I'm debating changing an element of the dark figure to change his face and body, currently shrouded in shadows where none should exist, to a long dark hooded robe. His face could then be half hidden under the hood of the robe. It has the advantage that the figure becomes more human. It helps explain why the detectives are looking among humans for the identity of this figure. At least one of my readers raised this as a point of confusion. I had always envisioned the dark figure as having a dual identity, like Peter Parker and Spiderman. The dark figure appears as a regular person whenever he wants. The hooded cloak would remove any need to explain the supernatural shadows. He'd still have red eyes when he wants and can reek of burned out ruins. He also can still project a deep rumbling voice. All of those are just to intimidate potential victims.

Frank Herbert spent a lot of time describing the indescribable. Lots of showing of rocks and desert. Can't picture most of it.

I find it interesting that Duke Leto ordered a suicide raid by some of his men against the Baron's spice stores. While it proves his men were willing to die for him, it doesn't match the supposedly noble nature of the Duke.

From an Amazon.com review: "I won't even try to catalog the overwhelming number of defects that we are subjected to by the sadly unimaginative semi-literate steaming turd that is Hunters of Dune."

Makes me worry about what people will say about my books.

I googled Hunters of Dune, then went to Amazon.com to see the reviews. The site listed that book for me on its main page. Scary.

Solved my problem of the two interrogation chapters seeming too much alike. Father Coppola has a heart attack and drops dead when they go to arrest him. I was done with him anyway.

I'm going to have to buy the Kindle versions of Frank Herbert's sequels since I left the printed copies behind in the US. I read the Wikipedia entries for the two books that close out the series. Those were based on Herbert's notes. I didn't care for the plot summaries. Way too complicated to follow. I'll probably get around to them eventually. I read them years ago and vaguely recall not liking them much. I read a few of the prequel novels over the years but it got it of control. Talk about milking a franchise to death.

You don't like the first book? It and God Emperor were my favorites, even though both are hard to understand at times. I always wondered how similar Frank Herbert's end to the series would have been had he lived long enough. His son's finale was based on notes from his father. I didn't care for it.

I finally started writing new material again: the interrogation of Father Copolla, accused by the gravedigger of being the dark figure/Antichrist. I also resumed reading Dune. I'd forgotten that Paul and his mother were both Atreides *and* Harkonnens. I remember Paul's line from the David Lynch film: We will kill until no Harkonnen breathes Arakeen air.

1,160

(18 replies, posted in TheNextBigWriter Premium)

Ray, check out an organization called Charity Care. It may be available in your state to help with hospital costs. Also, talk to the social worker at your hospital as to what your options are.

Dirk

1,161

(14 replies, posted in TheNextBigWriter Premium)

Sorry about your book, Bill. It makes me wonder how many books are pirated in general, especially of self-published ones where the author has little or no recourse due to the cost of lawsuits.

I definitely prefer their experiences to be similar if possible. I'll try playing with the wording of both healings to see if I can do more to reconcile the two.

Bit of a plot hole in three of my scenes that I'd like to address, although I'm not sure how. Scene 1.1 (the healing of Alessandro's epilepsy) has Alessandro clearly know what happened during the seizure, although epileptics normally don't remember anything. In scene 1.3 he discusses it with Connor at breakfast as having felt the Holy Spirit bathe him in healing energy. Scene 2.1 has Connor kiss Cardinal Nnamani's ring on the cardinal's paralyzed arm, which leads to tingling in the fingers by the end of the scene and a full recovery within a day.

Question is, how come Alessandro felt himself being healed even while unconscious, while Nnamani felt no such rush through his body? The best answer I can come up with is that Connor was pouring healing energy directly into Alessandro's brain (he was holding Alessandro's head at the time), whereas he only held the cardinal's arm and kissed his ring. Seems like an asspull, though, since the entire right side of the cardinal's body is healed within 24 hours, which in theory ought to include his brain. Another possible answer is that the cardinal didn't feel it right away because his right side is paralyzed, including damage to the relevant part of his brain. Both options seem lame.

Or, I can just say screw it and ignore the problem. No reviewers have brought it up, although that could be because they're reading my scenes weeks apart and it doesn't stand out.

Thoughts?
Dirk

vern wrote:

someone could ask a printer

I asked my Epson but it just looked at me as if I was stupid.

That brings my previous novel to mind, John, because it was crap. I only admit this to see how long we can keep a thread about white space going.

It was a tongue-in-cheek post, dagny, although I am fascinated by how much activity those two little space characters have generated in this thread. Please, all, do continue. This is a welcome break from Netflix's V Wars, my dwindling investments and toilet paper supply, and round-the-clock coronavirus news.

A giant new hole in the northern ozone. A killer pandemic. And now this.

The age of Homo Sapiens is coming to an end.

1,168

(22 replies, posted in TheNextBigWriter Premium)

njc wrote:

https://mobile.twitter.com/martingeorge … 6119816192

You may have to reload to make it work.

This was really good. A couple of them actually sounded like they belong on Broadway.

Got it: red-winged blackbirds. Not very big, but the bright red markings are reminiscent of fresh blood. Plus, they'll seem like a harmless curiosity at first.

Nuts. Ravens feature prominently in Omen 2. They act on behalf of teenaged Damien's subconscious to kill three of his potential enemies. Given the other similarities between my story and the Omen, I'll probably avoid ravens. Crows, perhaps?

Yeah, they're big in Norse mythology. They also act as psychopomps between the real and spirit worlds. They're considered bad luck in some cultures. I wouldn't want to piss one off.

Lynn suggested having ravens appear in my chapter where Campagna first meets Connor (at the soccer game). I like that so much I'm going to use that everywhere that the two inspectors go in pursuit of the Antichrist. There'll always be a raven somewhere in the scene, culminating in a mass assault by a flock of them. Ravens don't actually flock, which will add to the mystery. I just need to re-watch the Omen to avoid duplicating what they did.

Almost had a heart attack after rechecking my research about Satan fathering the Antichrist. Folks on my Catholic forum say angels and demons can't reproduce. Fortunately, I eventually (re)stumbled on Genesis 6:1-4. It clearly distinguishes sons of God from men. The former are generally understood to be angels according to the NABRE, the most commonly used Catholic Bible in the US. Also, Wikipedia has an article about sex with demons, although it's not as clear as the Bible verses.

1,174

(15 replies, posted in TheNextBigWriter Premium)

Better yet, I recommend Pride & Prejudice with Keira Knightly (no zombies). Currently on Netflix. A stellar cast and soundtrack. Much better than the book, and the only virus is a common cold.

1,175

(14 replies, posted in TheNextBigWriter Premium)

I now know two people in the US who have it, and it's broken out in my mother's care home, even though the total confirmed cases in Canada is just 7300. Alberta Health Services has yet to mandate masks for people working in care homes. Morons.