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Is the best way to do your inline and summary, then save it, then go back to the Xline to edit and amend if need be?

It is said that no writing is ever wasted. I think that's so true. If my trilogy never comes to fruition I have learnt so much by writing and discussing what I have written.

Norm, it depends on the definition of 'people'. I shall write for myself after keeping the audience in mind, and the editors who will want to change it, and the thoughts of my agent. 

Perhaps not so much what other people think.

Except you lot and your reviews, of course.

Lots of forums have a group that is specifically for talking about off-topic subjects. It is often called 'The Coffee Shop' or something that suggests sitting around chatting and putting the world to rights. If you opened that group, you can simply refer threads that don't fit the criteria for where it is situated to start a new thread in the off-topic group. Saves offending anyone, you can make it clear that is what it there for, newbies know where to go, or where to avoid. At the moment, you don't seem to have anywhere like this, so as people get chummy, they have nowhere to go and just natter to new found friends. 
I'm not sure I agree with you about the initial question on this thread. It struck me as being a reasonable question, about writing and about writers. It probably shouldn't have fingered anyone in particular, but, that apart, it wasn't contentious imho.  An early shot warning about naming individuals would have been fine, surely?

yes, I will have to. I can't please all of the people, all of the time

forgive the appalling spelling on my prev post. I was watching tv and typing on a tablet and it kept autocorrecting all over the place. Grrrr to tablets!

I'm pretty sure you're right. Amma and Mikhal don't appear afterwards.I was using them time identify her age, position in the family and some  personality.  Question no is how far along shall I move it. I'm thinking if the first chap I have on here is still too placid then maybe the dorm and the argument w with Shayne and move the rest into backstory? Or intro the antagonist as early as chapter 2 and up the ante that  way

Was it something I said? I wasn't trying to be argumentative, just chatting. What a shame.

no worries, I've sent you a message with a link that will take you straight to the files. They work just like files on your computer - the scene by scene is Excel, but the others might still be .odt (Open Office or LibreOffice, the free Windows Office alternative). If you can't read them, let me know and I'll convert them into .doc or .docx or .rtf as you require.

I can give you the outline of the five chapters that exist so far, although that isn't the same as what they will eventually be. I can give you a Dropbox link to a scene by scene excel sheet that will give you the whole book if that would be helpful?

What you say about being totally complacent about how magic works is exactly what I want to portray. Nothing at this stage feels as if it is an effort, so why should she go to learn the Skills if her mother can provide what she wants? What teenager wonders (unless forced to) about how her clothes miraculously arrive clean and pressed in her wardrobe? Why she can't have the latest tablet or phone? How are the bills paid?   Or any of your own examples. Likewise, she has known for ages (as Amma keeps telling her) that she has to go to Skill School (like going up to Senior School when you are comfortable where you are) but it is only now it is the day before that it is real in her mind.

Descriptions are tricksy. If I want to keep the action momentum going, fast and furious, for this initial footstep into her world, what would she be noticing other than what is in her head? Right now that isn't anything to do with the colours of the room, the furnishings, what her mother is wearing. Not even the colours of her uniform. She might have noticed and remarked later, but she gets into another argument with Amma about going to school, so I don't think she would notice even then.

The only thing likely to be in her mind is a) oh no, she isn't going to freeze me out of bed again, is she (by the way, this is based on a personal memory. My dad used to get me out of bed for school when I wouldn't get up by pulling the blankets back and applying a freezing wet face flannel to my feet, or my belly if it wasn't covered by my pyjamas. So I know how fast you can get out of bed if that is threatened...)
and b) if I DO have to go school (though I won't, nobody will make me) what will it be like?

which brings me to another question.
How far along is it acceptable to introduce the antagonist?
Currently, the main antagonists aren't introduced until about a third of the way through, when she changes locale. I do have a POV character in this new place, and I am thinking of putting some 'this is happening there, whilst you are getting on with your stuff here' chapters just to introduce the antagonist earlier.

Do you all have any thoughts?

He must think some people don't feel the cold.