If you’re not “driven” to write by something inside you, then chasing the muse is a waste of fretting. I’ve read a lot of biographies of authors, and I can’t recall any of them feeling the need for “inspiration” to “write.” They might need inspiration for a specific story, but the drive to write shouldn’t be something that waxes and wanes if it’s really your passion.  (Some writers have mental illness, in which case, their illness might disrupt them.  I’m excluding those folks.) 

In my case, I go nuts if I go more than eight hours without writing, and have been that way for years and years.  It’s an obsession.  I don’t even understand the concept of “writer’s block,” as it’s something I have never experienced.  That’s not touting myself; I’m merely pointing out the distinction between having a “hobby” and having a “passion.”  And I’m suggesting that chasing “mojo” to write is a waste of time. It’s either there or it’s not.  And if you’re writing because your aim is to be published, that’s not a passion for writing—that’s either an ego thing or a money thing.

I’m also not suggesting that writing as a way to kill time or as a hobby (or even just to make a buck, or to stroke your ego) is not worthwhile — it’s absolutely a fantastic pursuit for those ends, and a great way to keep your brain cells active in your later life.  But be honest with yourself: if you have to force it, then it’s not a true passion, and what you produce won’t be “true.”  So, roll with it through the dry spells, as fretting over not being able to find the muse is a waste of time. 

When I’m not in a position to write on my creative work, I write in my journal about what’s going on around me.  Being an obsessive observer and writing things down, including overheard conversations, is a great way stir the creative juices and perhaps awaken your muse (and the latter will help you craft great dialogue).  I also obsessively write down interesting descriptions, words, or expressions when I read, which you might find inadvertently triggers your muse.  I carry a voice recorder everywhere I go, and have for twenty years.  I even whisper stuff into it that I see when I’m trapped in the subway, then transcribe it later.

Read.  Obsessively.  Outside your preferred genre.  And read books on writing craft. 

Lastly, too many people “go for the novel” instead of writing short stories or even just scene descriptions.  I would bet 99% of novels never get finished (because they should have never been started in the first place).  Perhaps you might consider being less ambitious and aim for short stories.

blunt

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(14 replies, posted in TheNextBigWriter Premium)

1. The topic of the “prologue” is the literary equivalent of “gun control” or “abortion” (or which way to position toilet paper on the holder)—and equally unlikely to generate “consensus,” general or otherwise. Furthermore, while you can bet most of us here have an opinion on it and a right to voice it, it’s questionable whether our opinions are relevant to your situation—or whether any one of us here really knows shit from Shinola ... (I get the two mixed up constantly)

2. I suggest you google “prologue or not to prologue” and read what professionals (editors and agents in particular) and other really wise people have to say about it.  Many of them have very good lists of questions to ask yourself in order to get you closer to an answer for your particular situation and your story.  Also, almost no stories, particularly in genre fiction, are truly original—so I would consult your past reading list and see how great authors in your genre handled similar situations.

3. Then, I would forget about and just write your story and deal with it later—as whatever you feel about it now is liable to change (multiple times) by the time you finish (and because any editor/agent worth her salt is going to have an opinion you’re gonna wanna heed, and you won’t get that until you’re done anyway).  Bottom line:  don’t let the question bog you down.  It’s just not worth handwringing over—you can always go back and cut it or add one.  And if you’re on the fence, write the damn thing, set it aside and be done with it—and if you change your mind down the road, rewrite it, rename it “Chapter One,” or abort it altogether.

4. Be wary of “absolute” opinions on the matter, as there is no one-size-fits-all answer.

Styx

vern wrote:

licked-finger

left-swiped thumb

vern wrote:

Trump (PeePee/PP/Putin's Puppet)

troll-chummer

morally

benighted

Pestiferous
https://thumbs.gfycat.com/EasyHospitableAxisdeer-max-1mb.gif

Unimaginative
https://media.tenor.co/images/51601818d4571dcd1da1430c4f756d95/raw

puerile

troll

vern wrote:
Dirk B. wrote:

Vern, in the time it took you to write that, the thing could already be fixed. And things don't get prioritized if we don't mention them.

Somehow, I doubt it could be fixed in that time -- I type pretty fast -- but using such a comparison, while thinking about it, that little box could also be checked in less time. Take care. Vern

amen ... for the love of pedants, what a waste ...

triggered

flogging
https://justmeint.files.wordpress.com/2011/06/flogging-a-dead-horse.jpg

Redacted
“It's a beautiful thing, the destruction of words,” said the Orange one.

https://cdn.abcotvs.com/dip/images/5258089_041819-cc-ap-mueller-report-img.jpg

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(8 replies, posted in TheNextBigWriter Premium)

So you gonna leave all the newbies at the mercy of the “bad cop”?  Oh, Lord ...
LOL

93

(20 replies, posted in TheNextBigWriter Premium)

http://www.boomerbrief.com/assets_c/2012/07/Stick%20a%20fork%20in%20it%20-%20600-thumb-600x514-5170.jpg

94

(20 replies, posted in TheNextBigWriter Premium)

B Douglas Slack wrote:
jack the knife wrote:

... At times I've had to establish a "connection" with the author (the only way you can send them a DM) just to do that.

I feel exactly the same way. We should be allowed to send a PM to anyone on the site regardless of their status with us. If it turns out it wasn't a good thing, one can always block the user.

BIll

A inline reply to an inline comment is ostensibly a private message.  Who (in their right mind) bothers reading the individual comments (much less the replies) on someone else’s work?  That’d be pretty pathetic.  And while I’m at it—if you are going to the pedantic effort of making inline replies to inline comments, why would you care if someone else reads them?  What are you ashamed of?  I suggest taking that time and applying it to writing or reading—the return is far better than that wasted on being defensive and pedantic.

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(2 replies, posted in TheNextBigWriter Premium)

Just write ...

Seems to me the forest has been missed for the low tree branch ... BONK!

MS Office is a bloated waste for most people.  Your average person uses about 5% of its capabilities.  For those folks, it’s like using a supercomputer for doing calculator functions.  Unless you have a “real need” for the power of MS Office, paying for a word processing application subscription these days is a waste of money.  I used to be a power-user of MS Office, but today, i wouldn’t bother.  If I used a PC, I would use Google Docs.  Since I use Apple products now, I use their apps, which transfer seamlessly with MS these days, and come free with the operating system.

This is a really good article on a pernicious problem ...

Excerpts from:
Article on C S Lakin’s Blog “Live Write Thrive”
By: Braeden Phillips

https://www.livewritethrive.com/2019/03 … r-writing/

3 Ways Insecurity Hurts Your Writing
Whether we’re doubting our own abilities, dealing with criticism, or struggling with our first draft, insecurity is a common emotion that a lot of writers feel.

But I think insecurity is far more dangerous than a lot of us realize. From what I have seen, it isn’t just a bad feeling but is rather a serious leech on your storytelling abilities.

Today we’re going to look at three ways insecurity hurts your writing and what to do about this dangerous feeling.

#1 – Insecurity, the hidden root of unnecessary exposition?

If you’ve read enough books on writing, you’ll find warnings against unneeded exposition.

Exposition is the information that explains stuff to the reader, usually about backstory, world history, etc. The reader needs to know what’s going on, but most writers don’t suffer from having too little exposition. Most suffer from stuffing their stories with too much. When this happens the story gets bogged down. The reader gets bored and tends to skip whole paragraphs or even quits reading a book entirely.

Knowing you should avoid this is a good start, but if the root of the problem isn’t addressed, it’ll still influence your writing in a negative way.

An overuse of exposition often comes from insecurity. An insecure writer tends to think if he doesn’t explain every single detail, the reader will have no idea of what’s going on.

This is the quickest way to make your book unreadable.

When a writer instead operates out of confidence, he knows that the reader can pick up on information easily through implication and action.

Not only that, the confident writer knows that readers actually get a mental buzz when they are figuring things out for themselves, rather than when having it spoon-fed to them.

That’s just the first way insecurity can hurt your writing.

#2 – Flashy writing marks an amateur writer

Another way insecurity can express itself in your writing is with “flashy” writing. That’s writing that tries to draw attention to itself.

I remember quite recently that I began reading an article on Medium. I had to quit because the writer thought it was appropriate to fill every second line with a simile or a metaphor.

That did not make for easy reading.

The insecure writer, whether consciously or unconsciously, assumes that to write well she has to use all the language features she learned about in school. They believe that good writing is in the writing.

This is not true for genre fiction.

What the insecure writer forgets here is that the reader wants to read a story, not to read writing. Big difference. Every metaphor and simile should be used in the service of the story, not the other way around.

When used properly, clever writing heightens the experience the writer is creating for the reader.

Clarity is probably one of the most underrated aspects of good writing. Before you can use advanced writing techniques, the first concern of the confident writer is to make sure that she’s creating a clear vision in the reader’s mind.

Compare the following two paragraphs and see which one you enjoy more:

Tony detected the strange tingling sensation in his lower arm as he strode forward. He failed to recall what precise moment in the night the wound had been dealt to him. He gritted his teeth as the frosty fangs of the cold dug into his flesh, chomping at his bones. He looked like a furious bear who has been surprised by a pack of hunters. The drops of red life descended from the spot where he had been stabbed.

Tony felt a numbness in his arm as he walked ahead. He couldn’t remember how he’d been wounded. He gritted his teeth as the cold air cut into his body. The blood began to drip from the wound, and Tony knew that he might die tonight.

If you take your average reader, they’d have a much easier time with direct writing vs fluffy writing.

#3 – Possibly the biggest danger of insecurity

Here’s where I think insecurity is especially dangerous to writers.

When you are insecure about your writing, then you are vulnerable to feedback.

An insecure writer gets emotional about his work. He is afraid to let anyone read it. If he does let anyone read it, then he is in danger of getting emotionally crushed if the person has any reaction that isn’t glowing praise. The biggest problem here is putting your self-worth outside yourself and relying on someone else’s approval.

The confident writer only experiences anxiety as a twinge rather than an overwhelming force. The confident writer knows what she’s capable of. She knows that no matter what her friends or family think of her work, she can always improve and disregard criticism that isn’t useful.

This expression of insecurity really hurts a writer’s ability to improve because, like any skill, feedback is essential for growth.

A confident writer makes adjustments and changes and grows. An insecure writer tries to build a shabby shell around her broken skills by avoiding feedback.

The truth is that some people will not enjoy your work. Some people will find holes in your story that you didn’t expect. Some people won’t like your characters or think they are realistic.

The confident writer takes good advice and ignores bad advice. The insecure writer lashes out at any criticism that emotionally hurts him and becomes reluctant to make the needed changes.

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(4 replies, posted in TheNextBigWriter Premium)

vern wrote:

Sounds like a wonderful tool, but damn, I'm glad I don't need it; it would blow my mind - what's left anyway, lol. Take care. Vern

...i’m gonna tackle a smaller elephant next time.

100

(4 replies, posted in TheNextBigWriter Premium)

This will only be of interest to writers who have complex stories with a lot of characters and challenging timelines to manipulate/maintain.

Due to the complexity, length, and number of characters in my novel, I have to lean on several tools to keep organized.  I use Ninox Database for research, character profiles, photos, and a million other details.  (Frankly Scrivener is a better solution, and I am trying to move everything there, but I may just give up as I’m so imbedded in Ninox that it may be an exercise in futility.) I also use Evernote, iOS Reminders, and iOS Voice Memos.

But the hands down best tool that I have in my writer’s toolbox is Aeon Timeline.  It’s not for everybody, frankly.  It’s as user-friendly as timeline software comes, but it still requires a basic understanding of scheduling software, namely understanding relationships and task dependencies, which scares most people off.  (Frankly, it shouldn’t.  I used to teach scheduling, and I could have people up and running on scheduling software in a forty-five minute class).  Most stories aren’t complex enough to need such a tool, frankly, but for stories that cover long time spans, have multiple overlapping story threads (complex mysteries, for example), or complex action sequences, it’s a terrific tool.  I have been using scheduling software for a couple of decades, and there is really nothing I have found that is close to this that strikes the balance between flexibility and ease of use.

I like it in particular because I can work with the same app at both the macro level (years) and the micro level (seconds).  It looks spectacular, both in the spreadsheet view and in Gaant (timeline) view.  It can even go broader for those working on epochal scale.  It’s developed for writers and integrates with Scrivener.  It’s the only app I found that works great at a seconds level, which sounds nuts, but I have a critical accident scene where the whole accident occurs over a period of a few minutes and it bounces back between three POVs, so I needed to track all three POVs at a second-to-second level to keep things in sync.  I also have several other complex action scenes (an arson from two POVs, for example) that need to be timed down to the second; it would have been orders of magnitude more difficult on paper.

At a macro level, I have all my characters in it, with birth and death dates, as well as key milestones.  These relationally link with each other to keep me from tripping over myself and having timeline logic errors.  This has proved uber-helpful when I have had to change the age of a character, which would’ve precipitated a cascade of event conflicts without a tool like this.

I found the app saved me recently when I realized I needed to shift all the scenes of about twenty Chapters back in time by three months.  Since the timeline is all linked, I just moved the first event, and all the other events recalculated for me, which allowed me to go back and easily rework scenes (3 months causes a shift in the season, so descriptions/activities, etc. needed to be altered).

So, for anyone who is looking for a stellar piece of timeline software, I recommend Aeon.  I have been using it for a long time, and it just keeps getting better.  I have both the MacOS and iOS versions.  I mainly use it on my iPads.

https://www.aeontimeline.com/