Scene 3.4, The Gravedigger, is up.

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You probably already thought of this, but I usually put something at the top of the scene/chapter (centered) to indicate time jumps. Those also serve as the markers for scene breaks. My first chapter of Galaxy Tales was an extreme case. It fast-forwarded through key childhood experiences of the two kids in the story. I jumped four times in a single chapter, resulting in four scenes. Something like:


AD 4005

Four-year-old Joseph lay in his big-boy bed...


Five Years Later -- AD 4010

Seven-year-old Apollo sat in the game room...


Seven Years Later -- AD 4017

Sixteen-year-old Joseph descended the stairs...


Same Year -- AD 4017

Fourteen-year-old Apollo rode in a four-man swampcraft...



The references to N Years Later meant that the reader didn't have to go back to the beginning of each scene to figure out how much time had elapsed between scenes. Also, the scenes began by giving the age of the POV character of each scene. Finally, giving the exact year allowed me to orient the reader as to the millennium in which the story takes place, especially 4017.

In my current novel, I have two interwoven storylines, back and forth, usually on a scene by scene basis. Each scene is posted here as TNBW chapter to make it easier to review. The scenes are named based on where I think they will fall in the published book (eg, scene 1.1, 1.2, ..., 2.1, 2.2, etc.). Since the storylines are mostly independent, with only occasional overlap, I decided to group the scenes based on chronology. Scenes that are closely spaced in time are grouped together, while larger jumps in time mark the end of one chapter and the beginning of the next. That has resulted in groups of four scenes, with minor exceptions. Unfortunately, my grouping method has hit a wall recently, with no obvious places to break between chapters. I now have up to eight scenes with no major jump in time. If I keep grouping four scenes at a time, I will be forced to split closely related scenes across chapters.

Suggestions?

Thanks
Dirk

Cool. I wrote the draft interrogation of the gravedigger in one day. I'll clean it up and post it sometime Tuesday. Still have to make up names for the new characters and try to verify a few Italian police procedures, assuming I can find any in English. There wasn't much the last time I looked.

Finally started the next chapter, although I still have old stuff to fix. Finding and interrogating the missing gravedigger turns out to be easy. Interrogating Father Coppola may break a few things I already wrote. I have two more scenes left involving Connor in Act I, so the two interrogations will fit nicely in between. I think I have a good cliffhanger for the end of the act.

I'm debating whether the Antichrist should be more hands on in the murders of the cardinals. Currently, the suspicion of the detectives is that they are pursuing a powerful demon who may be taking his orders from the Antichrist, who is a supernatural human. If the Antichrist is hands on, that means he's personally involved in the break in at the orphanage, the killings, the attacks on Connor, and the videos of the dark being. I think there's more tension in hunting the Antichrist directly rather than one of his demons. Also, demons are easy to spot. Throw some holy water on someone and, if they disintegrate, they're a demon. That doesn't apply to the Antichrist since he's human. Makes him harder to track down. The only tricky bit is that humans can't slip under doors like my current demon does, so I would have to fall back on the Antichrist's supernatural nature to make that possible. The other advantage of a hands on Antichrist is that I don't have to waste time linking the demon to him. The clues lead directly to the Antichrist, not his henchman.

Thank you, Ann. Good thing I have spreadsheet software. :-)

Merry Christmas.
Dirk

Just watched the premiere of Witcher, a Game of Thrones wannabe. I lost count of the number of people, places, and things named in the first fifteen minutes, and I have only a limited idea of what the episode was about. Moving on...

I use temperature, fog, and demonic sounds in addition to the eyes. Also, in the case of the reverend mother, I added that the room smells of decaying flesh. I can add something to the appearances of the dark being. Nice catch.

Thanks
Dirk

Is it the concept of glowing irises that you object to our the word itself?  FYI,  Connor has increasingly sparkling blue eyes as his powers grow. I was trying to reserve glowing for red eyes and sparkling for blue, but I'm open to suggestions. I stayed away from yellow because it was used in Star Wars and the Exorcist as signs of evil.

I keep referring to the eyes of evil entities (the demonic being, the possessed nun) as glowing fiery red. It's getting repetitive. There are a small number of other synonyms like blazed, burned, flamed, etc. Mix it up? I'm inclined to do so.

Sol, I've been reading short stories from a very prolific author and find myself lost trying to keep track of which stories I've read and which ones I haven't based solely on the title. It would be great when looking through the author's postings if it could include some indication (e.g., a checkmark) of which ones I've already read.

Thanks
Dirk

P.S. Merry Christmas.

1,313

(11 replies, posted in TheNextBigWriter Premium)

Thank you, Marilyn. I'm glad you're on the mend. T'is the season for bronchitis, I guess. A close friend of mine just got home from the hospital for the same reason. Give the horses a few green apples for me once you head back outdoors.

Merry Xmas.
Dirk

If the demon is not corporeal, then it just appears human, but can't leave anything behind, such as blood, sweat, and semen. It has none of these, so it can't leave them behind. Possessing a human male and then having sex, also leaves nothing of the demon behind, since the semen belongs to the possessed male, hence no demon child.

On the other hand, if the demon is corporeal, it appears fully human, with actual blood, sweat, and semen (with demon DNA), which would result in a half demon child.

For my audience of two, are there any objections to my making "demons in human form" be entirely corporeal?

I have the exorcist, who is a demon, and I wanted to make his disintegration more interesting by listing the parts as they dissolve, including clothes, skin, muscles, internal organs, bones, and everything in between. I haven't decided yet whether his bodily fluids will dissolve with him, or if they will spill to the floor.

Also, another demon will father a child. I could have the demon possess a human male, who inseminates the mother, but then there wouldn't be a supernatural element to the baby, which I need. I figure if the demon is corporeal, he can produce his own semen. In this case, the demon doesn't want to possess the baby, but rather create a half-demon offspring.

Thoughts?
Dirk

They have the problem now that they really can't top this in terms of number of ships and Force powers. How do you make other Star Wars movies as "big" as this? I'll probably never see another one since I have no interest in Disney+ either.

Yup, a Sith dagger is in the movie, as shown in one of the trailers. Fortunately, it's not the Dagger of Mortis, which is mystical. The Sith dagger is huge and plays only a limited role in the movie, as I had hoped. Mine is more like a supernatural hunting knife and is central to the climax.

1,318

(11 replies, posted in TheNextBigWriter Premium)

Apparently, Amazon now delivers more of its own packages than Santa. All that's missing is Jeff Bezos in a Santa suit, sitting in an Amazon sleigh, pulled by eight fulfillment workers.

Just saw Star Wars 9. Surprisingly, I'd give it an A, and I rarely think that about any film. Some of the critics who said Star Wars fans would really like it were correct. It was a very nostalgic story, with familiar planets, music, tech, heroes, and villains. I'd give it an A+, but there were some huge plot holes, even for Star Wars. Besides that, I would have liked more scenes with the Emperor in this one. He had more screen time in Return of the Jedi.

The only other movie I want to see in the theaters is the remake of Dune (a franchise wannabe), which I think is going to be released in 2020. I occasionally check out new films on Netflix, but I have yet to find anything where I wish I had seen it in theaters or on a big-screen TV. I watch everything on a 24" computer, with a hard drive that sounds like a death rattle. Besides Dune, The Skywalker Saga, and The Lord of the Rings, I can't think of anything else that would draw me to a theater.

Nuts. Got burned big time by a major Google Chrome bug. I'm used to keeping about two dozen tabs or so open at all times. When they upgraded Chrome this week, they didn't bring across all the data, including all of my tabs. At least all of my bookmarks still exist. Word is it could take up to a week for Google to develop and roll out a fix. The buggy version had already been rolled out to over 1B people worldwide, including on Android, before they stopped the rollout. I'd hate to be the development manager right about now.

Ugh. Rotten Tomatoes gives the film a 53% freshness rating, second worst of all nine films. That's only the what the critics think of it, though. Fans have yet to weigh in.

Hmm. The Star Wars reviews are all over the place. One said it's exactly what Star Wars fans want, but not where the story should have gone. Another from GameSpot shredded it. My money is on the Emperor as the character whoo can bring this story to a somewhat satisfying conclusion. TBD.

Kdot wrote:

Imagine me telling J's tale from the POV of the less exciting Marsha. At some point Marsha would have to prove she has a contribution worthy of eclipsing J direct relationship with the reader. I think Mary Shelley's Frankenstein his this because the narrator indicates he's carrying an important letter in chapter one and that the missive could not be otherwise delivered. But I think her resolution of this condition falls shy of a true denouement

Don't forget Sherlock Holmes. If I remember correctly, the mysteries were told from perspective of Dr. Watson. I have yet to plan out Romano's guilt trip, which should make him a more interesting character beyond him carrying Connor's water. I'm not sure yet how far too push that subplot. He'll definitely be interacting with his dead ex soon. Unlike my last book, though, Romano will have to verbally communicate with his ex. Makes it much more interesting to write.

Oops. I forgot to make the grave into an upside down cross. Will fix.

Zzz. Just kidding. The current draft is focused mostly on working out the plot and characters. Next draft will include more showing, as long as I don't kill the pace. I'm also not doing enough internal monologue in some scenes, the exorcism included. I might as well be in Connor's point of view, given how little Romano had to do or think in that scene.