Shiburasu

I noticed in the latest Star Wars that the stormtroopers were actually hitting their human targets in the opening scene

Don't underestimate the corrective abilities of a laser pointer.
Anyway, Luke's adoptive parents managed to die somehow, so I imagine even ep4-6 had Stormtrooper who could hit the broad side of a barn

I don't mind blowing up 100 million souls on New Bethlehem since you never see it happen

Actually I found not seeing it the most troublesome. Also, I suspect Star Wars didn't show it because of technical limitations. I would hand Lucas the same criticism:
Show me who I'm supposed to care about.

Less Starship Troopers, more Dune.

Hmm *thinks about Dune.*
Giant worms with teeth sharp enough to re-purpose into a razor without being honed.
Giant worms eating people (Oh my!)
Gom jabbar (poisons injected into children to test them for psychic ability and a box that makes you think your hand's burnt off)
Shigawire (Handcuffs that snip limbs off)
I think I've covered chapters 1-10. Don't even get me started about the latter books

All you have to do is have the MC look away (ex: At the hanging).  That way, it occurs off screen

I suggest minimizing these. To understand, go rewatch Red Wedding, and picture all the places violence could have been implied rather than shown.
Try to grasp the visceral reaction you have to the episode. Note the pacing of the deaths, how they form a swing or a tide.

wiping the action with bleach won't move your plot forward

Those are sufficiently sanitized to keep

This sanitizing and bleaching... I don't think I'm getting what you're trying to convey.

I suppose I equally have trouble understanding why they would (bother to) edit the guns out of ET

Marsha-1 dies at the hand of her own invention. I suppose I could have sanitized it by having them simply find her dead the next morning.
Is anything gained by showing it?
Yes, absolutely - in that case, it was the villain's chance to show it means business.

The toppling elevator in RocketBaby might get sanitized... but only because I want the camera pointed more at my mains. In this case the reduction would serve a purpose.
I wouldn't remove Einhart's gun-happy musical band: No self-respecting villain shows up to a fight outnumbered by protags

I guess my question is... are you trying to get into PG to widen the potential market?

You didn't fully clarify why you need to scale back

979

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

^--- good memory

980

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

...and no characters left to off

*Expanded into a Haiku

Online E-Commerce
Black Friday Cyber Monday
Kill me now, Thx BAI

E-Commerce.
CyberMonday.

They're suggesting a "Let the story flow" approach where the stor never stops for (seemingly unrelated) other stories. It's a newer approach... a now-approach... an immediate approach. The classic approach is one where the writer may freely dabble in outside factors. Frankenstein, Princess Bride, Fraggle Rock... they all use classic techniques of overlay stories.

What I'm saying by calling the technique classic is pick the technique that works for your story and try to be consistent. Evidently, that requires a giant epigraph. If that means a 15-minute deadzone where the story halts and the narrator winks at the reader... if that means a dancing Bombadill that everyone complains about... you might have to just let that be and let the market catch up with you later.

http://www.x-entertainment.com/updates/pics/fredroom/big5.jpg

No seriously. I can't think of a story that does that

Why not go ahead and number the chapters backwards?

A count down only tells me that what I'm reading now is irrelevant

too distracting

Oh ho! Now the reviews are coming in. I glanced through them, noting the comments on the exposition. Too much info, they said. I have a very different take - too rushed.

Simply too many time-transitions crammed into a tiny space make all the background info seem to rush together. And as well it should because I sense you want to move past the opening salvo to the good stuff.

An example...

Dune chapter 2 wrote:

Paul Atreides starts at four and rushes through his Bene Gesserit training plus explanation of the Machine Crusade / Bulterian Jihad. Irulan. 2 years older, grooms to be Imperial consort plus explanation of the origins of the human Imperium - Paul likes to fight Harkonnens, hey Paul is sixteen and Irulan is getting married - end of chapter.

See? Too much for one chapter. It's not the info dump that would be the issue - rather there are so many major events going on that all the info has to get packed in there with it.

PS Rhiannon, if you're following, this is my comment about your chapter with the forest - hot sex - disguise - surprise - unsurprise - surprise cage - cage on a wagon - escape - I'm on a boat chapter. It's not the events - it's that they're too close together.

Some more examples...

-The Rowan in Anne McCaffrey's story takes 60 pages t go from age 2 to 16 and even that felt rushed.

-It took [J e n n a] seven chapters to explain her initial story. And that was for one character... so 14 for two. Kim needed only one paragraph, but her story is Conan-simple in comparison to yours. "Where are you going?" "That way" "Ok. I'm going with you"

all things said, I was okay with the info dumps. Yikes! Understand that to remove them will drastically repace the rest of the story.

'The admiral's presence spat venom

That doesn't work for me, any more than "The thought of President Trump spat"

Thoughts and presences can't spit. It's an affront to spitting.

Anyway,  usually pass on chapter 2's but I'll make an exception

I did. There are too many "radiate"s in that one chapter (try exhude or shone or squared-danced). Tie-in is good. Death to all prologues. You kids need to get off my lawn.

991

(87 replies, posted in Fantasy/Magic & Sci-Fi)

I like njc's approach....

Note the lines in original don't pull my eyes in a consistent direction...
http://kwan.skyfire.ca/images/tnbw/SoM1.jpg
(lines drawn across the eyes of the background shapes)

njc's is a bit more organized, albeit centered on the lower back instead of the upper back
http://kwan.skyfire.ca/images/tnbw/SoM2.jpg
(the curvature he puts in the ground works well againstthe staff)

if you go with njc's approach, might I suggest you rearrange the title text to improve the line work?
http://kwan.skyfire.ca/images/tnbw/SoM3.jpg

992

(87 replies, posted in Fantasy/Magic & Sci-Fi)

Books is your central theme... your main character's main power. Imagine a Harry Potter cover but he's holding a sword instead of a wand.

993

(87 replies, posted in Fantasy/Magic & Sci-Fi)

I like the color scheme but I think it's missing a"book" element

994

(87 replies, posted in Fantasy/Magic & Sci-Fi)

The repercussions for his past decisions are not over -> far from over
(signed the not-police)

995

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Written by Sir James Knowles. It's pretty good when he's got a recognizable character on the scene (eg Sir Lancelot)... but that round table has to be seating 40-50 knights and he's not scared to name them all during a 10-page window which makes his scenes more like a revolving door.

996

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

*throes

997

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

I'm in the opening throws on Colourless. I'm also still slogging through the Arthurian Tales but it's been several months on that and I must concede I'm lost and might not finish

998

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Looked interesting. Not enough context to dig in or comment, so I'll leave it at that

999

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

I got voice from Rogers and data from wind. Best of both worlds - great voice reception and unlimited data. Only drawback lugging around the extra device

Hey Janet

Check your Email re backup/archive site.