She's a bit player - imagine this as a movie to put everyone and everything in its proper place.
The wife backstory, and the kids -- think of the strains on Tom Cruise's marriage in The Firm. Or Rusty Savitch's in Presumed Innocent (my personal bible) - those were what propelled Rusty's affair and Caroline's murder, but they didn't overwhelm the story.
Just my thoughts. This book will be eminently salable if you can push past the tendency to write too much - easier said than done!
And like I said, I haven't landed an agent yet either, so who am I to say? But ONE of us has to! Hopefully we both will, and soon!!!
: )
Terri
Hey, Gray - So Jess is taking the kids with her during her summer project, apparently. At first I thought this was an abrupt trial separation, but then I remembered that thing she was working on with the marine biologist. I think that was two chapters ago. Might want to remind the reader of that.
Jake seems to know his brands for women's clothes. :) I could just be oblivious, but I wouldn't have the foggiest idea about designer apparel. Well-tailored, expensive-looking - sure - but not labels.
Jake seems to have been hired as a worker bee in the clinic. And his chances for partnership or even a salary increase don't look good. I wonder what his contract specifies. Not important to the story, I imagine. Just wondering. BTW, was he hired right out of his residency?
I thought the narrative about Replacidin was done well. You needed to make it plausible, and you succeeded, in my view. The medical details were necessary. This is a medical thriller, after all.
Regarding the flashback, I assume you'll flesh this out later, because you left us with the tease of that subsequent meeting between the two that apparently started the ball rolling in their relationship. For a man whose marriage seems to be crumbling, thinking back to how it all started between them would be natural. So no problem there, and I expect we'll be getting more flashbacks as the story moves forward.
And speaking of moving forward, this chapter does it with the Replacidin foreshadowing.
- "Some people have personality disorders[,]" [I agree]. {Unnecessary tag, IMO}
- At fifty(-)plus years...but now[,] she looks more...
- [(f](F) a man in his mid-60s...full head of hair[)]. {Works without the parentheses}
- "...in [our phase three trial] (the study)?" {Jake would know it's Phase Three, and unless you're going to be including the earlier phases of the study, I think this could be deleted. Plus, you do go on to say this is the human testing part of the trial.}
- "Twenty(-)five," I say...
- [Imaging] (Imagine) sheaths of carbon nanotubes...
- "Still," I say, focusing on our immediate concern, "[W](w)e should be able to adjust pretty easily."
- "Don't sweat it(,) Jake. I understand."
- By the time I'm done talking(,) though, her expression...
Huge money at stake with Replacidin. Good premise for a medical thriller! And now I see another role for Caulder in this story.
Take care,
Jack
Hello, this chapter provides a very good impression of who Al and Nina Greenbeck are, but not such a good picture of Jake. He seems rather like the wimp Jess thinks he is. I think you need to start giving us some idea of the real person Jake is. the flashback scene at the end could possibly be used to do this: there must be some reason why Jess was attracted to Jake, maybe you could start bringing this out here. If not, the flashback seems to have little point.
As to your other question about the Replacidin details, they do not seem boring to me (but I'm from this science/research world, so maybe not the best judge). The only change I would suggest is to bring the paragraphs that explain what Replacidin is and the paragraph about the REST trials up earlier in the text so the explanations come immediately after the first time these two things are mentioned.
The only other question I have about this is one about the length of the REST trial. It seems from your text to have been going for about nine months with maybe six months to run. Is this long enough for a medical trial?
Nits: <your text>, [delete], (add), {comments}
<“They’re your accounts receivable for (the) last quarter.>
<Plagued by these doubts, I sink into my pillow.
Hating the now familiar sensation of having so much empty space next to me.> {It seems to me that these two should be one sentence.}
I love Nina. The conversation about how jake needs to sell more is terrific. Especially making sure every baby with eczema gets a bottle of lotion! In addition to being really entertaining it helps the reader understand jake's frustration and highlights the creepiness of the greenbecks, getting us ready for Al. I don't think the information about replacedin is too technical. But i'm not feeling jake's excitement about it. I also thought you might have gone deeper into the conflict between jakes ideals and what he is actually doing. A sentence or two about why he is disillusioned might create more tension. This chapter is great but I think there are a few places where you missed the opportunity to bond us more with your narrator.
Is the conversation between greenback and jake too long?
No, I like it. Your writing is effortless to read.
The chapter doesn't flow as smoothly as the others.
The tension here seems a little forced.
Recommendation = let's not have jake wait too much.
Reason = the read holds the 'moment-just-before-the-fall' too long.
Oh yeah, mrs greenback is like most bosses I know who are.....that way......
Very believable. Very well done.
Hmmm.
The "REST" portion is VERY jarring to the read.
Suggestion = use the word in low-caps with asterisk *rest*
Alternative suggestion = have mr greenback add onto his statement before the "REST" comment.
"How is the replacidin or REST trial going?"
And wow.
This guy knows what he is doing doesnt he?
A charmer, a true.......manager.....that mr greenback is.
With such a high intensity moment of jake biting off more than he can chew I would reccomend having the chapter end there.
It is hard to pick up the reverse end of that swing to keep reading about his domestic life again.
Hi - another good chapter. I really like the main character, Jake. He seems very 3 dimensional - very real to me. Some of the other characters seem like they might need some more dimension though. Particularly, Jess - I like the flashback scene but it still didn't give me a sense of her. I'm expecting that it will grow as I continue reading.
The "Replacidin" details are good. I even looked up neurotoxins and where they come from because I was wondering if mentioning rainforests and great barrier reef was heavy handed BUT alas, there are neurotoxins that come from those places - nice research:) You have set the scene up well for these trials and also the type of people who would be interested in being part of them. I'm looking forward to seeing Jake conduct his research even though he isn't exactly looking forward to it.
Hi Gray! I thought the intro of Al and Nina was really nicely done, and they came across as completely unlikable, lol. Nina, mostly because of her general attitude, and Al because, as a reader, I left that conversation feeling that Jake is just so whipped. And I like Jake! But you've presented very solid reasons for his reluctance to leave his job, and I am able to feel his frustrations - both of which work towards making this character very human.
Your writing is smooth, and this is a nice easy read, with no bumps. Couple of things I really liked - the "vibrant plumage display" and the "Frankenstein of beauty" - awesome descriptions, lol. I didn't find the encounter between Jake and Nina to be too lengthy at all. And her making him wait seems like a good tool to emphasize not only Jake's position, but also this woman's bullying personality.
As for the memory about meeting Jess - it seems to come at a good place, since his marriage is currently in the toilet. Natural for him to think back on their first meeting. But I almost think it needs more of a punch. The line about her eyes sparkling is great, but I found myself wanting to feel more of what he felt for her. Was it an instant I've-got-to have-her thing? Did he ask her out right there, with the boyfriend there? Of course, I'm often guilty of over-writing, so you may want to discard this, lol.
Loved the tree analogy, and his thoughts about the present being the real roots - that's great. Is this the first we have learned that Jake's mother is dead? And is it important to the story? As it, it almost detracts from the whole purpose of the paragraph - I found myself wondering, now about his mother's death, and not thinking so much about his relationship. Does that make any sense at all? If the death was already mentioned earlier, sorry! It has been too long! But if not, you may want to consider taking it out here, and injecting it later, with more detail, if it is important to your story (?)
The REST thing - I thought you explained this in a succinct fashion, and got very quickly to the meant of the story, so that I wasn't bored by it at all. My only recommendation would be to find a way to explain what REST means as immediately as possible. When Jake responds with "REST?" I was thrown off, and found myself skipping ahead to try to figure out what the initials stood for.
Anyway, another great read! I'm hooked! (And sorry I'm so behind - I'm chronically short of time, sigh!) Cathy
This is too easy...it flows, its interesting, the character development is great, you reveal so much in dialogue, the good cop-bad cop of the husband wife team, (initially), and then the realization of how manipulative Dr. Greenbeck is. Reading your question: I really liked all the clinical trial explanation of the Replacidin details. It sounds authentic, which makes it that much more readable and enjoyable. I never like reading about something scientific that sounds less that accurate, or dumbed down. The Jake meets Jess flashback, you were able to weave it in effectively, dropping in the bit about his sleeping alone (which we kindof got with Emma, but didn't really know for sure). And the scene with Nina, that was painful because it rang so true. I have severe sun damaged skin (years of lifeguarding in my youth), so spend more time (and money) than I like at the dermatologist's office. And I always feel like I'm being hoodwinked into buying the next best miracle treatment. Being human, and female, and vain, sometimes I succumb, sometimes I'm able not to, and my husband laughs at my magic(less) potions. So yes, that scene worked. Too Well!
Reviewing you is like cheating...its too much fun,
Simi
Just so you know, I don’t often tend to read other reviews before I write my own. I have been doing that somewhat with yours because I’m trying very hard to figure out why others are missing some of the mechanical issues I seem to be finding. My only conclusion is that maybe they read a different version of the chapter, or maybe I’m being unnecessarily hard on you. There's also the consideration that some folks like to take a reading perspective, and others a writing...but either way, please take my comments and suggestions with the appropriate grain of salt.
Sadly, this chapter is my least favorite so far.
All of the dialogue between Jake and Erin is superfluous. It’s either qualifying something that’s already well implied by narrative, or idle chit chat—neither of which are very effective.
The dialogue between Jake and Nina took a long time to get to the point, but was better. When he speaks with Nina’s husband, it gets much better. Assuming that conversation must be related significantly to plot, the intricacy of the detail wasn’t quite so underwhelming.
Your transitions need work. There is nothing at the start to anchor the reader from where we last saw Jake (the cape), to his now being at the office…seemingly while he’s still on vacation? If time has passed, it would be nice to let the reader know so they can stay oriented within the tale.
There is a ton of over description happening here. It’s curious to me that each and every time Jake looks at a person, or walks into a room where there is another person, or thinks about a person—his first reaction is to describe their physicality in painstaking, and oft times unrealistic detail. To me, this is what I meant by artificially inserting description. I sense you the writer far more than I sense a voice coming from Jake.
Also, while I am on the subject of sensing the writer in the narrative; in the last chapter Jake knew the sheets were Laura Ashley. In this chapter he spots a Versace suit, and a million other incidental things before the chapter is over. The overall effect is not only can this kind of overly descriptive narrative stymie the read in terms of pacing, but in your case it also doesn’t, in any way, shape or form, skew appropriately male.
Structurally, I’m concerned that you are taking a LOT of time to set this story up. We’re 5 chapters in now and the surface of plot related action has barely been scratched. Considering how you have this novel tagged, you may want to take a look at that.
That’s all I have time to read today. Please do let me know if my critique isn’t the kind you’re looking for, or if I am being too heavy handed. Some like it, others don’t, and I don’t mind tempering my comments accordingly.
Good luck!
Another good chapter, Gray. You’re portrayal of Al and Nina and their treatment of Jake have put me squarely in Jake’s corner. Nina is despicable, but Al is not far behind; he just hides it better. The description beginning with the “cut and paste version” is impeccable.
Jake has mastered his reactions to the two of them, from pretending there’s a “trace of sincerity” in Nina’s question and his responses to Al. It’s obvious he no longer feels any of his original excitement and has lost respect for both his bosses.
The Replacidin section is a bit tedious, but it didn’t bother me. It builds the tension over the ethical issues Jake will need to settle with his conscience.
The flashback works here. I liked the “idealized memory, already fading…You hinted at their second meeting---I want to hear more.
The introspective part about his mother’s comments about relationships seemed kind of hokey here. I do like the lines after that for an ending, particularly his wondering if he and Jess had ever been right for each other.
All About Committment
Hi graymartin,
Your writing flows nicely, so this chapter is a smooth read... I think you gave enough back and forth with Al and Nina to give a clear picture of greed and superiority... Don't like them so much...!
Just the right amount about the Replacidin to understand what it does and what good old Al wants done...
Lovin' Jake all the more for having scruples...Thinking back about Jess was a nice touch to give more insight into their not so good relationship... Overall, a great chapter... Happy Day * Keep Smilin'... Jax
Didn't seem detail heavy to me. Guessing this is crucial info to the plot.
Nits: ...can replace me [im] less than... (in). Don't sweat it[] Jake. (,).
That's all I found. Anxious to see where this one goes & if the nasty lady in the beginning is part of it all.
You know how I feel about mixing first person and third person, even when it's separated into a distinct chapter. With that said, you did provide important information in the last chapter, making us very suspicious of the Greenbeck's immediately in this chapter. The question you have to ask yourself is, "Do I want this?"
Do you want us suspicious of them now, never trusting them? Or do you want to ease us into this by their actions as we experience them in first person? If the former, then you need to keep the previous chapter. But, sometimes its nice to lull a reader into complacency, then smack them over the head with something dramatic. Not having that chapter will allow this to happen. Now, the cat's out of the box.
I'm also not sure the flashback works. It's well written, but I don't know that we need to know their old history to understand their breakup. Recent history, yes. Old... not so much, unless there is something there that is important. But, I saw nothing in the flashback as written to suggest that.
rlvs