Charles_F_Bell wrote:
vern wrote:

even more irrelevant invective and personal attack

Without proportionality of inline comments to the number of words, even if the longer chapter takes and gives more points,  the reviewer can do as little work as on shorter chapters to get more points. 5 is 5 regardless whether the chapter is 1000 words or 4000 words.

Well, thank you Charles, for another direct quote from your imagination. As before, you close your mind to what is said so what you hear/read and reproduce is blah, blah, blah and other such nonsense such as your current quote. Of course what I hear in your response is whine, whine, whine, so I quote that in return as tit for tat or quid pro quo as you might prefer.

I've said more than once - must've been talking to your bad ear - that if a reviewer is going to give a less than thorough review merely for the points, then there is nothing you can do about it and there is no system they can't take advantage of if that is the way they operate. You get 5 or 10 or a gazillion comments, what good are they if the reviewer is merely after the points and not giving any helpful input? They're called drive-bys for good reason. My suggestion is to try to find better reviewers for your work and ignore the others. Take care. Vern

Charles_F_Bell wrote:
vern wrote:

blah, blah, blah.

I was suggesting an improvement to the point system for those who generally rely on that rather than virtual friends. You can say Yes; or No; or Can't be done; or I don't care. You answer with the last one.

And I was pointing out that the point system already does everything you claim isn't there if you use it properly. However, if you wish to attribute such a quote to Vern, then you should accept that:

Charles F Bell wrote:

Whine, whine, whine ... Nobody listens to poor ole me...

merely adds to your glorious reputation for nonsense. Exactly who do you think relies on "virtual friends"? If you say nearly everyone who receives a review, then you are probably correct as most accept those who care to spend the time and effort to review as virtual friends. Are you so paranoid you think every review someone gets is just a pat on the back from a friend? But hey, if you wish me to take one of your suggested responses, I'll take "I don't care" if your suggestion is implemented or not, but I have serious doubts it will be because of the reasons I've presented here which you simply ignore as blah, blah, blah. I bid you farewell for now. Good luck with any future endeavors. Take care. Vern

Edited to clarify your attitude with your words.

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(11 replies, posted in TheNextBigWriter Premium)

Best wishes and hopes your new focus brings further success. I have often enjoyed and learned from your comments in the forums and elsewhere over the years. Take care. Vern

Charles F Bell wrote:

So, are you really criticizing the point system? If people wanted to provide decent reviews, per se, then the points system is irrelevant.

I'm not criticizing it at all; I recognize that no system is perfect, yours included. We could all probably come up with some new idea for a points system (many suggestions have been made over the years on this and the old site) but to accommodate all the variations would be costly and cumbersome to say the least and still someone would come up with another novel idea.

Your assumption that the point system would be irrelevant if people wanted to provide decent reviews doesn't hold up. Since folks must accrue points in order to post, that requires people to review and thus the incentive to give a good review to attract them in kind. Otherwise, with no points required, most authors would simply publish their work with little or no reviewing for others.  No, a strict reciprocal relationship is not required in this situation to gain reviews or points, but it certainly helps the cause. I personally - and I've stated this many times over the years - do not practice a strict reciprocal relationship. I have received reviews for an entire novel with little or no reciprocation and have reviewed several entire novels with little or no reciprocation. That being said, it is advantageous, especially for new authors, to build those reciprocal relationships.

Charles F Bell wrote:

I am especially thinking of the author who posts a chapter or story that has very few words (and very few points, therefore) who will never get a "decent review" in a points-gathering system if five comments in an inline or 50 words in a regular review constitute more words, effort, and time than the piece itself. This is similar to allowing a different points system for poetry. In fact, I have in mind a chapter that will contain a single word, and the points for that is 0.00!  Okay, why should a computer algorithm dictate art? And why not allow a reviewer to say "Good idea!" or "Bad idea!" and get 0.01 points?

A short story with virtually no point value can still draw reviews under this system if it is enticing. I published a three word short story with zero points - http://www.thenextbigwriter.com/posting … story-9764 - on the old site and it received "many" well thought out reviews. Yes, it would be impractical for an in-line review, but then that's what the regular review is for. Anyone who is motivated can come up with fifty words to respond to even your proposed one word story/chapter/page/whatever. BTW, the one word on a page was used in A Million Little Pieces and became a bestseller after being reviewed on Oprah - not her best moment.

The points are not always the deciding factor; it has more to do with what is written and how it is presented. If you simply want a "Good idea" or "Bad idea" you can ask for it in the forums and probably get quite a few responses. It's been done many times by different people.

Charles F Bell wrote:

How many times do you need to be told that in reality longer works (3000+) need more than 5 comments? And a very short piece does not need 5 comments.

See last comment. If a piece is that short, you use a little common sense and the regular review; surely anyone motivated can come up with fifty words as previously stated. If you simply want a yes or no, then tell your reviewers to fill in with gibberish to reach the minimum - a quick copy and paste should do without having to change the whole system.

Charles F Bell wrote:

No. I see that in arranged reciprocal reviewing, and that is fine, but not as a rule in common, effectively anonymous reviewing. Is TNBW effectively operated for a dozen reviewing pairs or might it be better to accommodate other relationships

Everyone is a newbie when they start. The vast majority of us managed to receive reviews from the beginning because of the system. New members are a good way to build further relationships if they are desired/needed. The bonus points received for the first three reviews also encourages reviewing newer members since they are the most likely not to have three or more reviews in the short term, or long. You also have members who review without ever publishing. A request in the forums might also point them to an author's work and if successful and you are short on reviewing time, you don't have to reciprocate since they have nothing to review. Additionally, some reviewers post in the forums looking for works to review; you simply have to ask.

So, obviously you don't need a network of reciprocation to be successful on this site, but it makes it a whole lot easier if you go to the trouble of building one. For long timers (myself included), most have accumulated more points than they'll probably use and yet continue to review because it is a valuable tool in it's own right and they enjoy it, getting to read a lot of original stories and possibly having a hand in their success. That's not a bad deal at all.  Take care. Vern

PS: Edited to add link to three word short story.

Charles F Bell wrote:

and what incentive is there to go on?

Oh, I don't know, what about providing a decent review in hopes you might receive one in return or merely to be helpful to the author. As stated earlier, if they only want points there is no incentive to go on period and they will do the very minimum. The shorter work offers less points, the longer work offers more points so they can decide whether they prefer to put their best foot forward or give short shift merely for the points.

Charles F Bell wrote:

And if the author offers up only 400 words because that is the artistic demand, well, lucky the reviewer is that he does less work for the same amount of points.

That is simply not so. How many times do you need to be told that a longer work provides more points; you review 400 words you get less points than if you review 1000 words and you get even more points as you move up the ladder length.


Charles F Bell wrote:

Have you ever noticed longer chapters half or more toward the end suddenly become immaculately written so as to need no comment?

As a matter of fact I have, but that just points to "half" of reviewers who are merely in it for the points, not to give the best review they can. If the reviewer is serious about giving a good review, then they will review to the end; if not, they will probably get the same in return or none at all. You develop relationships by giving your best, not a mere minimum.

Charles F Bell wrote:

Have you ever noticed longer chapters half or more toward the end suddenly become immaculately written so as to need no comment?

Yes, I have, but that merely points to the half which is in it more for the points than rendering a complete helpful review. And that is not the way to create a reviewing relationship and will more than likely be repaid in kind. If the reviewer wants to do a half-ass job, they are going to do it whether it is a long piece or a short piece. They will do the minimum required and the points received will be reflected in the length of the piece reviewed with the longer receiving more points than the shorter. They can simply decide if they want to review more works or longer works to accumulate points - shorter=less points, longer=more points.

Changing the system to accrue points is not going to change their behavior in giving the minimum to get by. And it won't alter the fact that most authors will recognize the minimum effort and take that into account in any reciprocal relationship; they may follow suit or they may stick to their principles and give their best effort regardless. Take care. Vern

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(11 replies, posted in TheNextBigWriter Premium)

I read a portion of Being Fifteen and it reads like YA to me and the title would also imply YA, but you still do not have to classify it as such if you don't think it belongs. You can leave that up to any future publishing professionals who may enter the picture. And btw, most coming of age stories would probably fit into the YA genre though some like Carrie by Stephen King would also fit in the Horror genre. Take care. Vern

Charles_F_Bell wrote:

. . that the number of points be proportional to the number of comments left. 

As it is now, it is all or nothing at five comments whether the piece is 50 words or 5000. The proportionality can remain, say, at 5 comments per 2000 words  (typical) but could be 1 comment per 400 words for 1/5 the points. 

I think there is somewhat of an external and unnecessary force to keep a chapter at around 2000 words just because more reviewers will review more of it to get to those five comments by the end. A longer chapter gets much of it at the end ignored, and a very short chapter will not get reviewed at all (what?! five comments for 400 words to get a measly half point?!)

From one who typically leaves comments numbered well over the minimum and often into the teens and beyond, I fail to see how basing the points on the number of comments would increase the number of reviewers getting to the end of a story. If the reviewer is simply going for points, then they would go with the longer chapter since they would automatically get more points regardless of the number of comments once reaching the minimum. And any reviewer simply going for points with more or less a drive-by isn't going to spend much time on any portion of the story - whether it be the beginning, middle, or end -  regardless of the length of the story.

A decent reviewer (the only ones that count) looking for more points can review a longer work and leave the same number of comments they would on a shorter piece and receive more points in the process which invalidates the assumption they don't/won't review longer works because of the point structure. I speak from experience; I don't care or look to see how long a story is when deciding to review and I most always leave a great number of comments well over the minimum. I also read the entire story before starting my review and then read again as I'm doing it regardless of story length. Take care. Vern

PS: Edited for clarification of number comments.

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(11 replies, posted in TheNextBigWriter Premium)

Suin wrote:
vern wrote:

Most stories could fit in more than one genre to some degree. Why not just consider it "Commercial Fiction" (broad category) and let any future agent/editor/publisher place it in another if they think it belongs elsewhere. Take care. Vern

I think my issue is that it's written about a teenager but it's not really aimed at teenagers and possibly not of much interest to any particular audience for that reason.

The age of the protagonist is irrelevant to Commercial Fiction. For example, To Kill a Mockingbird was written in the pov of a young girl, Tom Sawyer and Huckleberry Finn were teenagers and I'm not sure there was even such a thing as a YA genre at the time; if there was, they crossed it and appealed to a wide audience -- adults read books about children all the time. As stated earlier, many works cross genres and often times an agent/editor/publisher will choose a different genre from the one you might think it belongs in. The broad category of Commercial Fiction seems to fit the bill, but where you place it at this point will make little difference in the grand scheme of things. The genre you choose is not a deal breaker for getting published, it's all about the story -- Harry Potter was not written for an adult audience but it certainly brought millions of readers into the so-called YA arena with a huge crossover. Good luck. Take care. Vern

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(11 replies, posted in TheNextBigWriter Premium)

Most stories could fit in more than one genre to some degree. Why not just consider it "Commercial Fiction" (broad category) and let any future agent/editor/publisher place it in another if they think it belongs elsewhere. Take care. Vern

Garfunkel

1,111

(296 replies, posted in TheNextBigWriter Premium)

Charles_F_Bell wrote:
vern wrote:
Charles_F_Bell wrote:

anyone is free to infer from what I have said that punctuation and spelling rules are inflexible written-language rules.

So, help be clear on your position in an attempt to bring this to closure. From what I have gleaned from your statements direct or inferred, let me pose a direct question.

Cite an example where Virginia Woolf, who directed by her style did not inject punctuation normally, in publication used a semicolon incorrectly.

That really clears it up, LOL. Argue with yourself; you just might win. Take care. Vern

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(296 replies, posted in TheNextBigWriter Premium)

Charles_F_Bell wrote:

anyone is free to infer from what I have said that punctuation and spelling rules are inflexible written-language rules.

So, help be clear on your position in an attempt to bring this to closure. From what I have gleaned from your statements direct or inferred, let me pose a direct question. Should someone with what I would consider at least above average knowledge of punctuation, say an editor, says that although a certain writer (famous or otherwise) uses punctuation (any punctuation not just the semicolon) which is not standard (which you seem to think are concrete rules), said writing is still appropriate (or one might say creative) as it is their style, would you then say that both the writer and editor are inept? That is what I gather from your past positions so hopefully you can clarify it for me as true or misconstrued and we can wind this subject down. Take care. Vern

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(296 replies, posted in TheNextBigWriter Premium)

Charles_F_Bell wrote:
vern wrote:

To anyone who thinks language and writing are set in concrete,

Who said that? 

Straw-man argument if there ever was one.

Who said that? Really? Are you now denying you think language, to include written, is set in concrete? For some strange reason I doubt it, but if so, then case closed.

Just in case you wish to continue the concrete delusion and speaking of your straw-man argument - LOL, that's another good one - you've been shown how language has definitely changed over the past 5000 years since cuneiform is generally accepted as the first written language found to date and all the rest have evolved or changed from that (even going out of general use is change as is a whole new language); so now, you must wait 5000 years with no change to sustain your argument that language ( I think we're talking English, but pick any you wish) is set in concrete.

BTW, if you can find another language from any other place from the same time period which has not changed - good luck with that - I'll accept that and even give you a few millennia to boot in order to find the always and forever language as I'm not adverse to considering valid evidence within a broad framework.

Just in case you want to grasp at more straws, you might bake your straw into bricks as straw used to be used for added strength, but alas even that has changed over the years for most of the world though there are still some holdouts - far from the norm - as you might note to stay entrenched in your straw-man never changing world. Take care. Vern

MrsPiddles wrote:

Sol, I don't know if you can look on my page where the quickies are, but I got a really weird message. Someone wants to be my close friend and wants me to look at her photos! Can you delete this thing and maybe block the one who did it?

Has anyone else had something like this?

Mrs Piddles

Check this forum thread:  http://www.thenextbigwriter.com/forums/ … elete.html
Tale care. Vern

Edited to add "thread."

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(296 replies, posted in TheNextBigWriter Premium)

Just dropped in to see if any cuneiform has been presented. I don't see any so I reckon the concretist doesn't know any. Can't say I'm surprised. I'll be back. Take care. Vern

freckles

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(296 replies, posted in TheNextBigWriter Premium)

To anyone who thinks language and writing are set in concrete, I challenge you to present your next argument in cuneiform and see exactly how many folks understand you. After all, if it's all set in concrete we should have no trouble reading how things were written 5000 years ago. But alas, language and writing has been evolving since the first intelligent grunt and the first cave drawing.

Even if one believed that rules are set in concrete, that still would not preclude them from changing since the hardest concrete still crumbles with use and abuse over time - and a jackhammer works wonders. Words change spelling and meaning over time. Rules adapt over time. There is an exception to every rule and with enough exceptional uses, the exception becomes the norm. But, hey, show me your cuneiform and let's go from there. Take care. Vern

Edited to add this excerpt on knowledge:
***
Buckminster Fuller created the “Knowledge Doubling Curve”; he noticed that until 1900 human knowledge doubled approximately every century. By the end of World War II knowledge was doubling every 25 years. Today things are not as simple as different types of knowledge have different rates of growth. For example, nanotechnology knowledge is doubling every two years and clinical knowledge every 18 months. But on average human knowledge is doubling every 13 months.  According to IBM, the build out of  the “internet of things” will lead to the doubling of knowledge every 12 hours.
***

With this vast increase in human knowledge, does anyone think language has remained or will remain static?

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(296 replies, posted in TheNextBigWriter Premium)

corra wrote:

I guess that would place most agents/editors/publishers in the prescriptive camp and most aspiring authors in the descriptive arena...

Speaking of rules, a question you might be able to answer...

Are you calling me a prescriptivist?!

smile (No idea. Sorry!)

lol, Only in knowledge, not necessarily orientation; I expect you're a bit further down that road than I and more acquainted with their methods.
Actually, you having no idea gives me my answer, I think. Thanks. I'll explain later - out of time, got to run for now. Take care. Vern

"Schlemiel! Schlimazel! Hasenpfeffer Incorporated!"  Well, it's one word when Shirley and Laverne say it, lol. Or, you can just use the first one. Take care. Vern

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(296 replies, posted in TheNextBigWriter Premium)

corra wrote:

Back to the topic predominating the thread?

I just read this article and thought it was interesting? (For those who haven't heard of prescriptivism/descriptivism, a brief definition follows. But the article I was citing is here.)

"A prescriptive grammar is one that lays down the rules for English language usage, while a descriptive grammar synthesises rules for English usage from the language that people actually use. A prescriptive grammarian believes that certain forms used are correct and that others, even though they may be used by native speakers, are incorrect. Many prescriptivists feel that modern linguistics, which tends to place emphasis on actual rather than perceived language usage, is responsible for a decline in the standard of language... Descriptivists look at the way people speak and then try to create rules that account for the language usage, accepting alternative forms that are used regionally and also being open to forms used in speech that traditional grammars would describe as errors."

(source)

I guess that would place most agents/editors/publishers in the prescriptive camp and most aspiring authors in the descriptive arena. I would probably fall somewhere on the road to the descriptive side with the drawbridge leading forward in the upright position, lol.

Speaking of rules, a question you might be able to answer: What exactly are "interrelated clauses?" More precisely, I know they are "related" in some fashion, but would both have to be independent if two are joined with punctuation other than a period? I have a specific reason for asking and hopefully you can clarify it for me. Thanks. Take care. Vern

PS: Edited to add more detail to question.

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(15 replies, posted in TheNextBigWriter Premium)

Janet Taylor-Perry wrote:
vern wrote:
Janet Taylor-Perry wrote:

Here are mine. A former student designs all my covers.

http://amzn.to/1ld8grm
http://amzn.to/1iWuYmP
http://goo.gl/6YTwyz
http://goo.gl/1eLv66

Pretty cool and eye-catching. (S)he must've had a good teacher. Not crazy about the wine glass depiction for Broken - it's not - but the art itself is still good. Take care. Vern

The wine glass is broken off the stem. The stem itself is on the spine with the unbroken wine glass in shadow on the back.
Read the first chapter and you'll see why the broken wine glass with the bullet and the red substance (wine or blood or a combination thereof) fits. Someone didn't get the blue eye on Lucky Thirteen. But blue eyes run throughout the story. And the covers do speak to the content of the story.

Christopher Chambers can be reached at cchambers@juroddesigns.com if anyone is interested in his work. Tell him I sent you. smile

I'm not saying a "broken" glass doesn't fit the story, just that the glass depicted isn't broken as seen and to me personally, it would fit even better with the title if it were actually broken where the observer could see it. Just an observation and personal view on my part and I may well be the only one who would see it that way on a store shelf. Good artwork regardless. Take care. Vern

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(15 replies, posted in TheNextBigWriter Premium)

Janet Taylor-Perry wrote:

Here are mine. A former student designs all my covers.

http://amzn.to/1ld8grm
http://amzn.to/1iWuYmP
http://goo.gl/6YTwyz
http://goo.gl/1eLv66

Pretty cool and eye-catching. (S)he must've had a good teacher. Not crazy about the wine glass depiction for Broken - it's not - but the art itself is still good. Take care. Vern

1,123

(15 replies, posted in TheNextBigWriter Premium)

Dill Carver wrote:

   

And the first ever that didn't got a trademark 'Take Care...'  smile

lol, yeah, that was by design. Actually have omitted it on very rare occasions before - though I don't think on this new site - to enhance the image presented. Take care. Vern

1,124

(15 replies, posted in TheNextBigWriter Premium)

Dill Carver wrote:

BTW, Janet

Never underestimate the packaging!

That's huuuge.

00: Women and then 007