I had considered having the Church consult a well-known mathematician from that era. My preference would have been Isaac Newton, but he wasn't Catholic and he was still a boy. Instead, I'm thinking of changing sharp-eyed to statistically inclined. I'm also still considering changing the date that this all started since 370 years seems very long to topple the Church from within.
976 2021-01-03 03:22:24
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
977 2021-01-03 02:31:57
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Fixed the problem caused by the low life expectancy in the 1600s. Instead of comparing priest life expectancy to those of the average male, the sharp-eyed monk compares them to the average *adult* male. A one-word fix. That weeds out the deaths of minors, which greatly skews the average.
978 2020-12-31 07:11:21
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Sadly, Dawn Wells (Mary Ann from Gilligan's Island) passed away from complications due to Covid. And it wiped her out financially. Someone started a GoFundMe page for her that quickly raised about $175K.
979 2020-12-19 03:46:50
Re: Point of order, Mr. Chairman (9 replies, posted in TheNextBigWriter Premium)
I think it depends on the character. A snooty grammarian or a very formal character might talk without passive voice, just to make them sound different, whereas a country hick probably wouldn't give a damn.
980 2020-12-08 21:14:39
Re: Too many exclamation marks? (7 replies, posted in TheNextBigWriter Premium)
Thank you, all. Very helpful.
981 2020-12-07 21:58:55
Re: Too many exclamation marks? (7 replies, posted in TheNextBigWriter Premium)
I'm not sure how. The stabbing, the shooting, the confrontation with the other guards, the demonic dagger & holy water, Connor's failed prayer, etc. are all natural elements of the scene based on what occurred earlier in the story. This is the end of act 1 and intentionally very tense, so this is a place for show over tell.
982 2020-12-07 20:45:40
Topic: Too many exclamation marks? (7 replies, posted in TheNextBigWriter Premium)
I've read more than once not to overuse exclamation marks. Below is a tense scene that uses eleven, which I normally wouldn't do. Is it too many? Where would you cut some? Connor is just a teenager, which adds to the tension.
A Swiss Guard approached the group. “I have a message for Connor.”
“I’m Connor.”
The guard’s irises turned fiery red, and he rammed a dagger into Connor’s gut. The guard withdrew the blade and prepared to strike again.
Romano and De Rosa jumped the guard as Campagna drew her weapon.
Connor cried out and fell. He covered his wound with his hands, but blood flowed around them.
The guard howled and threw off both men like rag dolls.
Her shot clear, Campagna opened fire. The guard fought to reach her, but she kept firing, slowing his approach. As she emptied her magazine, he collapsed and a ghostly apparition rose from his body. It roared at Connor, then fled. The demon body dissolved.
De Rosa shed his jacket and tore off his shirt. He used it to apply pressure to Connor’s wound.
Other Swiss Guards came running, guns drawn.
Campagna ejected her empty magazine and replaced it with another. She held her pistol ready. “Stay back!”
“Put your gun down! Now!” one of the guards commanded her.
“Stand down!” De Rosa cried. “She’s Polizia di Stato.”
Campagna and the guards lowered their weapons together. One of them radioed for an ambulance.
The cardinals exited the conference room warily.
Romano and Campagna knelt beside Connor.
“He’s bleeding out!” De Rosa said. “Connor, can you stem the flow?”
He crossed himself and began to pray. After a short time, he said, “It’s not working!”
Romano glanced at the dagger, its handle inscribed with the Latin word “Antichristus.” He turned to Father Luca. “That’s a demonic blade. Your holy water. Quickly!”
Luca poured it on the wound.
The water began to glow on Connor’s skin and the bleeding slowed.
De Rosa said, “It’s working.” He reapplied pressure.
Connor paled and his lips turned blue. His eyes rolled up in his head.
“Stay with us, Connor!” Campagna cried.
His eyes closed and his hands fell to his sides. His wound ceased to bleed.
Campagna felt for a pulse. “Damn!” She began chest compressions.
“His halo is fading,” Song said. He turned to his fellow cardinals. “Pray!”
“Connor!” De Rosa roared.
Thanks
Dirk
983 2020-12-05 17:28:23
Re: Paragraph/dialogue structure questions (5 replies, posted in TheNextBigWriter Premium)
Thank you, gents. Very helpful. For example three, I reworded it slightly to eliminate the issue:
The room exploded with outrage, with cries of “Nonsense!” and “Heresy!”
984 2020-12-04 22:37:09
Topic: Paragraph/dialogue structure questions (5 replies, posted in TheNextBigWriter Premium)
I'm trying make my use of paragraphs more consistent in my book. Below are examples that I handled differently and I'm wondering which are most correct.
In the following, I describe actions performed by both Romano (the POV character) and Nnamani, then place their subsequent dialogue in separate paragraphs.
Romano and Nnamani summarized for the council the many supernatural events that had manifested around Connor, including his growing powers and the attacks against him.
Nnamani said, “I have no doubt God is working through Connor.”
“I agree,” Romano said.
Below, both men look at each other, then Nnamani addresses Connor. Romano does not speak here.
Romano and Nnamani looked at each other in alarm. “Explain that!” Nnamani said.
(Connor responds...)
For consistency, I'm almost inclined to move Nnamani's dialogue into a separate paragraph. However, if Romano (the POV character) were to speak that line of dialogue, I would normally keep the two sentences together.
Below is another case. Since the exclamations are generic from the crowd, I'm inclined to keep them together.
The room exploded with outrage. “Nonsense!” someone shouted. “Heresy!” cried another.
Thoughts?
Thanks
Dirk
985 2020-12-04 02:57:00
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Those are just the plot holes I noticed this time around. The worst plot holes were immediately obvious in the theater. In ep. 8, Leia sent a distress signal to the rest of the galaxy and absolutely nobody came. This time, Lando leaves for a few hours and returns with the largest "rebel" fleet ever seen, easily ten times the one that attacked the second Death Star. And let's not forget that Palpatine has been building/hiding the most massive "imperial" fleet ever (of course). Each ship is so advanced that it can destroy a planet, and all of them are hiding in the cloudy atmosphere at Exogol. However, these super-advanced ships apparently can only go "up" into space with the help of a navigation station/satellite, of which there is exactly one for the whole fleet. Ack.
Rotten Tomatoes gives the film 50%, which is incredibly generous. Anakin pouring his heart out to Padme in ep. 2 was less painful to watch. They all should have stopped after the original trilogy.
986 2020-12-03 05:23:17
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Rented Star Wars 9 to watch on my new TV. Now that the nostalgia has worn off, I realize it is a horrible film. Half the film was about Rey and her friends racing from place to place trying to find the way to Exegol, the Emperor's hidden planet. I had mental whiplash given how much hopping around they were doing. They eventually stumble upon a Sith blade that leads them to Endor, where Rey uses the blade to home in on a specific part of the wreckage of the second Death Star lying in the ocean. That leads her to Palpatine's wrecked throne room, where a side room hides one of only two wayfinders leading to Exegol. Kylo Ren somehow found the other. The room with the wayfinder was designed to display it, meaning Palpatine must have placed it there decades earlier in case someone wanted to find Exegol. But why would Palpatine need a wayfinder to Exegol given that he boasted in ROTJ that the rebellion would be crushed at Endor and Luke would fall to the dark side? And who designed the Sith blade that magically points Rey at the right part of the wreckage?
All the plot holes in Gilligan's Island can't hold a candle to the crap in that film.
987 2020-11-22 17:37:14
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Kdot, I'm trying make my use of paragraphs more consistent. Below are two examples that I handled differently and I'm wondering which is more correct.
In the following, I describe actions performed by both Romano and Nnamani, then place their subsequent dialogue in separate paragraphs.
Romano and Nnamani summarized for the council the many supernatural events that had manifested around Connor, including his growing powers and the attacks against him.
Nnamani said, “I have no doubt God is working through Connor.”
“I agree,” Romano said.
Below, both men look at each other, then Nnamani speaks (Romano does not).
Romano and Nnamani looked at each other in alarm. “Explain that!” Nnamani said.
For consistency, I'm inclined to move Nnamani's dialogue into a separate paragraph.
Thoughts?
Thanks
Dirk
988 2020-11-22 00:23:44
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
After 45 years I finally looked up what a moisture farm is. It never occurred to me that it's exactly what the name suggests - farming for moisture. I know Frank Herbert complained about how much Star Wars ripped off Dune, but moisture farms are pretty blatant.
989 2020-11-15 19:24:26
Re: How to handle lots of dialogue within dialogue? (16 replies, posted in TheNextBigWriter Premium)
Thank you, all. As some of you have pointed out, it needs to be structured differently, which would require a rewrite. Also, as CJ pointed out in his review, the dialogue in question doesn't really add much. The quick fix is to rip it out. Nevertheless, it was surprising/interesting to write myself into a corner. Haven't done that in a while. :-)
Thanks again.
Dirk
990 2020-11-15 16:40:30
Re: Who’s the point master? (26 replies, posted in TheNextBigWriter Premium)
2068 here.
Impressive. Most impressive. Obi-Wan has taught you well.
(I am such a nerd.)
991 2020-11-15 16:38:49
Re: How to handle lots of dialogue within dialogue? (16 replies, posted in TheNextBigWriter Premium)
Thank you, Linda. Not to beat this to death, but the characters who are telling this shared tale (using double quotes) also relate dialogue that was spoken within the tale. That requires nesting quotes, which is what you see in my initial post in this thread. Maybe I'm just missing something...
Thanks
Dirk
992 2020-11-15 03:32:59
Re: Who’s the point master? (26 replies, posted in TheNextBigWriter Premium)
You beat me by about 100 points. I also wish the site allowed us to share points.
993 2020-11-14 14:33:52
Re: How to handle lots of dialogue within dialogue? (16 replies, posted in TheNextBigWriter Premium)
I'm not sure how that would work. The characters in the story weave in and out of the tale, talking to each other, moving around, etc. Also, there is more than one narrator; other characters jump in and tell parts of the historic events.
994 2020-11-13 12:09:21
Re: How to handle lots of dialogue within dialogue? (16 replies, posted in TheNextBigWriter Premium)
Thank you, John. Yes, Elrond is an imperial turncoat. He's actually a Whill, a race of godlike beings who use their powers to maintain balance in the Force.
I took the short story down because it needed more work. It should be back up this weekend in two or three easily digestible parts.
995 2020-11-11 03:47:41
Topic: How to handle lots of dialogue within dialogue? (16 replies, posted in TheNextBigWriter Premium)
Does anyone have any suggestions on how to handle a lot of dialogue within dialogue? It comes up quite a bit when someone in a story is, in turn, telling a story involving dialogue. Below is a somewhat contrived example I carved out of some recent fan fiction. The paragraphs in bold are the storyteller (Elrond) speaking to his audience (which includes Luke). The rest is nested dialogue, including some minimal narration. The bold won't be in the fan fiction, but the blank lines would be. Note the switch from double to single quotes.
"An Imperial walker delivered Luke to me at the landing platform, his wrists in restraints. The officer in charge gave me Luke’s lightsaber. I dismissed him, leaving Luke and me alone for the first time in many years.
'Hello, Luke.'
'Hello, Elrond.'
'It’s good to see you again.'
Luke looked at me sadly. 'I never thought we’d end up on opposite sides of the war.'"I wanted to take him into my confidence and reveal my plan, but it was too dangerous. Palpatine was an incredibly powerful Sith Lord. One slip by Luke and my plan would’ve fallen apart, leaving Palpatine aware he had been manipulated. He would not fall for the same ruse twice.
'Vader will be here shortly,' I told Luke.
'You don’t need to do this,' he said, using the Force in an attempt to influence my mind. 'Walk into the forest and disappear.'
'I can’t do that. I have a role to play, as do you.'"We spent the next thirty minutes mostly in silence, waiting for Vader. When he arrived, he told me, 'Leave us. Find his companions.'"
In the fan fiction in question, Elrond weaves in and out of his story frequently (sips his drink, coughs, smiles, nods, etc.), and Luke also interrupts, so it's not something I can tell in one continuous flashback scene. Nested quotation marks don't work well for the total amount of dialogue in Elrond's story. Also tricky is the fact that sometimes Elrond only relates one line of dialogue within dialogue (see last sentence of the example above), which probably should use nested quotation marks.
Is there a better way to do this?
Thanks.
Dirk
996 2020-11-10 04:17:49
Topic: Star Wars 9.1 (0 replies, posted in TheNextBigWriter Premium)
For any Star Wars nerds, I've put up a short story called Star Wars 9.1, which I plan to post on fan fiction sites in the near future. Would appreciate any feedback you'd care to give.
In a scene that takes place after episode 9, a Whill named Elrond has a conversation with Rey about his secret involvement in the key events of the original trilogy (episodes 4 - 6). Whills are immortal beings conceptualized by George Lucas that went unused in the final trilogy.
As with my Dune short story, Star Wars 9.1 is basically me totally messing with Star Wars canon without appearing to mess with canon. Just for the hell of it. :-)
Thanks
Dirk
997 2020-11-08 19:06:35
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Episode 9 was a decent wrap-up for the saga given the fact that they didn't follow a story arc for the last three films. It's asinine that they would do that with a multibillion dollar franchise. The best part about 9 is that Emperor Palpatine was back (as a clone). That was an asspull. The worst part was when Lando takes off to round up enough ships to take on the Emperor's massive new fleet. He comes back in no time at all with hundreds of ships, easily ten times the size of the fleet that attacked at Endor. People in the audience burst out laughing it was so bad. At least they retconned all the s--t that went wrong in episode 8. Not to be outdone, my story retcons the original trilogy. :-)
998 2020-11-08 04:49:12
Re: Savior of the Damned (the Connor series) by Dirk B. (1,461 replies, posted in Fantasy/Magic & Sci-Fi)
Star Wars 9.1 is up under short stories. Similar concept to my Dune story. I totally mess with canon but also explain why no one in the galaxy knows about it.
999 2020-11-03 02:00:02
Re: Enhacement request for reciprocal reviewing (3 replies, posted in TheNextBigWriter Premium)
It sometimes take me two to three weeks to reciprocate all incoming reviews. I'm too addle minded to track that much information for any length of time. I want to make sure everyone who is supposed to gets a recip.
1,000 2020-11-03 01:09:08
Topic: Enhacement request for reciprocal reviewing (3 replies, posted in TheNextBigWriter Premium)
Sol, would it be possible to add a couple of additional bits of information to the Active Connections tab? Specifically, the last date/time I reviewed someone's work, and the last date/time they reviewed mine. The more people I have as reviewers, the harder it is to keep track of to whom I owe reviews and on whom I've waiting for reviews. Currently, I flip back and forth between the four Reviews tabs, looking for who reviewed whom last. This would put the two pieces of information in one place.
Thanks
Dirk