3,651

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Not that it relates to anything here but I've just been reminded of some words John Dickson Carr put into the mouth of Henri Bencolin:

A corpse (let us say) is found strangled, sitting in a chair by a window, and wearing a domino mask; and all the clocks in the house are found with their faces turned to the wall. You are carefully warned that the blazing clue to the truth is the fact that there is a teaspoon in the victim's side pocket, and that, without all these things being just as they were, the crime could never have taken place.--You follow me? No clue was left merely to confuse; or because it was a reminder of the victim's past misdeeds (that saddest device of all); or because the murderer thought it artistic. Each indication was a necessary part of the pattern."

"What's the explanation?" demanded Bryce, his face lighting up with interest.

Bencolin looked at him. "I suggest you think of one," he said politely. "Or apply yourself to a study of Rose Klonec's murder. But to finish this mask-clock-teaspoon puzzle. Now, suppose at the denouement the identity of the murderer was revealed--for the simple reason that his fingerprints matched those on the collar of the strangled man. Would you feel cheated? That's exactly what might happen in life; but would you feel cheated? You know damned well you would. There is no doubt as to the identity of the murderer. He admits the crime. Then he shoots himself. Consequently, you never know the significance of the mask or the reversed clocks, or what deduction you should have drawn from the teaspoon. Page 315, 'The End.' What would you do? You would strangle the author, lynch the publisher, and shoot the bookseller. Yet why do you complain? You know the identity of the murderer, don't you?"

.

Say, why did Charm/Breckin take to Slash, anyway?  And before or after Tazar had his balls?

3,653

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Well, then I have to rush and get it in!

3,654

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

So go read the future stuff in Vol 2 while you wait.

3,655

(217 replies, posted in TheNextBigWriter Premium)

Minor  nit: in the Settings / email page, you spell 'below' as 'bellow'.  I suggest also that the 'email' menu item and page be titled 'email notifications'.

3,656

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

I have a draft of the new version of CH3.  I'm hoping to get it out in the next 36 hours.  Amy, you'll beat me up on description.  I think this new version will have a litttle more room to insert it after the thrashing.

3,657

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

Another possible future chapter here.

These occur as I see how characters' paths have to cross and what sort of plot things events have to unfold, and how.  Most 'what' at this time.  It also helps me see what I have to develop in the first volume as I rework it.

I changed the wording to be that 'she whacked Slash in the noggin with a pitcher.' Better?

Alda is now carrying a spear, and it clatters to the ground (along with Elston's weapon) when Elston answers the door. Poof. Spears appear.

In the damaged, supperating noggin.  Actually, I'm sorry I suggested 'noggin', since it's not your voice.

Alda has to avoid Slash's renewed injuries and his mangled mug, his damaged dial, his disfigured phiz.

I was afraid the spears had gone into into HammerSpace

A classic version control question.  After you version-control the components, how do you create/manage a unified version for the whole product?  The software world has tried a number of different models.  Some work well, some are clunky, and some seem slick but are fraught with problems, often because the descriptions contradict the user's mental model.

Anyhow, there is a fair amount of prior art, in the working model, in the interface functions, and in the back end.  The back end part is probably less useful because many systems store changes as deltas.  That presumes certain ratios of storage and storage access to computation power.  Unless you are running a truly massive--and effective--RAID system, the cost of storage access--disk transactions and head movement--has gone up relative to the cost of storage and computation.

If you're going to work on it at some point I encourage you to open the dicussion to users and to emphasise walking through scenarios to see whether it works as expected--and provides the benefits expected to the user.

If you're going to take this version control step, you might deepen the hierarchy to multi-volume works and multi-section multi-volume works.  The step from three to four is usually easier than from three to four, and that is much easier than the step from two to three.

If we're determined to keep the inline review system, and if reviewers are convinced that it's a better way to enter reviews, then I'll ask for a couple of things.  First, the option to display the whole set, with whatever replies, in a format suitable for printing.  Second, for relief from the length-of-reply limit on the individual 'tweet'.

But I still think a way to link a single-body review into the text, with at least two display options, would be better.

3,661

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

It's a sketch.  Do the plot/milieu questions hit you like a big pizza pie?

I also found some things that won't work between the timer and the flasher.  The timer turns the flasher on by supplying power to it via a MOSFET.  I forgot that the timer output is totem-pole, not open collector/drain.  Fixable, but at this point I need to rearrange some things and find the most economical way to do it.  I don't have much room left for parts and connections.  I just had a thought on simplicating it.  Write it, think it, then get to reviews.

That's the flasher portion, about 1/3 of the parts and nodes.  An astable multivibrator to time the flashes, a monostable m.v. to set their duration, and another astable to fire narrow pulses directly off the power rails for max brightness in each flash, pulse width widening as the batteries run down. The pulses run from 140 usec at low voltage to 75 or 80 usec at max, and you need bells, whistle, and a gong or two to make the mutlivibrator run cleanly at those narrow duty cycles.  The first astable, on the other hand, needs a bell (but not a whistle) to avoid the lockup that ASMVs are prone to.  I'd hoped to use a shared emitter resistor--it's worked for me before--but it didn't work here.

Oh, 630 to 640 usec between the pulses, varying slightly with the pulse width, and about 7.4 msec for each flash.

It's up now.  I suspect TNBW hasn't got their caches right.

Communication is feasible on the phone.  Reviewing is harder.  I would attempt only the most minor of story edits because I don't thinkthe Android's physical interface is up to the challenge.

3,666

(217 replies, posted in TheNextBigWriter Premium)

Thanks..  Will check it out.

---It looks good!  Sorry for the delay in getting back to it.

3,667

(217 replies, posted in TheNextBigWriter Premium)

But I've just copy/pasted from a 'source' window, and I'm using that as my referrence for correction.

I'm not seeing it.  Are you sure you uttered all the right magic?

I have to get to bed now.  I spent the last few hours trying to fix a design problem, and before that I put the sketch of the far future chapter up.

3,669

(1,528 replies, posted in Fantasy/Magic & Sci-Fi)

You're adding more than little bits.  Of course, you've got it all wrong anyway. smile  Merran is prone to anger, not tears.  But she's pretty phlegmatic overall.

You're not going to get the kind of teen-frustration you want.  Merran's romantic interests aren't going to wake up on schedule, and she's denser than Jaylene around Elston.  (Have I got the names right?)

But I'm hoping to do a fairly thorough pass over it.

In the meantime, I've put a sketch of far-future stuff up in Book 2: a meeting between Kirsey and Pike.  Just as your story has undertones and unter-clews, so has mine.  They talk a little about them, and other things.

3,670

(13 replies, posted in TheNextBigWriter Premium)

Can't find the old 'Future Wishlist', so I'll write here.

Minor but irritating thing that could be improved:  When I go to publish, I get a 'Warning: Are you sure you want to do this' on the point cost.  'Warning: are you sure you want to do this' I associate with file deletion and such.  Perhaps you could make this particular message a little more like a bank transfer or phone payment: 'Confirm: 3.25 points will be deducted from your account to pay for this transaction' or similar words.  It would be just as effective and less jarring.  I don't know if there are other places where this could apply.

When it comes time to get the email notifications working, I suggest multi-level options on the creation or publishing of work.

  1. An alert on an author.

  2. An alert on an entire group.

  3. An alert on an author IN a group, thus Mrs. Plum, but only for posts in Medieval Fantasy and Magic, but not for postings in Literary Fiction (unless it's also in the other group)

And then a further distinction:

  1. Creating/first publishing of a work by the author/group, as above

  2. Updates/publishing a chapter in said work

  3. Updates/publishing a chapter of a =selected= work

so that I'm notified when Mrs. Plum has a new work, but I have chosen not to get subsequent chapter updates on her work--unless I mark that specific work for chapter updates.  (And I should be able to mark such any work that I can read, even if I'm not following the authors or groups.)

Yeah, a few more columns in the database, but I suspect that many of us writers here will want these capabilities sooner or later.

=Postscript=: Attempting to do this list with bullets instead of numbers didn't work.  I'm going to play with the posting a bit and see if I can get some clues.

Okay.  The BBCode document says that (open-square-bracket)list(close-square-bracket) is the correct syntax, but when I go back in to edit it's been changed to (open-square-bracket)list=*(close-square-bracket).  In any case, the HTML is <ul> <li>...</ul>  ......  with no indication of what the bulleting character is.  I don't have my HTML references with me so I can't check them at the momement.

As an aside, can someone tell me, as the BBCode article does not, how to escape square brackets when I mean to use them to indicate the BBCode itself?
Let me know if you can use the screencap.

3,671

(217 replies, posted in TheNextBigWriter Premium)

I'm having problems--frustrations--with the content editing window.  I have copy-pasted a file whose formatting came through badly.  I'm not going to rail about that just yet because I'm not quite sure of the difficulties your up against.  (But note that a control-enter is a hard line break, not a paragraph break, and isn't a solution for single-spacing paragraphs because a paragraph formatting change above it will affect below and vice versa.)

Now, as to the real problem.  Since I'm fixing formatting, I need the formatting bar.  I adjust the main window scroll so it's at the top of the window and I start editing the content from the top down.  When I reach the bottom of what's visible on the window, instead of the editing canvas scrolling up, the whole ferstunk window content scrolls up, moving the editing controls off the visible window.

=Postscript:=  It's actually a bit worse than it seems.  When you get to the end of the document, you =can't= scroll down further in the edit canvas.  The only way to bring the end of your document close enough to the top of the canvas to have that text AND the formatting controls in your window at the same time is to add some text (eg. blank lines) at the end of the document, which you must remember to remove later.

I don't know quite all of what's going on here, but I suspect that the problem could be fixed by making the visible part of the editing canvas short enough, top-to--bottom, to fit in the window.  Even letting it fit in a window that is say, 80% of full screen would probably do for most of us (though it's not ideal).

Which is why some threads belong to stories.  Ideally, reviews would flow right into the story's thread.  (Or one of the story's threads.)

There's a story, supposedly true, about an architect who designed part of a  campus without paving paths between buildings.  He waited until the students wore paths, then paved where they walked.

3,673

(3 replies, posted in TheNextBigWriter Premium)

What I tell you three times is true!

3,674

(3 replies, posted in TheNextBigWriter Premium)

This may be related to a problem I had.  I did some investigating into the generated HTML and sent a screencap to Sol.  There's a definite bug--at least one--in the code that turns review text into HMTL.  In my case, the angle brackets were left untranslated and the browser is left to try to interpret their content as an HTML tag.  If you know how to use the 'developer tools' on your brower, you might take a look to see if that's the problem.  If not, more detail would probably help the developers investigate.  Or PM me the work and chapter and I'll take a look.  (Use the connection request for the info; I'll decline the connections afterwards.)

You might add to your report the work/chapter you were reviewing.

For now you might use double parens instead of brokets to quote things.

3,675

(217 replies, posted in TheNextBigWriter Premium)

Two things, not bugs exactly, but ways in which something is not providing what it was apparently meant to.

First, on page for a group, in the Visit My Group sidebar, the list of groups and forums with messages goes out of date when you read them and does not update on the page, even with reloads, for a considerable time.  I haven't actually timed it, so I don't know.

Second, on the My Groups, by default it shows you ALL groups, including Premium and Free.  That means it shows you EVERYTHING--all new works.  Or you can select an individual group, but then you have to look again for each group you are in (except Premium and Free, which between them represent EVERYTHING, or EVERYTHING that is not in a private group.  There is no way to select mutiple groups, or ALL-BUT-PREMIUM-AND-FREE, which are, in a sense, the 'base' groups, the two parts of the universal set.

More grist for my thinking on groups, but for now adding 'chosen groups EXCLUDING Premium and Free' would probably come closer to what most users would hope to find.

IMO.