- I agree that Apollo's arc is more dramatic. I'll see if I can further amp up the tension in Joseph's chapter.
I don't believe that's possible within the desired structure. I also don't believe it's warranted. I did not suffer a disconnect between the two stories (Sorry, Amy).
The increased tension seems like a good idea. Most of it is already swirling in my head - the hidden assassin, the homophobic decisions he makes that kill Andrew and his cadets, him truly despising Adam, as opposed to simply being mad at him (boo hoo), etc.
My disconnect, as you know,was Caligula.
He'll get more nuanced screen time (setting up the Caligula chapter), plus he undergoes a miraculous change of behavior after the blast to his head. I want there to be enough clues that something's not right, right up to the reveal. I didn't care for him as a character until I came up with his hidden plot. Now I love him, which is the main reason he survived the battle. I want to do more with him. I could see putting him, Lady Kay, Leonardo, and Aussie in a book on the edge of settled space.
- As I mentioned in my response to Amy, Act II needs work. There isn't enough animosity between the MCs, fur flying, etc. I do have to stop a couple of times in the book to actually allow Joseph to define the Christian Heresy, beginning with the New Commandments, which slows the pace. His thoughts that lead him to unify the Essence, reincarnation, and evolution need trimming, but I think they're more interesting than the commandments.
This is the basic premise of the story. Why are you trimming that part?
No plans to get rid of them. Just expressing a preference for the stuff in Act III. I was thinking of trimming the chapter with the Essence. I crammed in too much stuff. It drags.
. His scheme mirrors that of the Imperium's founder, which is a nice connection. I also needed a chapter from his point of view in order to hide the surprise that Apollo is still alive.
Why hide it?
There are other ways to write it, but there's not much point to the Caligula chapter unless he gets an enemy. Who better than Apollo?
Stage 3:
After the mumbling stage he should start to see furtive mevements from the car of his eye. When he randonly turns to look, people are staring at him quizzically. He's not sure if they're doing it to unnerve him. He finds muddy footprints in his room when he wakes up. Security assures him no one was in there. He starts imagining Aphrodite is cheating on him. He can suddenly no longer write straight - he hires a scribe.Stage 4:
He starts to worry about poison (specifically of the exploding bowel nature). Hires a tate tester. Hires a second backup tester. Aphrodite grows distant. He thinks it's a conspiracy. He randomly has her arrested and searched for evidence (comes up empty-handed). Good time to throw in an exploding car bomb from the Heresy.Need more? Amy and Seabrass are also good at this.
Very nice stuff. Is it copyrighted?
S: Joseph needs a burning bush encounter. It's kind of a Judaic staple.
Awesome idea.