3,001

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Note to Janet R. and other reviewers: I do want details to support my narrative.

The example that comes to mind is in Trouble With the Curve (a great date movie, I think, half baseball and half chick-flick), when Amy Adam's character discovers the pitcher.  She dons the catchers' pads, takes the glove, and crouches to receive a pitch.  She sets a target near the bottom of her chest, but the pitching prospect's fastball comes in off her shoulder.  Is he wild?

No.  His fastball stings his little brother's hand, and he's not going to fire one at this lady until she shows that she can handle it.  She flicks the big glove out and the ball hits it "with a pure sound" that knocks the glove back--but she keeps the ball in the glove.  Then she throws it back and the next pitch bull's-eye's her target.

How much does the viewer have to fill in?  All of it.  But it holds together when you work the logic.

3,002

(342 replies, posted in TheNextBigWriter Premium)

penang wrote:
njc wrote:

I don't see those links.

Do you see a menu button on the top right? On my ipad, I have a menu button and if I click on that and scroll down  there is a link for contests.

But it doesn't show the master contests page, only my entries.  There's no way I can find to get to the master Contests page, or to any particular contest.

3,003

(342 replies, posted in TheNextBigWriter Premium)

I don't see those links.

Q? to check: If you have a too-short-no-points inline review and put in a long conventional review, does the long conventional review get points.  What if the types are reversed.

3,005

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Okay, the problem with the head amp is that I'm only getting a gain of 2 instead of 20.  I'm feeding the thing through an attenuator cable so I can turn the input down far enough, and it's easy to forget that the attenuator is 1/100, not 1/1000.

That's why I didn't see the problem.  Now, what's causing it?  Maybe my voltage stabilizing network.  If so, I think I know how to fix it ... but I'll have to find room on the circuit boards.  I need to test it on the breadboard.

First sleep, then the first set of shelf mods.  The second set I can do or hold, but I'll need to see if I need the third set.  If so, it's a trip to Lowes or Home Depot to get some melamine-covered board cut -- and get some 8d common nails, hoping they're the right diameter to cut for pegs on those shelves.

3,006

(342 replies, posted in TheNextBigWriter Premium)

Sol, how do I find the contests page on the mobile site?  The menu button's link take me to my entries only.

3,007

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

And I just had a talk with my brother.  I need to find a way to visit my mother soon and regularly.  The doctors say that they don't have anything more to help her weak heart.   They are guessing weeks to months.

3,008

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Coffee break's over folks, back to standing on your heads!

The inspection is back on, for next Wednesday OR thursday OR Friday.

The head amp works, and doesn't.  It works on the bench.  I didn't get it working in actual use, and I have no idea why.  Nor do I have much time for it.  I wanted to take today off, and may do it, but I have so much to do ... two computers to put in proper cases, the shelves they're on to help clean up my lab ...

I have to see.  I hope that we get an inspector who realizes that my little lab is safer than frying chicken.

Have to think about it.

By the way, GKC is the most quotable writer since Shakespeare.  You can find a bunch on the site of the American Chesterton Society.

I refer you to G. K . Chesterton's The Curse of the Golden Cross:

"Not at all," replied the priest calmly;"it's not the supernatural part I doubt. It's the natural part. I'm exactly in the position of the man who said, 'I can believe the impossible, but not the improbable'.''

To keep us suspending disbelief when we must, you have to let us work from what existing belief you can.

Be sure to read up on the Principle of Parsimony.  That's why everything is interrelated.

Don't worry about 'owing' me stuff.  I'm glad for your help, but also honored that you think so highly of my kibbitzing.

3,013

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

And I think I see a clearer way for me to approach the rapid changes in attitude he experiences.  While I'm at it, I would like to drop in a little backstory (there is no such thing as a little backstory) and flip a fillip at some of my reviewers.

Posit that the modifications came in steps, each dependent on a breakthrough in understanding and technique.  By the time of the fifth or sixth step, they were doing things that would be fatal to unmodified humans.  For example, the ability to detoxify various natural poisons relied on new liver pathways to handle the unused detox enzymes.  Or enhanced hemoglobin-oxygen transport relies on improved detox in the liver.

And the various parts of each step are closely intertwined, too, because of the Principle of Parsimony (see which), which you can invoke yourself.

If you're positing genetic enhancement, you can make up almost any problem you like  You could, for example, decide that the enhancements overload the base design and that problems result from imbalance.  You could have certain problems, like synesthesia, relatively common and no question of shame.  You could extend that to sensory experience of abstract reasoning, again moderately common.  What mores do you want the shame over the aberration to reflect?  Is it shame at being different, or shame at weakness (an inability to learn arithmetic?) or is it a moral failing, or perhaps something like Multiple Personality Disorder?  Or maybe a version of MPD where all the 'personalities' share the same memory, but their evaluation of it (happiness, sorrow, ...) differs?

3,016

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

I've been making notes on Erevain, and will contine to do so.

3,017

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Okay, moving back here.  The two soldered-on-board amplifiers are working, so far as I can test them without closing up the box.  I was just working on the battery-holder assembly and found that I'll have to start over again.  More drilling, tapping, and cutting.  The mending place I'm using for stock is a second-tier brand and not nearly so hard as the Stanley/National versions, so it's not quite so bad.

I was hoping to get to the point of testing this with the turntable today.  (I've hoped that for the last seven days.)  Well, sleep now, then errands, then back to the battery holder.

janet reid wrote:
njc wrote:

... Neither end of the battery is referenced to ground.  The two amplifier transistors (stacked at left) have their bases referenced to AC ground through capacitors.  ...

So here comes the dumb questions ... .

Why do you have to use batteries i.e. can't connect to a power outlet? That way you don't have to account for different voltages. And is there any specific reason why you're building one from scratch? I'm guessing it's because you can't buy already built head amps anymore. Not sure if it has ever been a stock standard item that could've been bought.

I grew up with vinyls and turntables, my dad used to have one. But when I left home, CDs were already in play and I never owned one, so I know very little about them. And yes, I'm using ignorant as a valid excuse! smile

Not dumb.  Just not attentive enough smile

Ignorance of vinyl isn't the issue.  The key point is in the box above.  The two sides of the voltage source that powers the thing float.  Neither is fixed with respect to ground.

This means that the left and right channels need separate power supplies.  Can this be done off the AC mains?  Sure, using transformers.  And as Leach explains, someone built and sold a version powered by photovoltaic cells illuminated inside the box by an incandescent light.

But you need two separate supplies and you have the additional problem of keeping the 60Hz hum out of the amplifier and also keeping external rf noise from creeping in.  It can be done, but it's more engineering, and mmore time.  And there's something audiophile-appealing about a circuit so exotic it -must- be powered by batteries.  Even the little regulating stuff I added will raise the noise floor a bit.

Not too much, I hope.  I'm building one channel on the final board now.  I also have more physical design work (and 30 minutes or so with a cutoff wheel, and more time with a drill and taps ...) before I can close the box up and try it for real.

I can't work this fast.

Well, I changed the resistor ratio on the regulating transistor to 10M//1.8M .  That puts the current where I want it and gets me a gain of 20.  The current regulation isn't so good.  Over the full range, it's 9uA off center, but over the 5.6v to 8v range it's about four times better, and that's the most important part.  If the gain tails off as the battery is in its last few hundred hours, I'll live with it.

Now I have to build a pair on a real circuit board and seal it an aluminum box with the batteries, and then risk my cartridge and phono inputs on it.

I forget now which of the great 20th century comics it was who declared so eloquently this principle: A comic is not someone who says funny things. A comic is someone who says things funny.

Those who remember the original days of Live From New York, It's SATURDAY NIGHT! may recall the continuing adventures of Mr. Bill.  I'll bet that K's favorite character was (or would be) Mr. Hands, whose transparently sacharine voice belied the mayhem he wrought upon Mr. Bill Modelling Clay.

I'm afraid I got the joke, but not the humor, not only of this but of most of SNL.  And once in the 80's I was on a company training trip whose organizers had hired, at great expense, the Second City Players for an after-dinner entertainment.  Their first three skits told the same joke, once each.  It wasn't funny the first time, it was less funny the second, and the third time I committed an unspeakable cruelty on my colleagues by walking out and leaving them to bear it without me.

Compare that to the great Jack Benny:

{Mugger} Your money or your life, mister.
{Benny}    ...
{Mugger} Well?
{Benny -- glances at the audience} ...
{Mugger} Which is it gonna be?
{Benny -- laconically}  Don't rush me!  I'm thinking about it.

Nope.  I'm a little busy for porn, what with all my educational writing here.

BTW, osculating circle is a very well-defined term from mathematics.

You can get porn for anything.  But porn with an orthonormal basis?  Does that lie within the osculating circle?

Norm d'Plume wrote:

NJC, I recognize a 9-volt Energizer battery in your pictures. If I put that on my tongue it hurts. Besides that, is there anything else I need to know for tomorrow's exam? :-)

Dirk

Ontology recapitulates phylonogy.
Every finite dimensional inner product space has an orthonormal basis.
The divergence of the curl is a zero field.
And ... the proper uses of commas and semicolons.

Clearly, KH is fixated on pain.

Amy, I missed a point in your Cop Shop story.  Since it's probably too late, I'll just belabor it here.

At one point, you had Katerin suffering from bladder distress as well as breathing problems from her contortions.  When prodded, you dropped the bladder issue and worked, nicely, with the breathing.  When Kat unfolded, she executed a flying leap with less than her usual precision.

Instead of a squeezed bladder, you could have given her stiff and strained muscles, so that when her leap misfired we-the-reader would have said (if asked), "Gee, Kat should  have expected it ... and so should we."

Okay, here's the current circuit work--a version of W. Marshall Leach's two-sided common-base head amp.  Two needed, one each for left and right channel:

http://i1065.photobucket.com/albums/u394/njGreybeard/Schematic_zpsi5iig6ie.png

The parts that carry DC and that involve bias setting the operation point are in blue.  The red parts carry only signal.

Neither end of the battery is referenced to ground.  The two amplifier transistors (stacked at left) have their bases referenced to AC ground through capacitors.  Much smaller capacitors serve as high-frequency (radio-frequency noise) bypasses between the input on the emitters of the transistors and the transistor bases.

The transistor alone near the center is in a voltage-regulating circuit.  Unfortunately, so simple a circuit working by itself can't hold the voltage stable enough against supply variations (as the battery runs down) so a second trick works against it.  It tries to hold a steady voltage between its two ends; each end draws from the adjacent supply rail through an 820K resistor and feeds the amplifying transistor base through a 750K resistor ... but the 750K resistor forms one side of a voltage divider.  The other side is 10x larger, 7.5M, to the opposite supply rail.  The 10% pull from the opposite rail opposes the imperfect regulation, improving the control several times over, keeping the collector current in the resistors within about 0.6% of its center value.  The highest collector current occurs with the battery a little more than half depleted, so the low-current extremes are at new-battery and exhausted-battery.

I haven't plotted the curve, but here are the test values: 7.99 volts, 97.8 microamps; 7.60, 99.0; 7.18, 100.6; 6.78, 101.8; 6.41, 102.7; 5.98, 103.3; 5.59, 103.2; 5.19, 102.7; 4.80, 101.2; 4.41, 98.5 .  You'll notice that although it's a 9v battery (9.6v when absolutely new) I start at 8.0 volts.  That's because I'm supplying the amplifier through a pilot-light LED, which produces a small but visible glow even at fifty microamperes, while dropping only 1.6 volts.  (At its rated 20 mA, it's very bright, but a small dot that doesn't actually illuminate much.)

You'll notice that the currents are lower than the 120 uA to 150 uA I need for 20x amplification.  I have to drop the 820k, 750k, and 7M5 resistors by about 30%, and I might need to drop the 3M0 and 13M resistors on the regulating transistor to keep the curve centered.

Since the curve changes direction, it must represent a function of at least second-order (quadratic).  I suspect it's something close to a cosh (hyberbolic cosine), but I'm not going to try to combine three Ebers-Moll models with the network algebra.  My algebra muscles aren't flaccid, but they're not ripped either, and it would take me several days to get it right.  (This is something you do in full-sized notebooks, not half-sized.)

I've had to layer this on top of the work I'm doing, so I have a very messy workbench, especially with several varied copies of the design:

http://i1065.photobucket.com/albums/u394/njGreybeard/circuit-bench-1_zpsau7bvl5z.png

I'm re-using the battery supply I built to replace-if-necessary my UL-listed lab supplies, but I clipped in two extra batteries so I could go up near 9v if I need to:

http://i1065.photobucket.com/albums/u394/njGreybeard/power-supply_zpsx6dzlcyy.png

I can't use the lab supplies for this because the supplies AND the scope are referenced to ground, and this amplifier needs a floating supply.  If I'm going to keep using this, I'll change the voltage control to a coarse/fine dual-shaft arrangement and maybe make it possible to switch batteries in and out.  And maybe build a couple more.  It's a cute design.

Here's the amplifier on a breadboard.  I'm afraid I've just blown up a part of one of the big photos:

http://i1065.photobucket.com/albums/u394/njGreybeard/circuit-prototype_zpsznhrfzpu.png

The layout isn't quite what it will be in the final package because of the limitations of the breadboard.  If you look very carefully on the left, you can see the regulating transistor behind its resistors in a kind of outrigger.

Here are the current and supply voltage readings.  The front meter has current in microamps; the rear meter shows the supply voltage.

http://i1065.photobucket.com/albums/u394/njGreybeard/meters-higher-readings_zpsicxhac8t.png

I promised, in my previous article, to tell you what this mysterious mixer-motor part is:

http://i1065.photobucket.com/albums/u394/njGreybeard/mixer-2_zpsbu1bjltc.png

That white loopy thing on the end of the shaft is ... wait for it ... a flyball governor!  The center opposite the shaft attachment presses against contacts that supply current to the field windings.  The inner spring pulls the weights in; rotation pushes them out.  The contacts are arranged so that as the weights move out the contact resistance decreases and more current flows into the field windings.  It's a pecularity of this armature-field arrangement that the more current you put through the field windings, the lower the motor's speed/load curve and the more slowly it wll turn under a given load.  (A little like running in lower gear.)

Here's the scope showing the amplification.  Input signal above, output below.  Note that the input is on a scale 10x as sensitive as the output.  You can see the peak-to-peak voltage readings in the right-hand column.

http://i1065.photobucket.com/albums/u394/njGreybeard/Scope-trace-closeup_zpsosllthar.png

These signals are ten to twenty times what the real signals will be.  Because so little of this is shielded, traces of signals at those levels are very, very noisy, and if I run it off a 9v battery and pick the battery up the noise overwhelms the output signal.

The amplification and phase relationships are nice and flat from a little under 20Hz to about 33 kHz.  Leach has a very nice design.  My big concern is how much extra noise my voltage regulation introduces.