4,051

(212 replies, posted in TheNextBigWriter Premium)

Sol, would it be possible to show the space/line formatting that we type into the chapter notes? You do so with the book summary, which makes it much more readable.

I use spaces/blank lines to help my readers read my book summary and chapter notes. Right now I have to use *** SCREAMING HEADLINES *** to make the chapter notes easy for my reviewers to scan through.

I know you're generally trying to keep the book summary and chapter notes "real estate" as small as possible, presumably for handheld devices, but I use white space to add readability. If I wanted to write everything as one long paragraph, I would do so.

Notice how I use separate paragraphs to make my point. :-)

Thanks.
Dirk

Thanks, Don. It's an interesting idea. Mama does do organic (see below).

I eventually decided to include a bunch of tractor front loaders inside the warehouse to scoop/dump the dirt into the utility carts. It's the warehouse-scale version of that monstrosity in Kenny's picture. I was trying to avoid using them because I wanted the work to be backbreaking. What I eventually settled for was "exhausting". It's still a nasty Warming-exposed work environment with cooling fans blowing dirt everywhere, so the filth and discomfort level is about the same.

Funnily enough, it turned out Mama does ship organic stuff. After I started rewriting to incorporate everyone's feedback, I added a couple of extra guided missiles during the taxi chase. They end up plowing into one of Mama's trucks labelled Organic Fertilizer. Naturally, the truck expodes in the middle of rush hour traffic sending manure raining down on everyone below.

Don, I included a chase through a crowded open-air market in response to your suggestion for a more interesting escape from the spaceport. Also added a paragraph addressing your questions about the terraforming process, and a part where Leonardo is about to kick Joseph and Paul out of the cab when the hunters show up. Turns out he lost his boys to his ex-wife so he finally decides to help them. Plus, let's face it, he's the crazed cabbie. He'd probably do it for kicks.

K, if you're reading, I added your suggestion of the pizza drone. Awesome! The cab buzzes past it and the drone gets whacked by a guided missile, exploding into "a fiery ball of metal, plastic, and mozzarella". :-)  I also gave the cab's AI a personality, so it's less like HAL, and made it smarter than 3PO, except that Leonardo keeps hitting it with his fist on the dashboard. It keeps resetting, eventually frying the altimeter, so the AI doesn't know precisely how low they are to the ground when that moment comes.

Thanks to all for your suggestions. I love the result.
Dirk

4,053

(16 replies, posted in TheNextBigWriter Premium)

Actually, JP, the button was added at the request of myself and others. If you receive an average of ten reviews per chapter multiplied by 40 or 50 chapters per book, that's a lot of reviews to work through. Some are simple, and I do them right away. Others are more complex and I save them for a future rewrite of the chapter. By clicking Applied on a review, I'm simply flagging to myself that I'm done applying the suggested changes to my offline book. I can then look at the Regular Reviews Received and Inline Reviews Received tabs and see, at a glance, all of the reviews I'm done with and all of the ones I still need to work on. No one except you sees which of their reviews you've "applied" or not.

Dirk

Thanks, Tom. I agree option "a" seems better. Unless I can think of something else, I'm going to go with it. I think I have a little more leeway since it's space opera rather than hard-core sci-fi, so "entertainment" is also a factor, hence the many plotholes in the Star Wars series. I try to stamp out as many of them as I can, so I appreciate the help.

These days, a real sci-fi story set 2000 years in the future would be forced to pretty much automate everything, probably also excluding the insane flying taxi ride that takes place later in the chapter as the slaves try to escape. Self-driving vehicles are only about 10-20 years away, so I wonder what will happen to taxi and bus drivers at that point. Not to mention speeding tickets (a major source of revenue for some towns). A vehicle could pick up passengers, drive them where they want to go, accept Apple Pay, and then continue on to wherever the dispatcher programs it to go next. I've been on airport tramways that were fully automated almost ten years ago. I did wonder with those what happens when someone gets stuck halfway through a closing door. Yikes!

Dirk

Hi Tom. It's slave labor for a shipping company that is moving topsoil offworld to seed new colonies on other planets. The slave/shipping owner would want to do this in the most efficient (lowest cost) way possible. He doesn't care if slaves die in his service, although he's not intentionally killing anyone or making them do work as in a penal colony setting.

Dirk

What a monster! Topsoil, however, is only a few feet deep, at most, but let's assume there is machinery at the digging site. I assumed so when I wrote the scene, but didn't bother to write about it, since it was outside Joseph's POV. You still need a way to get it in and out of a cargo hold. Hence, the canvas utility carts. It's really about the most cost-efficient way of getting it from a dirt pile in the warehouse, dumped there by dumptrucks, into the ship by either slaves digging vs robots digging that are maintained by humans. I also considered some form of tractor front loaders (baby brothers to the one in your picture) to lift the dirt from inside the warehouse and dump it into the carts that are then pushed into the cargo hold by slaves. I probably have to include them.

Any other suggestions on real back-breaking work that cheap slaves could do?

Thanks.
Dirk

4,057

(16 replies, posted in Writing Tips & Site Help)

I have memory problems from medication, so I'm forced to keep track of all kinds of information for easy reference (spreadsheets!), plus I reread/tweak my earlier chapters frequently as a way of remembering what I said and, therefore, what I want to say next. Sometimes I just go off on a tangent and research something that I'll eventually need to know anyway. I also take chapter-length detours just to see where the story takes me. Eventually, I get back on track.

Kenny (and anyone else), I'm still trying to clean up my slavery scene set in the distant future.

I originally chose shovelling truckloads of rich topsoil as the slave task for my two characters because I wanted it to be backbreaking, sweaty work in an insanely hot warehouse/spaceport environment near the Imperial palace. I considered having them load or unload ships with other cargo, but felt that the entire process of moving pallets full of goods from inside a warehouse into a ship's cargo hold or back out could be entirely automated by installing repulsors and a computer in every pallet. The pallets could pretty much move themselves.

I tried to justify dirt as the choice as it can easily get into any exposed repulsor mechanisms, preventing full automation. However, once I switch to four-wheeled utility carts for the soil, automation again becomes a possibility, albeit with the requirement for ongoing maintenance of the automated equipment in a dust-chocked environment. I originally kidnapped 60 people in an earlier chapter (a reasonable number of people on an instellar transport), who are now spread out throughout the spaceport toiling away. I feel the immediate scene works best with two guards, so twelve slaves in one warehouse seemed like a reasonable number for them to guard. I should add that as soon as you put humans to work in that hothouse, you need electric fans (and tons of water) to keep them from dropping dead immediately. The fans would definitely kick up a ton of added dust.

The options seem to be:

a) Say something like "Using AI-driven equipment to scoop and load soil aboard ships was simply less economical than feeding synthetic slop to slaves due to the high cost of buying, incessantly maintaining, and replacing machinery that could readily operate in a dust-chocked environment."

b) Put enough "droids" to work (100?) shovelling and loading dirt that it requires a sizeable team of slaves just for the maintenance (cleaning dust/dirt out of the exposed parts of the machines).

Technically, I think the idea of having to constantly maintain automated equipment in that environment could be virtually eliminated by simply sealing exposed joints/circuits with flexible material, like rubber or even Saran Wrap (TM). :-) So, really, neither option is truly reaslistic.

Obviously, in that distant future, the cost of "feeding synthetic slop to slaves" could be as little as I want, therefore potentially cheaper than automation. That suggests option a.

Thoughts?

Thanks.
Dirk

Oh, I love the pizza delivery drone. It's totally in keeping with the ridiculous scene.

Also in keeping with the chapter is the name of Leonardo's ex-wife. Donna Pelosa is Italian (or was it Latin?) for hairy woman. tongue

Leonardo has another scene later in the book. I'll have to bring him back in the next books too. Maybe upgrade him to a spaceship.

-40? Now I remember why I don't visit family in Calgary in winter.
Dirk

You're right, of course. I'm thinking perhaps the AI tries to warn him (e.g., "Leonardo, I --") and he commands it to shut up and keep going. Come to think of it, 3PO did make multiple attempts to warn Han about the hyperdrive.

I also need a way to lose those guided missiles.

One thing that helps is that this is the notorious Crazy Cabbie, so I can make stuff up for his cab that wouldn't normally exist on a regular vehicle, like suicidio mode.

I can think of several chapter mods to address your points. I'll have to play with it.

Thanks.
Dirk

4,061

(4 replies, posted in TheNextBigWriter Premium)

It looks great, Sol.

Following are three uses of "means" I found after scouring the Internet. They both use quotes for the defined word(s).

    The Latin verb "duco" means "to lead," "to consider," or "to prolong."
    Another common Latin expression you might come across is sic transit gloria mundi. It means “thus passes the glory of the world.”
    Booth is said to have shouted “Sic semper tyrannis!” He meant “that’s what tyrants get;” literally, “Thus always to tyrants.”

Using the above examples would result in the following in my conversation between Joseph and Leonardo:

    It means "Your mother was inseminated by a Greek."
    It means "bitch."

I also use quotes for things like:

    Joseph Windsor was four years old the first time he heard "God" speaking to him.

In this case, the quotes are used because the author of the sentence (a religious scholar from the distant future) wants to emphasize that it may not really have been God that Joseph heard.

Dirk

Hi, I have several words/phrases that I need to define in my book and am not sure what format is best.

1.) I have a cab driver who uses the Italian term Stronza as a curse word. One of my characters asks what it means. Currently the response is "It means bitch." I have the word "bitch" in italics without single quotes. Should it be italics or should I put the definition in single quotes. Also, should there be a colon after the word "means"?

2) (Similar to 1) Same driver uses hand gestures to insult vehicle occupants chasing him. When asked what the gesture means, he answers "It's an old Italian insult. It means your mother was inseminated by a Greek." I have "your mother was inseminated by a Greek" in italics, again without single quotes. Once more, should there be a colon after "means"?

3) I use the term AI throughout the book. It's a synonym for computer (e.g., the palace AI, personal AI, etc.). In Wikipedia, I found that artificial intelligence is always abbreviated as AI withough periods (i.e., not A.I.). AI without periods is also consistent with other abbreviations in my opening chapter, such as CO (commanding officer) and HQ (headquarters), neither of which is normally spelled with periods (i.e., not C.O., nor H.Q.).

These abbreviations all occur in the first chapter and is from a science fiction novel targetted at older teens and above. I would think readers of that age group would know what AI, CO, and HQ stand before, but maybe I'm wrong. One reviewer told me I should define all acronyms before using them, so I wrote:

     "Those cannons are three times as big as a supernova, admiral," the ships artificial intelligence system, or AI, responded.

Should AI be in italics when I define it in the example above?

4) I use the term "deep fryer" as a synonym for energy rifle (i.e., stormtrooper style blaster rifles). I have the sentence: The marines carried energy rifles, or deep fryers, and distributed them to the bridge crew.

5) I use the term Galaxinet and don't bother to define it, since it's pretty obvious what it is. I have many other words that I've made up (e.g., supernova, titan, annihilater, etc.) that the reader can generally understand from the context in which they are used. For example: "We count nine ships, Admiral. A new titan and eight battle cruisers." I later describe the titan so that it's obvious that it's the biggest/most powerful ship in the aforementioned fleet.

If I were to stop every time to explain what a word means it would come off as silly. However, as you can see, I sometimes use italics, sometines phrases like "or deep fryers", "or AI", etc., and other times I leave the reader to imagine it based on my descriptions rather than stopping to insert an explicit definitioin. The last approach seems like it would be preferable, but I can't always do it that way, as the examples above show.

Is there a standard way of handling these example?

Thanks.
Dirk

4,064

(6 replies, posted in Writing Tips & Site Help)

The only reason I would might avoid exotic would be because it's more telling than showing. I got similar feedback for using the term sultry without actually showing anything. The fixed version "shows" quite a bit. :-)

Dirk

4,065

(28 replies, posted in TheNextBigWriter Premium)

Sol, just to clarify, if free members can only join one group, does that mean they won't be able to post to multiple groups simultaneously as well? So, if a budding sci-fi author wants to post work to the sci-fi group, they have to drop the Premium group? Why the switch from five groups down to one?

Thanks.
Dirk

4,066

(6 replies, posted in TheNextBigWriter Premium)

Maybe something slightly annoying on the Reviews screen, reminding people how many reviews they haven't responded to.

4,067

(2 replies, posted in Writing Tips & Site Help)

I'm still working on my second major revision, and there will be a third that will include significant chapter surgery. Edits aside, I'm hoping v3 is my last major rewrite. I rewrote and posted v3 of chapter 1, just to take a break from v2. Some thought it was great, others ripped it apart. Even the critical feedback was less drastic than in the past, so I may be able to stick with v3 as my last major rewrite. Since I'm writing a series of three books, I don't mind taking extra time to make the first one as good as possible - it helps me define the universe/technology/characters as much as possible. Once I release book one, I won't be able to go back and alter those elements significantly. Of course, at my current pace, book one won't be ready until 2017.

Dirk

4,068

(212 replies, posted in TheNextBigWriter Premium)

One nice-to-have that may have been mentioned already would be the ability to go from a posted review to the next chapter in someone's book, if there is one. I use the reviews tabs to see what the last review was I gave each author and then proceed from there. For regular reviews posted, it's pretty easy, since clicking on the posted review takes you to the book's posting view where you can select the next chapter and read from there. For inline reviews, however, you need to click on the most recent review's author, then scroll to/click on the author's postings, then scroll to/click on the book, before being allowed to select the next chapter, at which point one mouses to/clicks on Leave Inline Review. Less clicking and scrolling would be great. Right now, all of the links in the Inline Posted tab take you to the review, except for the author link.

Thanks.
Dirk

4,069

(28 replies, posted in TheNextBigWriter Premium)

SolN wrote:

Would TNBW Free still be non-points group? If not, how should we post so that free members see our work?

Let me ask you this, have you received any reviews from free members?

I haven't received any reviews from free members, although I've given about a half dozen. I started as a free member on the old site and almost immediately upgraded when I saw that I needed to do so in order to post and get reviews.

However, when I first upgraded, I didn't understand the need to reciprocate to keep some of my preferred reviewers going with my book. I lost two important potential reviewers given the nature of book. (Unfortunately, I took that book down and replaced it with my current version, so the initial reviews/reviewer names are gone.)

Whatever you decide, be sure to give free members enough time, access, and how-to information to understand how the site works before they decide to leave. A three month trial ought to be enough, or, as you suggested, a requirement to read more than premium members in order to keep posting. I would definitely give them access to inline reviews, even if it's only for a short time, because they make the new site really shine.

Dirk

4,070

(28 replies, posted in TheNextBigWriter Premium)

Hi Sol. Would TNBW Free still be non-points group? If not, how should we post so that free members see our work? I currently post to TNBW Premium and TNBW Free on the assumption that free members can't see Premium posts.

Are my assumptions incorrect?

Thanks.
Dirk

4,071

(2 replies, posted in TheNextBigWriter Premium)

They were my private messages, both sent and received.. After navigating around the site, all of the messages are now back to normal. Go figure . I'll let you know if it comes up again.

Thanks.
Dirk

4,072

(2 replies, posted in TheNextBigWriter Premium)

Sol, I clicked an email link to take me to my messages, and all were gone even the unread ones.I don't really need all the old ones, but it would be nice if you could bring back the unread one. I'm an running Android 4.4.4 on a Motorola g smartphone.

Thanks
Dirk

This is the new chapter 1 of version 3 of the book (technically, this is a prologue). If you haven't already read v3's Book Content Summary, please do so. It provides some useful information about the story and may help you decide if it's right for you. Please note that v3 is a separate book from v2 for technical reasons. My primary focus remains v2.

IMPORTANT CHANGES: This chapter includes a number of name changes compared to v2 to clean things up. Luna II is now called Neuer Mond since it's neutral territory (think Switzerland) and therefore shouldn't have an Imperial/Latin name. Similarly, a colossus (the largest Realm warship) is now called a dreadnaught, also to avoid the obvious Imperial/Latin connection. The opposite is true for behemoths, the largest Imperial warships - they're now called titans. For the same reason, Admiral Adalwulf is now Admiral Gaius Lupus. Incinerators (always hated that name) are now called supernovas for ship-mounted cannons, deep fryers for energy rifles, and light toasters for the handguns. :-)

FEEDBACK: Besides the usual, if anyone has the time, please nit my comma and paragraph usage with an inline review. I'd prefer to get this right up front, before I write a whole book full of errors.

Thanks.
Dirk

Time to have a little fun in this chapter.

IMPORTANT CHANGES: I'm still cleaning up some of the story tech. Incinerators are finally gone (yay!), replaced with nova cannons (small), supernova cannons (big), deep fryers (energy rifles), and light toasters (handguns).

FEEDBACK: Besides the usual, if anyone has the time, please nit my comma and paragraph usage with an inline review. I'd prefer to get this right up front, before I write a whole book full of errors. Janet?

Thanks!
Dirk

4,075

(7 replies, posted in Writing Tips & Site Help)

What would you do with paragraph 1, Kenny? Would you split off Joseph's line of dialogue from the rest of that paragraph?
Dirk