Jerk chicken (with dirty rice).

2,177

(36 replies, posted in TheNextBigWriter Premium)

Not sure that 'caterwauling' is quite so specific, but if the cat is terrified and not just angry, it's probably not the word.

Does that mean that all those old resurrected Lances were restored immediately, or has this particular thing happened before?

Samuel Taylor Bitumenous?

2,180

(36 replies, posted in TheNextBigWriter Premium)

I owe many interesting corners of my vocabulary to writers better educated and more literate than I.  I'm not sure about limiting `caterwauling` to the mating call, but I'm reluctant to assume that a reader doesn't know a word, especially when it is an especially suitable word.

The Founders are very special servants of Behira, and their reincarnation is immediate, with a possible and likely change of form.  The end chapters of =Acts= show us how Sil got this 'gift'.

2,182

(520 replies, posted in Fantasy/Magic & Sci-Fi)

No, you don't need to give us the whole (back)story.  But you need to have that mapped out, including how his attitudes change, so that when he does tell us things he's telling us things from a consistent story, and so that you have specific things he can tell us, even if he's vague and cagey.

I'm rewriting (at an agonizing pace) the Erevain episode because having a generic tinfoil hat type didn't work for me.  So now Erevain's mentor has tumbled onto some nasty secrets.  I haven't got every one of them nailed down, but there are two secrets under the Academy that I have nailed down.  One I've hinted at and it links to backstory that I've given.  The other I haven't hinted at yet, but one of my reviewers (was it you?) wondered about economies based on gold.  No, they're not turning lead into gold.  I do hope the reveal will give people skin-and-bones nightmares, but that's at least five books off, and I have to get the first one out of where it's stuck in the mud.  I also hope to use the reveal event to trigger avalanches through several books.  After I get Erevain out of the mud, get the Book 1 timelines nailed down, rewrite the training sequences ... you get the idea.

So what is Anthony's backstory, external as well as internal?  How does he remember it?  How does that memory change with his new understanding?  How does he describe the process?

FWIW, I think the external part of the backstory you've given is brilliant for the job it has to do.  Of course, how Anthony remembers it and how Catherine remembers it will differ, at least in what the events meant to each, just as they did for Catherine and Matthew.

Have you seen Trouble With The Curve?  It didn't get great praise from the critics, but it ought to be a classic date movie.  Anyhow, at one point Clint Eastwood's character tells his daughter that he wanted her to have more in life than spending it all "sitting in the cheap seats" and she replies, "You call that the cheap seats.  To me those were the best years of my life."

2,183

(520 replies, posted in Fantasy/Magic & Sci-Fi)

For a story about the physical world to be convincing, it must be consistent.  You can't have someone racing on an asphalt track hit a mud puddle, skid, and slide off into the front of a Jewish deli.

You have Anthony talking about his internal journey.  That journey must start someplace, take a certain course, and end someplace.  As of this point in the story, Anthony is taking stock of where he has been and deciding where he wants to go.  Those places where he has been have been specific places; he started as a specific sort of child, became a specific sort of youth through certain steps of his journey.

You don't want to make this book about him, but the part that is his should be be consistent, and we should be able to recognize that consistency.  We should be able to recognize something about where he's been--or where he says he's been--and where he is, and where he thinks he needs to be.  We should be able to recognize what's influencing him, and why--which is why I asked in which way Geordi's death affected him, and in what way Matthew's training is acting on him.

That doesn't mean that he or you tell us everything.  But a visitor to New York who visits Times Square should be able to tell us about all the lighted signs, and a visitor to the Statue of Liberty should be able to talk about climbing the hundreds of steps on the long double-spiral (double-helix!) staircase.  Someone who drives on a bridge over the Mississippi should be able to tell us how long it seems.

2,184

(520 replies, posted in Fantasy/Magic & Sci-Fi)

Okay, review is done and it's a MONSTER.  I light into you on Anthony's self-exposition, and I ramble on at great length afterwards about it.  I hope it's clear, and I hope some if it is of use.

2,185

(342 replies, posted in TheNextBigWriter Premium)

I find that sometimes when I open an in-line review that I've done I get a full editor for the final comments, and sometimes I get a tiny window that shows the HTML form.

It appears that the full edit window appears in the inline presentation and the tiny, HTML-format window appears in the x-line presentation.  This looks like unplanned behavior.

Would it be feasible to make the x-line presentation also put up the full editor for the final comments?

2,186

(36 replies, posted in TheNextBigWriter Premium)

They've never read Old Possum, or seen the musical Cats?  Of the Jellicles: "And pleasant to hear when they ... caterwaul."

Or "Here comes Poe with his raven like Barnaby Rudge ..."--look the rest up!

Dog food.

2,189

(36 replies, posted in TheNextBigWriter Premium)

I think the terms are 'caterwauling' and Katzenjammer.

Take the cure

Water closet

crack-pot-shot

And don't fear the copula!
For a laggard in love and a dastard in war/Was to wed the fair Ellen of young Lochinvar.
(Sir Walter Scott, Marmion)

The story starts with Earthwound.  Why was Jaylene Lance'd?  Why did The Defiler attack the Wolves there?  So it's both Kha's story and Jaylene's  And was it Pure Luck that Kha got the Summer of Centrillium?  Can you say that this is the sort of luck that happened when the Wolves are together?  Can you use the trip to let Kha give us a little backstory?

The outstanding problem I see with Mandates is the opening.   Earthwound, Kha's half-healing, Kha's trip to Aerie (with the stop for Centrillium).

IMO, the strongest episode in the whole work is Kha and Dragon Sil.  Whatever the other problems, the character reveal and the action that does it are very, very powerful.

On 'sandtrap' vs. 'sandfall': where the name first appears, you are discussing beauty.  Soon enough we'll learn the nature of the danger, but for the beginning 'fall' is more vague than 'trap' and leaves just a little question for the reader.

And when it does appear, you could hearken back to the beauty before giving uss the terror.

Let's wait until the known problem (the containment jar sequence) is addressed, and them we can see if there is sill a problem.

Meanwhile, why is this thread sticky?

Actually, you did Alina very well overall.  You don't want her taking over because if she does your 'not the real villain' pseudo-problem will get bigger.
Work on the containment jar.  Maybe play up the Faulter discussion before the duel so that the reader knows that the torch is about to be passed.

Let Alina be a pons asinorem, and give the astute reader a Tabasco-cream-pie-in-the-face out-of-band clue.

Can Sil see that Anver is becoming a Founder?

So you want a simple, Marvel Comics story?  Actually, even the Marvel comics stories generaly have two cycles of danger-resolution (after the good guys finish fighting among themselves).

I think if the containment-jar portion gets its due, you'll see Alina as just one problem of many.  Really, she's only in the foreground for a few chapters.  I agree, she's a delightful villian, but she's far too small to be the big bad and you should see that she's just one landing in the staircase.

I'm surprised that the Zyrtec-hunt didn't put your interest in high gear again.  It held my interest, big-time.

So, are the Horror's based on the Seven Deadly Sins?

That's a relief.