551

(4 replies, posted in Mama, Trains and Pickup Trucks)

Roy came to Hollywood as a handsome young guy, and had plenty of leading ladies, all more beautiful that Dale, but I guess none of them could sing harmony.

http://www.happytrailsforever.com/view/?pageID=151254

552

(4 replies, posted in Mama, Trains and Pickup Trucks)

If you look at this week in CM history, you'll find Roy and Dale mentioned twice. His birthday is this week. Nice to know his family is still singing. We all loved that show, and thought they were wonderful.  JP
I hope the link below really works. If not, google Roy Rogers and find a whole lot of his songs on Youtube.

This one is for "May the Good Lord Take a Likin' to Ya"
https://www.google.com/search?q=roy+rog … xk7d9WM%3A

553

(14 replies, posted in TheNextBigWriter Premium)

I discovered a trick one day when I was faced with a screenful of bits I wanted to use in some way. (They became "The Blonde on the Beach.") Now I use it all the time. I type every bit as a separate phrase or sentence, each on its own line. Then I start playing around with them--If A said this, what would be B's and C's reactions? When everything fits together in a sequence I like, I turn the phrases into sentences, and the sentences into paragraphs, and there you are. Need a little action? Use actions instead of dialogue tags.
"Order in the court!" The judge banged his gavel until it broke and went flying across the courtroom.
Juror number 5 leapt out of the way. "Hey, Judge! Look out!"
The defense attorney picked up the offending piece of wood and brought it back to the bench. "I believe this is yours, Your Honor."
No boring tags, plenty of action.

554

(14 replies, posted in TheNextBigWriter Premium)

Janet Taylor-Perry wrote:

Don't know of any guides, but if you have lots of people, you have to do something (tags/movement) to show who's speaking.

So right, Janet. You told me this last year and now, I can see what's lacking. Movement/ action gives a sense of place and time without having to describe the people and surroundings ad nauseum. No clocks, calendars or sundials required.

vern wrote:

I'm not sure why meetings should be treated different from any other scene. You cover enough to paint the picture and let the reader fill in the rest. You don't have to cover every speaker or every word of those who do speak and you don't have to show all the actions.

Vern has a point, too.

555

(6 replies, posted in Fight Club)

They're at it again--over in Premium group. Fighting over the use of dialogue tags. What you're allowed to use and what's strictly forbidden.  I've noticed one thing--the people who are most willing to jump in and air their opinions are those who haven't posted any new work since 2010. Maybe they haven't had an idea since then. I think they just argue to see their words in print.

556

(55 replies, posted in TheNextBigWriter Premium)

"This whole conversation is exasperating," I sighed.

I guess one could say, "Joe coughed, 'Bullshit,' into his fist."
No, I'm not offended. We'll just have to agree to disagree. I think, though, the point of the article was the overuse of dialogue tags in general when using movement or facial expression or something would better move the story along.

Bravo, Janet! for sticking to the topic offered for discussion. It is just this kind of rants that turned me off about the old site.

What it all boils down to is a question of personal style. We learn the generally accepted "rules," then we use them or not, as we see fit. If I didn't have work of my own to attend to, I'd go looking for quotes from successful, even famous, authors to support the claim.

Take care or live dangerously. I kind of like the latter, but it's your choice, based on your personal style.  JP

557

(13 replies, posted in Cop Shop)

Here's another web site that offers a wealth of information for those of us fascinated by crime but too chicken to make it a lifestyle--authors.
http://www.writing.ie/resources/really- … e-writers/

And here are the words of Lee Child himself, on crime writing.
http://www.writing.ie/special-guests/le … he-affair/

558

(55 replies, posted in TheNextBigWriter Premium)

When I first started writing I made a poster of these words (and more) that were to be avoided and hung it on the office wall. I soon found I couldn't write, because I kept trying to avoid the words  on the list, and that took more effort than telling the story. Even though the article starts out by saying this is a process best applied during the editing phase of writing, it tends to make one nervous about word choice. I finally took the poster down and just started writing what I felt. I'm doing much better now, I think.

If there weren't a use for these words in the language, they would never have come into being. There are times when they are needed, and we shouldn't have to worry about using them. I would say to write what you feel--it flows more naturally, I think--then let a reader point out those things that seem repetitive or superfluous. It's hard to edit your own work.

I believe, with experience, we tend to write better sentences and make better word choices. It's true you need to practice, practice, practice to get to Carnegie Hall.

559

(15 replies, posted in TheNextBigWriter Premium)

It seems to me you won't be infringing on anything. Different story, different setting, different time, etc., right? The number of names in the world is finite. Sooner or later, someone is bound to repeat a name or two involuntarily. That's nothing compare to the frequent reuse of titles, which is deliberate. I don't think anyone will complain.

560

(7 replies, posted in Cop Shop)

Mike Roberson wrote:

You'd be lucky if any of the cops from that era could remember what they did. I'm from the late sixties and seventies but things did not change drastically until DNA, and other new techs. I remember when our lab learned the superglue fuming to raise fingerprints it was like a new world.
You don't have to kill anyone off to move a detective. He could ask to be reassigned for this case if it was special to him. Or the supervisor could re-assign him because of special skills.
You talking about old cops made me think about a guy in our neighborhood. He is in his 90's and was on LBJ's Secret Service detail. He does not talk about his experiences. I wish he did.

Darn! He would be a great resource, wouldn't he? Too bad I never paid attention to the old guys' reminiscences when I was young. I might be a lot smarter person if I had. Well, that's what happens when you're young. Let's write down everything we remember for future old people to learn from. The way things are going, it might come in handy.  JP

561

(15 replies, posted in TheNextBigWriter Premium)

Well done! Congrats, winners!

562

(7 replies, posted in Cop Shop)

That's what I'm using, since there aren't any old cops around to tell me about that era. I try to infer procedures from books written by law enforcement veterans, though most of them wrote about famous cases. Crime scene/ investigative procedure seems to have been a matter of interpretation. Anyway, I buy a lot of old books. Sad to say, some of them are useless to me, having been given sensational, misleading titles by someone else. But a paragraph here, a paragraph there... Lucky I have always enjoyed research.  JP

563

(5 replies, posted in TheNextBigWriter Premium)

If I must, I must. I can deal with it. Thank you, Charles.  JP

564

(7 replies, posted in Cop Shop)

dags--Sounds like a great resource. Thanks.
My story is set in 1948, which is very different in terms of procedure and technology. We had a great deal of trust in the police at that time, considering they didn't have a lot of knowledge or tools for solving crimes. All of my stories are set in the forties and fifties, although if I write a sequel to Roberta, it will involve a returning Viet Nam vet, which would be the right era.

565

(5 replies, posted in TheNextBigWriter Premium)

Thanks, Tom. I tried it. It didn't work. I reset, then tried to submit and it told me to post the story again. There must be a way to do it without winding up with two postings of the same thing. Maybe not...

566

(7 replies, posted in Cop Shop)

j p lundstrom wrote:

I didn't think of something.
My victim was discovered at night, and the crime scene was visited by the detectives who work at night. Who will go out the next day and interview the victim's friends and acquaintances? Will the nighttime detectives go on days to investigate, or will the day shift take over? It seems small, but it really isn't. After thinking about it I realized my favorite author's detective is always roused from a sound sleep to visit the crime scene, then he continues the rest of the investigation during the day.  Any suggestions, examples, experiences that can help me fix this?

Well. I killed off his partner so he could get reassigned to days. I figure that'll be good for some extra conflict. Any other suggestions?

567

(5 replies, posted in TheNextBigWriter Premium)

I'd like to enter the short story contest with content I posted some time ago. How do I go about posting the content again? If I post as new content, I'll wind up with the story appearing twice. Is that the only way? Thanks for your help.

568

(18 replies, posted in HORROR AND THE MACABRE)

Hello--I just joined the group. I like a challenge; I want to learn to write scary stuff. The scariest book I ever read was "The Other," by Thomas Tryon. The tv movie didn't do it justice. I did get a scare from "The Exorcist," though. I was a young mother, my children were safely tucked away in their beds, and I picked up the book to steal some leisure reading time. Just about the time the girl in the story started her bit, my daughter started screaming her head off (well, it didn't really fall off).
So I switched to crime.

I'll check--be right back.
I'm back--I had to refresh my old brain. Yes, I've had the same problem, and I don't think it's your Mac, though I use a pc or laptop. I've noticed that there are certain pictures I downloaded from the internet that the cover maker won't accept. Things work fine if I use a different image. I assumed the problem was in the coding of the image--either to prohibit its reuse or some other reason. Sol would know.
Just wanted to let you know you're not alone.
JP

I'll check--be right back.

571

(7 replies, posted in Cop Shop)

Thanks, Mike--that's what I was afraid of. Now I have to figure out how to get my detective on days so he can continue the investigation. I feel so foolish.  JP

572

(7 replies, posted in Cop Shop)

I didn't think of something.
My victim was discovered at night, and the crime scene was visited by the detectives who work at night. Who will go out the next day and interview the victim's friends and acquaintances? Will the nighttime detectives go on days to investigate, or will the day shift take over? It seems small, but it really isn't. After thinking about it I realized my favorite author's detective is always roused from a sound sleep to visit the crime scene, then he continues the rest of the investigation during the day.  Any suggestions, examples, experiences that can help me fix this?

573

(62 replies, posted in TheNextBigWriter Premium)

I am very old, so I believe what my mom told me may be right. The phrase was "We eat what we can, and what we can't, we can." It referred to a campaign in the US encouraging citizens to maintain a vegetable garden, thereby enjoying fresh vegetables in season and preserving ("canning") the surplus for use in winter months. I always thought it was clever, but I don't remember if this campaign began during the Great Depression, or if it was a WWII drive. Both were times of shortages and hardship. I think it was probably the latter.
As an aside, I live on the edge of Coconino county, and my office wall is adorned with a collage of the antics of Krazy Kat and Ignatz Mouse, the hundred-year-old creations of George Harriman. The background scenery is recognizable (and clearly labelled) as the area surrounding the present-day town of Sedona.
There are unsophisticated people everywhere--you should probably choose a place that has a colorful name, like Dime Box, Texas or Bumble Bee, Arizona. I know there are many others. That way, readers will have a little smile amid the horror and devastation of war.
This is just my way of thinking.  JP

574

(26 replies, posted in TheNextBigWriter Premium)

jack the knife wrote:

JP - Was this supposed to be a chapter contest you entered? Then I could see that requirement. But otherwise, I can't. A chapter is what it is: you have a beginning and an end. If it doesn't have an "end," then it doesn't constitute a chapter, in my view. There has to be at least a pause at the end, hopefully a hook, to prod the reader to the next chapter. I've seen chapters of two pages in bestsellers and chapters that are longer than 3000 words - in the same novel! If anyone tries to tell you what chapter-length limits are, you can disregard that so-called advice.

Well, well, we seem to be at odds today. It's a book competition, but finalists are selected based on the first chapter. I believe the thinking was that a short chapter wouldn't offer the judges enough material to work with. We'll see how it comes out. If I'm selected, you'll hear about it. Otherwise, I'll self-publish, and make the chapters as long or short as I like. But if a well-known publisher want to publish your book, I say, follow the rules!  JP

575

(26 replies, posted in TheNextBigWriter Premium)

I entered a contest that "suggested" the chapter length be "at least" 3000 words. I had to stick two chapters together to meet the specs. You must always follow the suggestions (requirements) given by the people in charge.  JP