Re: The Opening Lines...

I think this is the right time to consider this thread closed.

Suin made a useful contribution by pointing at a professional editor who, on his website and for free, analyses the first 1000 words of stories uploaded by writers, highlighting weaknesses—or strengths—agents and publishers care about.

Suin laid a tool—and an editor—that can be used—consulted and even hired—by those TNBW writers who prefer to do so.

Thank you very much Suin. As a community of writers, we appreciate all input that help us to improve and grow, providing points of view that broaden our horizons.

Rah, rah, sis-boom-bah!

Kiss,
Gacela

Re: The Opening Lines...

Mariana Reuter wrote:

I think this is the right time to consider this thread closed.

Suin made a useful contribution by pointing at a professional editor who, on his website and for free, analyses the first 1000 words of stories uploaded by writers, highlighting weaknesses—or strengths—agents and publishers care about.

Suin laid a tool—and an editor—that can be used—consulted and even hired—by those TNBW writers who prefer to do so.

Thank you very much Suin. As a community of writers, we appreciate all input that help us to improve and grow, providing points of view that broaden our horizons.

Rah, rah, sis-boom-bah!

Kiss,
Gacela

Amen.  I would add, that when the originating poster sees a thread is going off track and/or has been infiltrated by a troll, it would help if they just deleted the topic.  As the original poster, they have that control.

Re: The Opening Lines...

Amen.

Re: The Opening Lines...

njc wrote:

I don't know.

Oh. In my 25 years of online chat whether formal, or casual, it has always been a violation of netiquette to correct spelling and grammar. Easily the most identifiable argumentum ad hominem or just plain impolite.

I prefer to ask whether the others on the forum will consider it a useful contribution.  This varies with audience of the forum, small clubby group versus everybody.

Democracy deciding the discursive impact of argumentum ad hominem over a forlorn hyphen sounds like mob rule by a very silly mob.

55 (edited by Temple Wang 2018-10-01 23:57:32)

Re: The Opening Lines...

LOL
http://wp.production.patheos.com/blogs/daylightatheism/files/2014/01/StrawMan2.jpg

Re: The Opening Lines...

Mariana Reuter wrote:

I think this is the right time to consider this thread closed.

Suin made a useful contribution by pointing at a professional editor who, on his website and for free, analyses the first 1000 words of stories uploaded by writers, highlighting weaknesses—or strengths—agents and publishers care about.

Suin laid a tool—and an editor—that can be used—consulted and even hired—by those TNBW writers who prefer to do so.


And I disagree that it is useful, and to some extent even harmful, and I gave my reasons.

But in the narrow, bigoted bubble in which you live, disagreement is not to be permitted.

Now the thread is closed.

57 (edited by Temple Wang 2018-10-02 00:12:09)

Re: The Opening Lines...

Charles_F_Bell wrote:

Now the thread is closed.

https://media.giphy.com/media/3oI9JZtqCjUvHMbf7a/giphy.gif

Re: The Opening Lines...

Oh, no! Please... Don't close the "thread." Whatever the fuck it's supposed to be about, I forgot already. For I used to be THAT GUY, you see. (Like Charles Bell is nowl) but I've been demoted to THAT GUY who TRIES TOO HARD to be PROVOCATIVE. It sucks getting old and playing second fiddle to the new guy stirring the pot. Fuck.

Seriously, though... I dunno if Charles is just fucking with y'all or sincerely trying to stir the boiling pot from the noble position of Devil's Advocate, but... Argue with him. For chrissakes, he's falling on his sword and doing y'all a service. There to provide y'all a sounding board upon which you can improve your writing. Seriously... Utilize your ANTAGONY towards him (subtle plug) to debate your points and sharpen your rhetoric. Or, if you haven't got time for all that... Just go ahead and grab memes off the internet in order to antagonize him. That's fun, too. smile

Re: The Opening Lines...

There's Mr. Hamler in the Army of Qin Terracotta Warriors, somewhere crowded into the middle.

Re: The Opening Lines...

John Hamler wrote:

Oh, no! Please... Don't close the "thread." Whatever the fuck it's supposed to be about, I forgot already. For I used to be THAT GUY, you see. (Like Charles Bell is nowl) but I've been demoted to THAT GUY who TRIES TOO HARD to be PROVOCATIVE. It sucks getting old and playing second fiddle to the new guy stirring the pot. Fuck.

Seriously, though... I dunno if Charles is just fucking with y'all or sincerely trying to stir the boiling pot from the noble position of Devil's Advocate, but... Argue with him. For chrissakes, he's falling on his sword and doing y'all a service. There to provide y'all a sounding board upon which you can improve your writing. Seriously... Utilize your ANTAGONY towards him (subtle plug) to debate your points and sharpen your rhetoric. Or, if you haven't got time for all that... Just go ahead and grab memes off the internet in order to antagonize him. That's fun, too. smile


Good one.

61 (edited by dagny 2018-10-10 18:53:24)

Re: The Opening Lines...

Well, this should really upset Charles. I got my critique  back and it ripped apart my submission. No agent would touch it. It was rejected. So...Charles, I would say based on that, Richard Bradburn is a legitimate editor, and someone worth listening to.
Even though I am crestfallen, it's not easy to hear your stuff stinks on so many levels, I will rally and consider it a learning experience.
sad
PS After thinking about the critique, I realized I probably need to take a few courses. The only thing I really know about writing mysteries is what I learned from reading mysteries. I found a six week course that wasn't too expensive and I am excited about learning something new. 
smile

Re: The Opening Lines...

John Hamler wrote:

Oh, no! Please... Don't close the "thread." Whatever the fuck it's supposed to be about, I forgot already. For I used to be THAT GUY, you see. (Like Charles Bell is nowl) but I've been demoted to THAT GUY who TRIES TOO HARD to be PROVOCATIVE. It sucks getting old and playing second fiddle to the new guy stirring the pot. Fuck.

Seriously, though... I dunno if Charles is just fucking with y'all or sincerely trying to stir the boiling pot from the noble position of Devil's Advocate, but... Argue with him. For chrissakes, he's falling on his sword and doing y'all a service. There to provide y'all a sounding board upon which you can improve your writing. Seriously... Utilize your ANTAGONY towards him (subtle plug) to debate your points and sharpen your rhetoric. Or, if you haven't got time for all that... Just go ahead and grab memes off the internet in order to antagonize him. That's fun, too. smile

John, there is a difference between being provocative and insulting.
smile

Re: The Opening Lines...

dagny wrote:

Well, this should really upset Charles. I got my critique  back and it ripped apart my submission. No agent would touch it. It was rejected. So...Charles, I would say based on that, Richard Bradburn is a legitimate editor, and someone worth listening to.
Even though I am crestfallen, it's not easy to hear your stuff stinks on so many levels, I will rally and consider it a learning experience.
sad

This strikes me as a masochist's  success. You can get that from Wang Chung here in a "review" that is one-third correct, one-third wrong, and one-third only an opinion. To the ignorant/naive that may look like help.

64 (edited by dagny 2018-10-12 15:05:53)

Re: The Opening Lines...

Charles_F_Bell
This strikes me as a masochist's  success. You can get that from Wang Chung here in a "review" that is one-third correct, one-third wrong, and one-third only an opinion. To the ignorant/naive that may look like help.

Charles,
I really didn't see it that way, but as a hint that maybe I should invest in a mystery writing course to see how off base I really am. My ego says the man never read a mystery novel in his life, but my brain tells me that I don't know everything and a little education never hurt anyone. The course I chose is reasonably priced, has a six week duration and will show me what I know and what I don't.

I've gotten really good feed back from this site, Charles. Good editing, good plot advice and reviewers have asked me the tough questions a mystery writer needs to expose holes. I've tried every workshop online and this is the best for getting your work read right away instead of waiting weeks to get your work posted on the main page. So, I'm pretty happy here.

dags smile

Re: The Opening Lines...

dagny wrote:

Charles_F_Bell
This strikes me as a masochist's  success. You can get that from Wang Chung here in a "review" that is one-third correct, one-third wrong, and one-third only an opinion. To the ignorant/naive that may look like help.

Charles,
I really didn't see it that way, but as a hint that maybe I should invest in a mystery writing course to see how off base I really am. My ego says the man never read a mystery novel in his life, but my brain tells me that I don't know everything and a little education never hurt anyone. The course I chose is reasonably priced, has a six week duration and will show me what I know and what I don't.

I've gotten really good feed back from this site, Charles. Good editing, good plot advice and reviewers have asked me the tough questions a mystery writer needs to expose holes. I've tried every workshop online and this is the best for getting your work read right away instead of waiting weeks to get your work posted on the main page. So, I'm pretty happy here.

dags smile

Wandering off the import of my original comment on the topic, opening lines, you have though made an interesting point about entering into a field of genre writing one may not be immediately competent to pursue. My mind is set on writing what I like and liking what I write, but suppose on a lark, let's say I did decide to write a murder mystery, what be the advice I should follow in the first chapter that you might have learned from the referenced site?  For example, I get the sense from reading a few murder mysteries, but mostly having watched movies and TV shows of that genre, the dead body will or will not be introduced quickly within the plot.
Hypothetical first line:
It was a dark and stormy night when Ferd Berfal entered Winterfalls Mansion to find his uncle lying dead in the anteway.
I cannot fathom a logical explanation for rejecting this except to point out that successful murder mystery writer P.D. James does not do that. In fact, she takes a long time before exposing the crime at all. As (an impatient) reader I find that annoying and prefer the Law And Order approach to lay out the crime within the first two minutes. How does an editor draw a line?

If you do not like this example, pick one of your own. Getting past spelling, punctuation, grammar, and basic elements of style, what in particular did you find helpful from the referenced site to write the opening lines of a murder mystery?

66 (edited by dagny 2018-10-13 17:34:41)

Re: The Opening Lines...

Charles_F_Bell wrote:
dagny wrote:

Charles_F_Bell
This strikes me as a masochist's  success. You can get that from Wang Chung here in a "review" that is one-third correct, one-third wrong, and one-third only an opinion. To the ignorant/naive that may look like help.

Charles,
I really didn't see it that way, but as a hint that maybe I should invest in a mystery writing course to see how off base I really am. My ego says the man never read a mystery novel in his life, but my brain tells me that I don't know everything and a little education never hurt anyone. The course I chose is reasonably priced, has a six week duration and will show me what I know and what I don't.

I've gotten really good feed back from this site, Charles. Good editing, good plot advice and reviewers have asked me the tough questions a mystery writer needs to expose holes. I've tried every workshop online and this is the best for getting your work read right away instead of waiting weeks to get your work posted on the main page. So, I'm pretty happy here.

dags smile

Wandering off the import of my original comment on the topic, opening lines, you have though made an interesting point about entering into a field of genre writing one may not be immediately competent to pursue. My mind is set on writing what I like and liking what I write, but suppose on a lark, let's say I did decide to write a murder mystery, what be the advice I should follow in the first chapter that you might have learned from the referenced site?  For example, I get the sense from reading a few murder mysteries, but mostly having watched movies and TV shows of that genre, the dead body will or will not be introduced quickly within the plot.
Hypothetical first line:
It was a dark and stormy night when Ferd Berfal entered Winterfalls Mansion to find his uncle lying dead in the anteway.
I cannot fathom a logical explanation for rejecting this except to point out that successful murder mystery writer P.D. James does not do that. In fact, she takes a long time before exposing the crime at all. As (an impatient) reader I find that annoying and prefer the Law And Order approach to lay out the crime within the first two minutes. How does an editor draw a line?

If you do not like this example, pick one of your own. Getting past spelling, punctuation, grammar, and basic elements of style, what in particular did you find helpful from the referenced site to write the opening lines of a murder mystery?

Charles,

Exactly, I thought of two or three examples of mystery novels that did the exact opposite of what this editor said a mystery/crime novel should do. Right now I'm listening to Leathal White a crime fiction novel by J. K. Rowling, published under the pseudonym Robert Galbraith. It took her 10 chapters to get to the murder.

I don't know where an editor draws the line, I just know that by telling me my 1000 words needed work on so many levels, my self confidence was rattled and now I am ready to get professional help.

I assume you mean the Opening Lines site...not TNBW...so I would say I got a wake up call...lol


smile

67 (edited by njc 2018-10-13 22:32:44)

Re: The Opening Lines...

True also of most of Christie and Carr.  Not so for Ellery Queen, since Queen comes in with his policeman father.
Starting the story before the murder lets the reader see the conflicts and tensions from which the murder arises, and even wonder who the victim will be.  It gives context which can make the death more dramatic, or carry its ripples through to the reader.
I think the question to ask is "Is the opening a story that engages the reader?"

Re: The Opening Lines...

Bring in the murder up front or wait until later in the story, that is the question. I would say that it depends upon the story. Does the murder per se have relevance before the murder occurs or is the murder simply a puzzle for the would be detective to solve? If there is a storyline leading up to the murder, then it could be relayed prior to the murder or it could evolve as the mystery of the murder is resolved. Pick your poison and drink accordingly or write the story the way it unfolds for you as the author and crime solver. Take care. Vern

69 (edited by Charles_F_Bell 2018-10-14 11:31:11)

Re: The Opening Lines...

njc wrote:

True also of most of Christie and Carr.  Not so for Ellery Queen, since Queen comes in with his policeman father.
Starting the story before the murder lets the reader see the conflicts and tensions from which the murder arises, and even wonder who the victim will be.  It gives context which can make the death more dramatic, or carry its ripples through to the reader.
I think the question to ask is "Is the opening a story that engages the reader?"

The contrast can be seen also in Law & Order and Law and Order: Criminal Intent  My entertainment experience with murder mystery is via television Cop Shows. Some were more direct than others, Columbo being nuanced versus the cheesy ones like Mod Squad that involved boring social issues. These shows are limited to 44 minutes or so and therefore are forced into getting to the point quickly in contrast to a novel. I read Christie and Conan Doyle in youth and found them meandering like P.D. James now. There is likely a difference between American and Brit (versus Raymond Chandler of the same era, perhaps). I find the quality of writing irrespective of other elements in James superior to any American, but my sample error is too great to generalize because I may have only read two or three by Americans whose names I cannot remember.

I am guessing you do not mean Jack Carr (action thriller). Google tells me there is a Robyn Carr, author of "romantic suspense."

70

Re: The Opening Lines...

No, John Dickson Carr, who also wrote as Carter Dickson.  His best?  Open to taste, of course, but I'd suggest =The Sleeping Sphinx= (Gideon Fell), =The Lost Gallows= (Henri Bencolin), and =She Died a Lady= (Sir Henry Merrivale).

71 (edited by Charles_F_Bell 2018-10-14 12:37:29)

Re: The Opening Lines...

njc wrote:

No, John Dickson Carr, who also wrote as Carter Dickson.  His best?  Open to taste, of course, but I'd suggest =The Sleeping Sphinx= (Gideon Fell), =The Lost Gallows= (Henri Bencolin), and =She Died a Lady= (Sir Henry Merrivale).

Wikipedia puts him exactly within the Brit/Christie type, having lived in England in his 20's in the '30's. So, yes, probably not something I am interested in. Interested in an updated Chandler, perhaps.  Would also like a notion of what the expert editors and literary agents say sells in U.S. My guess is the "romance suspense" of Robyn Carr - also not something I am interested in.

72 (edited by njc 2018-10-14 14:42:58)

Re: The Opening Lines...

Then try Jane Haddam's completed Demarkian series, esp. =Precious Blood=, =Act of Darkness=, and =Cheating at Solitaire=.

You might find =The Lost Gallows= more to your taste than anything in Christie; it includes a car chase in which one driver is dead.

Re: The Opening Lines...

njc wrote:

Then try Jane Haddam's completed Demarkian series, esp. =Precious Blood=, =Act of Darkness=, and =Cheating at Solitaire=.

You might find =The Lost Gallows= more to your taste than anything in Christie; it includes a car chase in which one driver is dead.

NJC--
Thanks for the recommendation, I just bought Act of Darkness. I suggest The Magpie Murders by Anthony Horowitz, and his Sherlock series The House of Silk and Moriarty.
smile

Re: The Opening Lines...

Charles_F_Bell wrote:
njc wrote:

No, John Dickson Carr, who also wrote as Carter Dickson.  His best?  Open to taste, of course, but I'd suggest =The Sleeping Sphinx= (Gideon Fell), =The Lost Gallows= (Henri Bencolin), and =She Died a Lady= (Sir Henry Merrivale).

Wikipedia puts him exactly within the Brit/Christie type, having lived in England in his 20's in the '30's. So, yes, probably not something I am interested in. Interested in an updated Chandler, perhaps.  Would also like a notion of what the expert editors and literary agents say sells in U.S. My guess is the "romance suspense" of Robyn Carr - also not something I am interested in.

Charles,
Try John Sandford Prey series, or his Virgil Flower series.
smile

Re: The Opening Lines...

dagny wrote:

Charles,
Try John Sandford Prey series, or his Virgil Flower series.
smile

Thank you for the suggestion. At audible.com, so in November's list for me. Not keen on series, but okay if each book can stand on its own like  Adam Dalgliesh novels by James.