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Re: The Galaxy Tales - Dirk B.

Norm d'Plume wrote:

Tick tock. I don't see Charles writing cameos for you. Unless you're Abbix. She's in deep Bantha poodoo.

Actually, I think she's deep in the bantha, without a banthyscape.

Re: The Galaxy Tales - Dirk B.

Norm d'Plume wrote:

I've seen it and can even remember much of the plot for a change. What's your point?

K, explain it to me like I'm a two-year-old. What was it (exactly) that you liked about the film? The intensity of the illness? The "reveal"? His ability to live with it? Him reaching soaring heights in spite of it? The serious tone of the film?

A simple nod will suffice.

Re: The Galaxy Tales - Dirk B.

Don & Charles (and Amy/K), below are the questions I was referring to in my messages.

Thanks
Dirk

Norm d'Plume wrote:

I'm still planning the rest of v3.

For those who read v2, what changes would make the story more enjoyable and compelling? Also what bored you the most? Hammer me on that point, please. Also, what do you think about the two MCs, and what would make them more interesting?

Finally, what about the two sets of characters in each MC's head? Currently, Joseph's God is mostly serious, Andrew is the resident wiseass, and Joseph's mother gives him his spine, while also getting him into trouble. Apollo and his God have a mostly "testy" relationship. In v3, Apollo's father shows up in his head after he dies. I'm looking forward to writing that.

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Re: The Galaxy Tales - Dirk B.

*** Spoiler Alert***

Your early concept is a kind of "is this voice real?" or a "which of these two characters is mad". This concept is interesting enough by itself, but as events unfold, the boys head down different paths with Apollo scheming, and Joseph kind of ambling along. This makes Apollo the more interesting of the two (in terms of drama) if we shall liken Apollo to MacBeth (willing to murder to gain the throne) and Joseph to Hamlet (willing to spend Act II waltzing where Claudius and Ophelia think he should dance).

From this point, we enter a “neutral” phase where political machinations develop that will help bring about the ending, and new characters are introduced.


After this phase, Apollo goes back to plotting and signs of madness increase. To hide the signs from his political enemies, Apollo is willing to disfigure himself. Joseph gets into prison and starts a cult dedicated to a voice in his head.

Introduce Caligula who will steal the spotlight. Drop the descent into signs of madness, introduce battle chess. Caligula loses, the boys are friends, there is no madness, there is no cult and what cult there was is irrelevant. The End.

PS: A world got blown up that we never really met and everyone is sad about it.

Now here’s where I draw the connection to A Beautiful Mind. If you think about it, the story begin-middle-ending never loses track of the main character and stays on its theme. Mind you, it has an easier time because it marries its central theme and stays there.

I’m not eagerly turning the page to find out how well Darth Maul is doing in Star Wars. I want to know how well the good guys are doing against Darth Maul. Ergo, in the battle of Darth Maul vs random monster, it is important to arrive at the conclusion of the battle quickly so he might go on to face a “sell character”.

The “sell character”... this guy should be drinking in the spotlight. I’m on everyone’s back about bringing out the sell character(s), so don’t feel sad. Whenever your sell character is not on the page, you risk your reader escaping. The danger of reader-leak increases the longer your sell characters are gone.

A digression: The easiest way to bring out your sell character is to remove unnecessary frill characters around him. You see this in A Beautiful Mind which has 13 names for the entire story. This is really low, and an exercise in cast control. I’ve seen stories hit this number by chapter 1. It’s an unrealistic goal for your story which is bigger and affects more lives and more planets, but I just wanted to point out one of the techniques it uses to focus the spotlight.

[End-digression]  The final battle is missing its sell character. Permit me to reach into your structure and suggest it shouldn’t be Caligula vs Realm. It should be Apollo vs Caligula or Apollo vs Realm. I think a perfect use case is that you have Apollo in the flag ship with Caligula in the other half of the Imperial fleet. Caligula defects mid-battle and it turns into a 3-way fight. Apollo loses his ship and you can do the space thing.

Again, why am I suggesting Apollo needs to figure larger in the main battle? You don’t want your story to climax on two non-sell characters (Caligula vs Realm). Someone needed to tell Lucas this too. One of his staffers should have been brave enough to ask the hard question: Does anyone care about a Yoda-vs-Palpatine fight?

I would recommend you don’t shelf Apollo and allow him to consume any bit of page Joseph isn’t using. I would suggest you don’t lose the tension of Apollo’s fear of discovery. That’s an excellent trick you don’t see often enough in fiction. Ride that horse until the final page like it’s a young colt that needs breaking in.

*Or... if you want this structure... sell Caligula from the start. Make him conflicted with his need for power vs his need for sobriety and inability to stick to one plan. Have him clash with Apollo on must more than the wrestling mat. Personally, I don’t recommend a trinary focus in any story, but I’ve seen it sort of work.

So, overall, I’m calling for more cohesion, a stronger central theme, an ending that services that theme, and more Apollo / Joseph

Re: The Galaxy Tales - Dirk B.

Thanks for the detailed response, KKdot. I'm going to need a few days to digest this. :-)

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Re: The Galaxy Tales - Dirk B.

I agree in some part with K.

Remember that I'm not an authority because I'm still wandering through my stories. I just have opinions.

You asked if there were ways to make the characters stronger/ more interesting. I agree that it is the separation of the two characters that kept me from bonding. There are two books here. Apollo and Joseph live out their stories in real time, but they only interact twice (the conference and then in the battle)…and neither episode results in any change in the story. So one of the characters could be dumped without making any difference in the other's situation. They could be commented on as others noted the actions off-screen. To me, that means that Joseph would be the cast-off because Apollo has the pieces in place for good interaction with Caligula.

The reason that Caligula reads as so much stronger is because he is the only real antagonist (Apollo is afraid of the Emperor but other than a public beating, he never experiences any physical complication or trial before the old man dies, so I don't count the emperor).  Joseph only has God and then the situations that occur, but the galaxy is hardly a strong antagonist. You need a face to blame in Joseph's storyline.

Once you get this interaction going, your story will pick up with the interest.

Here's an example of something I learned at the conference:

I went to a class on co-writing. Two authors had used another person to get their book published. One in particular was a fantasy writer. He and his writing partner use a rigid outline and write the story. Only in the second-to-last and last edit, do the personalities get added. I realized that if they wrote characters first, that the characters would derail the plot. This way, their stories are plot-driven rather than character driven.

I see this as being part of your process. You've laid the template. Now you need to refine the basic story. THEN strengthen the characters


Again, this is just a thought, but I think that Joseph could be discarded without losing much of the story. Just my opinion. Your book. Your world. If I see a chance in this rewrite to strengthen Joseph, he is going to be my focus. I'm looking for a villain to oppose him and I'll see what I can come up with.

332 (edited by Norm d'Plume 2016-09-28 23:58:10)

Re: The Galaxy Tales - Dirk B.

I owe K a response, but Amy's reply is easier to tackle. I'm not disagreeing with you here, Amy, just giving you details of what's to come.

- Joseph could use an antagonist. Perhaps. I'm considering a highly placed Imperial spy or android who repeatedly targets Joseph to undermine or even kill him. I'm also thinking about Joseph's God being a strict disciplinarian. Admiral Windsor will be his primary guide throughout much of the book. God being strict with Joseph messes up my desire to make Joseph's God the NT God, while Apollo's God is from the OT. TBD.
- Joseph's universe does however serve as an antagonist. A homophobic decision that he makes in v3 causes the deaths of his cadets. He also decides in v3 not to make a plea on Andrew's behalf before the hanging, even though it's in his right to do so. Andrew dies and winds up in his head looking for a little revenge. His video of Anikh dying kills his mother. He's thrown into a violent prison (to be fleshed out in v3).The shogun humiliates him with the toilet bowl baptism, then chokes the life out of him. He blew up Lupus, resulting in the full-scale bombing of New Beth. He has zero luck (in v3) trying to attract followers to his religion. Eve is killed in battle. Those reasons combined cause his last actions on the cliff. Those are a lot painful events arising from his pursuit of the Christian Heresy.
- Joseph and Apollo will definitely both remain in the story. I just need to do a better job at putting them at each other's throats. Maybe I can figure out an ending that has them on opposite sides, but the bombing cannot directly be the fault of Joseph, Apollo, or Caligula. That's what Lupus was for. I need the others later. Did anyone catch that Lupus was Joseph's only kill? It's also the only place where someone's head explodes. I saved it for that moment.
- I'll see if I can find a way for them to interact more. One change I'm considering is for Apollo and Joseph to be dueling with public, hostile messages over Galaxinet. However, they're already together for most of Acts II (the conference) and IV (the battle). I intend to reinforce the animosity between them at the conference.
- As for Apollo's old man (Nero), there's a chapter in v1 that I'm going to reuse. There's tons of pain and humiliation inflicted upon Apollo, raising the animosity between them. I'm also definitely putting Nero in his head later.
- Caligula's role will be more prominant. I need him to be vicious toward Apollo, because that changes when Caligula's head is partly blown off. There will also be foreshadowing about his secret scheme for power.
- As for writing plot with characters later, in my opinion, they go hand-in-hand. v6 of chapter one (in my v3 book) evolved based on both. For example, I wanted to make the chapter one more realistic, so I threw in Colonel Montford as head of the marines, and I gave him plenty of screen time and a great death. I didn't know before I created him that he would be such a powerful figure in the battle with the classiarii. Brain evolved into a useful (humanish) character, which drove me to the whole drag queen subplot. K really loves that part. The subplot with Caligula's scheme for power came about as I tried to fit Caligula into the final battle. It almost ended very differently.
- I think I hit all your points, Amy. Please let me know if have questions or more suggestions.

333 (edited by Norm d'Plume 2016-09-29 00:14:55)

Re: The Galaxy Tales - Dirk B.

>> they only interact twice (the conference and then in the battle)…and neither episode results in any change in the story.

The conference's original purpose was to put the two MCs together, let some fur fly, and flesh out the galaxy in which they live. I'll up the tension. The venomous messages the MCs send to each other will help. The conference was also intended to end with the deaths of the queen and Nero. Those are pretty fundamental changes to the galaxy.

The battle ends with 100 million dead + the developments in the final chapter. Those are fundamental changes to the Imperium and New Bethlehem.

Re: The Galaxy Tales - Dirk B.

Okay, on to Kdot's post. Same disclaimer as with Amy. What follows is mostly planning. Not all of it is in stone yet, otherwise I wouldn't have asked the questions.

- I'm not surprised that you think Joseph is ambling along. He's caught up in a whirlwind that tosses him from one place to another (cadet massacre, Central Haven riot, slavery, prison, battle, etc.). However, he believes it's all part of God's plan and doesn't question how insane his actions are until his crisis of faith.
- Apollo scheming? Apollo is also caught up in events beyond his crontrol. In his case, he's fighting God every step of the way, and the more he does, the more he fails. Only when he grows a pair and follows God is he able to gain control.
- I agree that Apollo's arc is more dramatic. I'll see if I can further amp up the tension in Joseph's chapter.
- As I mentioned in my response to Amy, Act II needs work. There isn't enough animosity between the MCs, fur flying, etc. I do have to stop a couple of times in the book to actually allow Joseph to define the Christian Heresy, beginning with the New Commandments, which slows the pace. His thoughts that lead him to unify the Essence, reincarnation, and evolution need trimming, but I think they're more interesting than the commandments.
- Is the end of Act II the neutral phase you refer to? If so, I'm confused, because that's where both the queen and emperor die. Most of Act II drags, except for the deaths at the end. Acts I & II need quite a bit of rewriting.
- The introduction of a smart, scheming Caligula was too good to pass up. His scheme mirrors that of the Imperium's founder, which is a nice connection. I also needed a chapter from his point of view in order to hide the surprise that Apollo is still alive. It also served as a place to flesh out battle chess, which first appears in v6 of chapter one. It will also come up during Nero's sham invasion of New Bethlehem.
- Joseph's descent into madness continues throughout Act III, so I assume you refer to where Apollo stops fighting God. That change to him relying on God should be more gradual. Will fix.
- I'll need to keep the animosity going between the two MCs.
- The madness for Joseph continues right until the finale. Joseph still hears God, although I could bring up a conversatiion between Apollo and God in the finale, although the main conversation between Apollo and God has already happened (God led Apollo to the decision to conquer the galaxy, but through colonization, not violence). Kind of weak reasoning. I'll have to think about that.
- The cult will truly go nowhere in book one. I've decided that in v3 he has at best a few followers, which is why he assumes the role of Messiah.
- The world that got blown up included scenes in palace, the senate, the parade ground, the church/graveyard, and the havens. Amy had me rip out a nice short description of the world's rings and moons, which I'll be putting back in.
- I'll have to think about your suggestions for the battle chapters. The new Caligula would never run from a fight. And he has the (lukewarm) support of the governors and the fleet, so he needs to be gone to trigger the cascade of defecting governors declaring for Apollo. If you recall, the battle began with Apollo+Realm vs. Caligula+Imperium, then morphed into Apollo+Realm vs. Lupus+Imperium, then Apollo+Imperium vs. Lupus+Imperium, then Joseph+marines vs. Lupus+classiarii, ending with Joseph+Realm + Apollo+Imperium.
- I don't see any way to bring the Christian Heresy into play in book I, since it takes more than a week to build up millions of followers (unless you're Pokemon). Plus, Joseph failing miserably with his religion adds to his sense of failure, hence the reason he declares himself the Messiah. The timeline within the books will be about four years apart, so 4017, 4021, and 4025. The Christian Heresy will catch on in a big way and will go head-to-head with Apollo's new empire.
- Personally, I found the lightsaber duel with Palpatine very enjoyable, were it not for the fact that Yoda looks CGI. The emperor hurling pods down at Yoda and cackling was fun. And who doesn't love Force lightning? The stupid leaping about by the CGI Yoda was a bore. I digress...
- I don't understand your suggestion that I was shelving Apollo. Caligula gets his chapter, then Apollo, then Joseph (with Apollo's revival within it). The post-battle is also Apollo's chapter.
- I agree that Apollo should continue to fear discovery, although it's going to get tedious at some point. There's only so many ways I can shake an arm. Amy's idea of having them mumble their dialogue with God is a good one. I also think I'm going to change Apollo's illness a little from Trembler's Disease to something a little more flexible. I was thinking once his trembling arm is amputated, he might start to laugh at inappropriate times. Or neck twitches. He'll also be a drug addict in v3 because that's the only known way to manage for his disease.
- There will be more to Caligula in the next draft as I mentioned in my response to Amy.

Thanks again for your detailed summary.
Dirk

Re: The Galaxy Tales - Dirk B.

njc wrote:
Norm d'Plume wrote:

Tick tock. I don't see Charles writing cameos for you. Unless you're Abbix. She's in deep Bantha poodoo.

Actually, I think she's deep in the bantha, without a banthyscape.

I'm almost out of the bantha! wink big_smile

Amy and njc are next! smile

Re: The Galaxy Tales - Dirk B.

I already wrote the cameos for Amy (Dr. Ess) and njc (the Professor and founder of Acmy, Inc.). They'll both appear in Act I.

Thanks for the review, Your Majesty, Aussie Reid. Just think, you almost became Jangaroo, but it was a little too silly for the battle.

Re: The Galaxy Tales - Dirk B.

I was just thinking, I normally hesitate to advice this, but in your case, I think it will capture the Australian culture that Brain embraces with such enthusiasm perfectly - you need to work one "mate" in there, i.e. replace an "Admiral, please call me Aussie" with "Mate, call me Aussie" if that makes sense.

I'm very happy to know I'll, I mean, Aussie will be back! big_smile

Jangaroo is very original though! smile

*waves like a wanker*

Looking forward to chapter 2. I hope I'll be able to keep up this time around.

Re: The Galaxy Tales - Dirk B.

I've left additional comments on your replies Dirk. I ignored K of course! tongue

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Re: The Galaxy Tales - Dirk B.

that would be like trying to ignore the sun

Re: The Galaxy Tales - Dirk B.

Janet (AJ) Reid wrote:

I've left additional comments on your replies Dirk. I ignored K of course! tongue

Thanks, Janet.

Re: The Galaxy Tales - Dirk B.

Norm d'Plume wrote:
Janet (AJ) Reid wrote:

I've left additional comments on your replies Dirk. I ignored K of course! tongue

Thanks, Janet.

For the comments or for ignoring the sun?! tongue big_smile

No probs! Hope I'm helping more than anything else.

Re: The Galaxy Tales - Dirk B.

Kdot wrote:

that would be like trying to ignore the sun

Or a thorn in your shoe? big_smile

Awh K, I'm just giving you crap because I like you! smile

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Re: The Galaxy Tales - Dirk B.

Release the emus!

Re: The Galaxy Tales - Dirk B.

Quick poll. Is it okay that my opening chapter is 18 double-spaced pages (roughly 3.0 points)? I usually try to keep my chapters between 10 and 15. It grew by a couple of pages because of the return of the loony AI. I'm not finding much to trim. And no, K, I'm not ripping out the AI again. It's a recurring character.

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Re: The Galaxy Tales - Dirk B.

Seems like a fine length to me

Re: The Galaxy Tales - Dirk B.

How many words Dirk?

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Re: The Galaxy Tales - Dirk B.

Norm d'Plume wrote:

>> they only interact twice (the conference and then in the battle)…and neither episode results in any change in the story.

The conference's original purpose was to put the two MCs together, let some fur fly, and flesh out the galaxy in which they live. I'll up the tension. The venomous messages the MCs send to each other will help. The conference was also intended to end with the deaths of the queen and Nero. Those are pretty fundamental changes to the galaxy.

The battle ends with 100 million dead + the developments in the final chapter. Those are fundamental changes to the Imperium and New Bethlehem.


But they are events that will happen anyway without the two characters coming together. Their meeting has no impact on their actions, choices, or character development. Every scene has to have a purpose. More than just a character 'flesh out' and the death of the Queen/ Nero. While the death of the queen has an effect on the galaxy, I don't care about that. The story is about Joseph. These are two books/ stories combined into one. Joseph and Apollo should be influencing each other's path throughout the entire plot. Ex: Little Mamma is hired to kill the Emperor. Joseph goes to prison after being sold as a slave by Little Momma. These stories use the same support character, but run parallel to each other. However, if Momma demands immunity to gather slaves from Apollo and then Joseph gets kidnapped and sold as a slave? That is an effect of Apollo's power over Joseph's life.

Ex: If an online convert to Joseph's religion decides to do a suicide attack on Apollo? That is a direct effect. If the guard who tries to assassinate Apollo's family is proven to be a convert (or maybe just happened to be following the video)? Direct effect. If Apollo watches a video and comments about it (rather than just writing about the filming while in the cell where everything rotates around Joseph's perspective), then this is cojoining the plot. This is what I expect if you don't eliminate one of the characters.

This also makes the reader question crazy vs real since the boys will be constantly affecting each other. They are destined to fight. Interact. Run into each other. They brush their teeth at the same time despite being multiple light years apart. I could see them having sympathetic pain...ex: Joseph gets his head shoved into a toilet and nearly drowned. Then Apollo snorts water in the sink and coughs for an hour, getting a bad case of pneumonia (even though Joseph had no complications.). Another idea: Joseph kisses his gay friend and Apollo looks at the time stamp, realizing that he was necking with his betrothed at the same moment.

Maybe they show up at a casual event wearing the same colors or the same outfit. That is the level of freaky that I'm looking for. Something that implies there is a greater power at work and that the universe is conspiring to bring both teens to their destinies.

I really like the sympathetic pain thing, BTW. That is an awesome complication for both MC's.

A

348 (edited by Norm d'Plume 2016-10-02 15:16:49)

Re: The Galaxy Tales - Dirk B.

amy s wrote:

I really like the sympathetic pain thing, BTW. That is an awesome complication for both MC's.
A

Now you tell me, when I've written a complete draft? <insert grumble>

Six months ago, you had kittens because there was too much of a link between their lives, meaning that God must have been real:
- They both hear God when they are young (though not at the same age/year).
- In v3, Apollo will hear multiple (2) voices in his head, just like Joseph does (3).
- Young kid dies at the same time in both their lives (Andrew and William); William will be Apollo's best friend in v3 to create more anger/hatred in Apollo.
- They were both deeply affected by the first attack on New Bethlehem, causing each to accept their destinies.
- Things keep happening in Act II where God comments in such a way that strongly suggests he knows about/is the other God.
- Joseph accidentally kills his mother; right after that Apollo's father is killed.
- The shogun appears in both their lives, abusing each MC.
- Apollo is almost killed by Lupus; Joseph is almost killed by the shogun.
- They both leave Earth at the same time.

Nevertheless, your point is well taken. I haven't causally linked the two MC's events. It's two stories that only coincide in Acts 2 and 4. However, the sympathetic pain between them doesn't seem possible, since that definitely demonstrates God is real, doesn't it?

Re: The Galaxy Tales - Dirk B.

Janet (AJ) Reid wrote:

How many words Dirk?

4500

Re: The Galaxy Tales - Dirk B.

Group Think:

What do you think of my putting Admiral Windsor in Joseph's head (he's her grandson) for the whole story? Her appearance in chapter two, having just died in chapter one, would strongly suggest to the reader that she is real (in storytime, it's actually 11 years after her death, which I'll mention). Windsor is one of several ties to chapter one (Lupus and Aussie being the others). Naturally, I'll include the bit about mental illness, so there will still be some doubt from chapter two onward, just less so.

I'd have to reduce God's role in Joseph's half of the story. It also means the admiral would be the one to give Joseph his spine, rather than his deceased mother. The mother would die and disappear, so there would be no happy appearance by the mother in his head to assuage his guilt.

Similarly, Emperor Nero will appear in Apollo's head once Nero dies, but not until the end of act II.

Thoughts?