It would be helpful to hear why you think making Alda a more central character than Taz. Once I know this, I can give you another great steaming load of opinions.

Regarding Ch. 9 and your comment about Alda becoming the MC instead of Taz. Because the Chap. is all about Taz, I assume you mean to give Alda a bigger part in the series and reduce Taz's role altogether. This would take some work on your part, and I'm not sure the effort would improve anything.

Taz and Alda's characters do not compete for the relationship with Jay. Certainly they both know her, but from far different POVs. Taz and Alda are irreverent folks, and that makes them a good pair, or team. Taz being a non-believer, whilst Alda is a believer, and seems to accept her spiritual gifts grudgingly as more of a burden however, she complies out of a sense of duty to Jay as well as Behira.

I think both provide a good balance, and they appeal to Jay in their own special way. Being a member of the Wolves is special to Jay, and also provides a good anchor to previous books. I think diminishing Taz's role would be a mistake. That's not to say you can't amp up Alda's character or role. Because of Alda's sardonic view on almost everything she provides humor, however, too much 'may' make readers tire of her and Alda ends up being more glib than funny. I think you have a good balance with the triad of Jay, Taz, and Alda.

Amy,

About the publisher's advice about reducing internal dialog. Offhand the only thing I could think of was to omit any internal dialog that reveals Alda's character or personality. Character and personality can be revealed, by Alda's actions and conversations with other characters. This leaves only internal dialog that moves the story along or revealing what she thinks about other characters. Not sure if this makes much sense. I'll go back and read ch. 1 again, and think about it and let you know if I can think of anything else.

As far as polar bears go: 
You know how to catch a polar bear?
No.
You did a big hole in the snow, and line the edge of the hole with fresh peas. When the bear comes to take a pea, you kick him in the ice-hole.

3

(1 replies, posted in Je Suis CHARLIE)

I have posted four works to this group, because they belong in this category. Some of you may have read them before--just to let you know.

Erndog

OK, NJC,
That was me who confused Alina with the main mean dude, and let me say this about that... I am not a crook! Now that I have read your ideas for a fix-up, I concur with you 100%. In fact, I wish I said what you said it's so good. The Alina thing as is, is a big digression down the wrong path, and it was misleading to me to the point of being disappointed when nothing happened with her. She is an interesting character, and I too like the final battle. But as it is said, editing is like killing your own children. It's time to pull from retirement your hammer and tongs, Amy.

I really loved Alina. She is a great baddy. For my $.02 worth, I think Alina is perfect all the way through. The duel that finishes her off is fantastic. BUT, and here's my take: Alina is in the forefront of the story, and all sorts of assumptions I made, weather my own or prompted by the story, set me to thinking Alina was part of the larger picture. But she was just an evil independent shit all on her own power trip. In the end, this was a bit disappointing to me, and Maalox (sorry can't help the puns) seemed to be too, convenient. It would be so easy to plug her and her school into the larger picture of the endless search ancient mages and the story. Alina got a lot more press than the Johnny-come-lately Maalox. Alina's character was juicy and something to get your teeth into. She dominated most of the story, so I was expecting something more than the sideline she got at the end.

I think Janet points out that we all are different readers and have our expectations of what we read. Everybody isn't gonna like it, so you have to write it for yourself first, and the audience will come to you. Sometime as a reviewer, I turn into a reader, and then let my own proclivities interfere. I know, as a writer, you want to know what works, but on the other hand you can ignore what you don't like. You've said this before, and I remember that, and keep it as a rule.

So it's back to reading for me. I can't let you get too far ahead.

Ernie

Hey, you gave me some info in your reply to my review to help me better understand what's going on. I am quoting your reply here and am commenting on that as more feedback for you.

THINGS I GOT AND DID NOT GET AND WHY: ( AGAIN, THIS MY BE DUE TO MY OR YOUR FAILING--I CAN'T REMEMBER, IN ANY CASE, BUT IT MAY BE WORTH LOOKING INTO smile  )

          "Alda says she has worked every job in the temple except cleaning the gutters(not possible in a normal lifetime)." --[OK, but when we learned this, I didn't know holding all the jobs at one time or another would be impossible. I accepted it as  fact.]

"The guard over Jaylene's body says he was alone when questioned." [This does not compute. Which guard, when, and who questioned.?]

Alda says she has read a large portion of the library and private journals. (Another time issue) --[again, I accepted this as fact and did not understand this activity would be impossible because nothing in the narrative suggested this.]

Alda recognizes the assassin when all others are unaware.-- [I think you are rferring to when Jaylene and her party was equipping themselves for the journey. All I recall is that everyone was falling asleep except Tazar. I may have forgotten the specific episode you are referring to--which is then my bad.

"She is gradually revealed as a sleeper agent."--[this is made quite clear when Jaylene begins to put the pieces, and I got this loud and clear.]

"She knows things she shouldn't...about monsters and their abilities." --[As I vaguely recall, alda doesn't come right out and say this or that about a monster or person. It is inferred by her actions and reactions. She just does the right thing, as if she has foreknowledge that Jaylene wonders about. I guess I am missing the subtleties, and when I miss those, I am not getting the story as intended.. I recall mentioning I often need to be hit over the head with things.. Frankly, I don't know if this is my failing, or yours. smile ]

"She can see into the hearts of others (and knows that Elston loves Jaylene)". --[I do get this, but I just thought it was just her keen observation rather than something supernatural.]

"She can use the Lance despite everyone thinking this is impossible."--[this was made quite apparent to me, by Jaylene's revelation of that fact."

"She can do a spell that Jaylene can't do...to put Charm back in her body."--[Again, I got this by Jaylene's surprised observation of this, again adding another brick to the fact that Alda is different."

She only fights with her spear and NEVER casts spells with it."--[Didn't really notice. this.]

Yak Track

I'd put one on my head and the other on my ass. That's where I'd end up anyway...

Picard is the best. He also set the tone for those who followed.  Never liked Kirk, even though I loved the series. I am guessing it was the Director that made Kirk the way he was.

(Patting head excitedly)
Blood spells, um oh yeah, someone in the last book, some bad magician guy,l with the hidden room in the school, didn't he get kilt? Or was it just his food -taster servant guy?

Um, I'd say the air is evenly distributed in the tire and can't get out (no leaks), and that because some bright spark of an engineer has done the math that provides the height, cross-section. and air pressure of a tire that can stay inflated (not collapse) and support a range of weight. The weight of the car then is transferred through the sidewall of the tire to the ground. Over and under inflation of the tire messes with the math gone into the material thickness (layers of fabric or metal mesh), and the optimum air pressure needed to keep the tire inflated to where it can support the weight of the car without undue wear and tear or failure.
Under inflation results in most of the weight to be borne by the edges of the tire (the bottom of the sidewall) and less wear in the center of the tread. Over inflation causes some of the weight to be transferred to the middle of the tread causing more wear in the center.
Anyway, that's my guess. smile

This is the wrong venue to bring this up, so hopefully I won't get booted out. I saw Star Wars yesterday. I give it a B, maybe a B+.
I was expecting that paying some homage was due, and it was. But, while the new characters were good,, and there was finally a woman pilot in an X-wing, the plot and story paralleled episodes 4 an 5 too much. Maybe the next one will be fresh.

Regarding your reply for chapter 19. OK, when you explain it here it makes perfect sense, but I wasn't aware of any of this information when I read the chapter. I don't recall reading anything that defines this underground world and the way it works. Maybe it was in another book I haven't read yet, or it's something I have forgotten. In any case I think it would be justified to explain why this underground world is the way it is to the reader. If you have to explain something to a reader, after the fact, then it's not working in the book.

For some cool medieval eye-munchies of old castles (estates really) see the program "Great Houses with Julian Fellows."  It's on Public TV (PBS) on Sunday nights where I live. Not only are there fantastic things to see (for ideas) the stories about the owners and their servants are also very applicable to the Fantasy genre.

Regarding Alda's inner voice. That will work just fine, but the reader needs to be able to distinguish it from what reads like narrative. I don't recall anything where this is explained. As for a back story way earlier you could explain it thus:, Alda has become a loner, maybe because of her different point of view or being a conduit and not knowing it. This little (narrative) voice in her head is her way of dealing with her special circumstances. This 'voice' needs to be explained an an early chapter, chapter one or two perhaps,  so we know what's going on and are not confused by these inner conversations.

Ernie

Sensory input is important because it fleshes out the milieu. For me that's very important, because when I read I become very engrossed. It's like having a widescreen, 3D movie running in my mind. When description and sensory input is overdone it gets in the way and become superfluous, and it's like saying blah,blah, blah or yadda yadda yadda. Description and sensory can be minimal during scenes that are terribly exciting, providing the venue has already been established. If description and sensory information is too minimal when it should not be, it can become like listening to a radio drama with no sound effects. It's all dialog with no sense for those things that provide a backdrop for which the action takes place in. Finding the right balance can be summed up by saying don't put anything unnecessary in your writing unless it helps put the reader in their movie. Unfortunately, people have different opinions about how much to include.

On to something else. Amy. I really have to harp on this McGuffin thing. Here I am many chapters into the story, where the Voice sends Jaylene the message about the Defiler, and until this point I didn't have a feel for the direction of the story. The chapters work well and they are fun to read, but I don't get a sure feeling where all these characters are going and why they are going there, except to fix whatever has happened in that chapter. It's sorta like watching a race where people are running, but no finish line has been established, or how many laps, distance. one has to go.

So if the Defiler is the McGuffin, I think this threat needs to be noted up front as well as what (Bad) things are changing or happening to clue in the characters and the reader. What is at stake in the story?

Jaylene is back from the dead, Alda is a conduit, Tazar is saved, Charm turns out to be a demon. These are all important, but I don't have a clue as to where all this is leading (until maybe this last chapter.) Again, I might be totally wrong and may have missed something along the way.
Ernie, AKA mR. Fussy Pants

D'OH! You're right about the bitty and biddy conflagration, as in itty-bitty tittie. I suppose you could also have an itty-bitty biddy tittie, or an itty biddy itty-bitty tittie, but I don't recommend using that.

ET

Help again... I've been away too long.  I was in the middle of a review for Amy, and I needed to go back to an earlier chapter to verify something. I saved my review before I returned to the earlier chapter thinking that I could return to the saved draft. I couldn't, and had to start over again. So is this possible or what did I do wrong?

Thanks,

Ernie

No, I don't care about the points, just want to make sure all of my reviews get to you in xline mode--if that's what you prefer. I need to know when to press xline before I start my review or after I have completed  an inline review? I check Help, but there is nothing about xline.

Thanks,

Ernie

D"OH  sorry folks I didn't see yolur replies. I got it now thanks all.

Ernie

Hey Amy. I am having trouble with submitting an xline review. I can do it but it seems there is a very specific process. When I complete my review and add comments I go to the top and hit xline and my comments disappear. so what are the steps  start with a inline save and post then go to xline. I just want to make sure you are getting every golden word of my reviews hyuk yuk yuk.

Ernie

Yeah,

Orphan Black is one of my most favorites, good story! In addition to this I also Like  "Humans" which is a spin on the humans vs. AI. It is also pretty darn good. There's another one that recently started up call "Dark Matter" a SYFY series. In my opinion, it's OK but not in the same league as the other two programs.

Well, we all will go sometime. Still it's sad to learn that Leonard Nimoy has passed on to somewhere in the Alpha Quadrant. Rest in Peace, Spock.

22

(342 replies, posted in TheNextBigWriter Premium)

Hi SSol,

I stumbled around learning the site. It was frustrating as any new software will be. Now that I have fallen hard a lot and the blood has dried. I have to say to you are your team, this site is way, way better than the old one. Thanks for a job well done!

Also,
last week I kept getting email telling me I had a request for a new connection. I got about 6 or 7 in a few days. When I check, no new requests were there. Also I aften get two notifications for the the same site message. I don't know if it's me or something gone awry.

Thanks,

Ernie

23

(342 replies, posted in TheNextBigWriter Premium)

Sol,
I got an automated mail saying my subscription has expired and I can renew. On the old site I had selected to be renewed automatically. Do I need to do anything, or do I need to subscribe again? I am a founding premium member.

Thanks,

Ernie

24

(217 replies, posted in TheNextBigWriter Premium)

I have short story, a novella, really, that has two chapters "Birth of an Angel," In the description it is listed as a NOVEL, I can't find a way to change it to a SHORT STORY. How can I do this? Sol, I actually looked in the HELP GUIDE first--just so you know.

Thanks,

ET

25

(217 replies, posted in TheNextBigWriter Premium)

I see, you have a help sections. I'm guessing I should go there first instead of bugging you about things I can't figure out, eh?

I can't get the in-line reviews to work. I haven't given one yet, but have received a couple. I see highlighted text, but no text pop-up box appears when I roll-over, or click on the text. I saw another person with the same problem--what is the fix?

Thanks.
ET