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(172 replies, posted in TheNextBigWriter Premium)

You are right. The Atticus's messages are grand. And he is no racist to the skim reader, (that is until his author is forced to spell it out to them). Oh, and he's not fundamentally sexist either.

Like Jessica Rabbit, he is just drawn that way. wink

"In Mockingbird. Atticus lets his young daughter run around in overalls; he doesn’t force her into dresses, because he is a good dad. He understands that she’s a serious person, but when Scout voices her indignation that women aren’t allowed to serve on juries, Atticus says, “I doubt if we’d ever get a complete case tried—the ladies’d be interrupting to ask questions.” He’s a good dad, a good patriarch—but he’s raising Scout into another version of permanent childhood. He doesn’t think a woman has the moral capacity of a man." Quote from link above.

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Har!

HAR!

I said the subject was dead to me, but new evidence has come to light that I feel vindicates my feelings upon the book.

I read ‘To kill A Mockingbird’ as a youth and to me it was a confusing mixed-up tale of racial discrimination. Okay, so I was a naïve little brat from the wrong side of the world, but at my multi-racial school all of the kids commonly referred to the novel as ‘To Kill a Blackbird.’

The novel is set in darkest Alabama USA in either in the 1960’s with flash back to the 30’s, or in the 30’s with flash forward to 60’s; anyway the events take place in the 1930’s.

The overt racism, the superior white man and the oppressed black man, I get. What vexed me is that Atticus Finch is a racist but doesn’t even know it. He wants justice for all, but to him men are not just men, for him the division between humans of different skin is inherent and Negros and Caucasians are different races and are valued differently by Atticus. He clearly wants even-handed justice, but in terms of the same treatment for the white-man and the coloured-man, not just… men. In Atticus the whites are always superior and the Negros are untermenschen. Atticus is noble and feels the oppressed colored people need looking after but Atticus never equates himself to a colored man. He might care for them and bridge the racial divide with his principles but to Atticus white men and colored men are clearly considered by him to be different species.

I find Atticus to be awfully superior (better than the other white-folk and different from those colored-folk) whilst ignorant of his racist status.

Anyway, there are many who read it like I did, although the vast masses interpret it very differently and consider Atticus non-racially biased.

To me this is crux of the racial problem in today’s world. There so many who consider themselves non-racist but who on the inside will always subconsciously distinguish themselves as a different from other races.

(Schindler's List did the same bridge across the race oppression premise so much better IMO. Oskar Schindler is the real Atticus Finch and without the condescension and sugar coating.)

Well then, onward toward the vindication.

Memphis (thanks!) has mentioned in length Harper Lee’s sequel novel ‘Go Set a Watchman’ and interested with a view to purchase and read a copy, I set about researching my potential investment of money and time.         

Wow!

I mean WOW!

Turns out (directly from Lee’s pen this time) that Atticus is a racist!

The loyal ‘To Kill a Mockingbird’ lovers who feed on the sugar-water like Hummingbirds are up in arms! How can this be? Outrage! Many are spurning and decrying the ‘Watchman’ because it ruins their decades old misconception of ‘Mockingbird.’  Har! Idiots.

You can Google any variation of ‘Go Set a Watchman Racist Atticus’ and harvest a plethora of links upon the subject.

I hit this one first, and therein lays my vindication. (There are dozens more along the same lines).

http://jezebel.com/atticus-was-always-a … 1718996096

Harper Lee wrote a book in the 60’s that I read as a child and I garnered a view from that book that the world told me was wrong. That is until July 14, 2015, when Harper Lee, as her final act informs me that I was right all along, as she confirms beyond any doubt that her character Atticus Finch is (and was all along) a racist but doesn’t even know it.

I called it! Harper Lee, me and you were in on from the start.

Now my case IS finally closed.

Go argue with these…

https://newrepublic.com/article/122295/ … cism-years

http://www.theguardian.com/books/2015/j … t-watchman

and the dozens of others that pop-up.

Har!

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Thanks Vern

I think that I 'm getting it.

So, the intended non-discriminatory edict ...

vern wrote:

not "cheatin' anyone regardless of their circumstance in life.

...is best communicated and reinforced into young childrens' susceptible minds by discriminating between race and determining a ratio of difference in terms of importance between those races.

You are are right, it is certainly not a lesson in arithmetic, it is clearly a lesson in something else.

Sort of like a 'fighting for peace' or 'fucking for virginity' way forward.

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vern wrote:

“ “Atticus says cheatin‘ a colored man is ten times worse than cheatin’ a white man,” I muttered. “Says it’s the worst thing you can do.”

……To me, it is a man parenting a child the best way he knows at the moment. It is little different than all the "little white lies" we all tell every single day: "Yes, that dress looks beautiful on you." "You look the same as you did in high school." "You can be anything you want to be." "Liars never prosper." and thousands of others or variations of such……

You are totally right, it is great parenting, like we all do every single day.

Although, I can’t help but wonder (should I need to tell the kids) what would be the 'value of the man’ fraction for an indigenous native North American or a crippled rail road worker of Chinese extraction under the Atticus rule of parenting?

“Atticus says cheatin‘ a colored man is 10 times worse than cheatin’ a white man, whilst cheatin‘  a red man is 8.7 times worse and cheatin‘ a yellow man 5.9 times worse”

How about a Mick? The Irish are white but like the Polish they surely don’t make the mark of a proper Alabama white man?

Now that it’s been explained it is obvious that the ‘ten times less of white mans-worth’ rule that Atticus is drumming into his children is correct. I see now that his advice is not racist or elitist because Atticus is simply educating the kids upon the way that HIS WORLD is; giving them a worldly-wise fact from the voice of experience in order to convert their childishly innocent equality instincts into harsh reality; he’s merely promoting the white-man, black-man value equation as an edict of life, like a good parent would to his 6 or 7 year old child, so they’ll know where they stand.

Atticus the lawyer advocates that it is ten times better to cheat a white man than it is a black man. As a lawyer I suppose he would expect this equation to be upheld by a court of justice relating to the adjudged seriousness of the crime and in relation to compensation and sentencing?

Whilst he is equating the value of a crime in accordance with a man’s skin and since the crime the novel is centred around is an alleged rape; using Atticus equations do you think it would it be ten times worse for a white man to rape a black woman than it would a black man to rape a white woman? I ask only because from the book I gather that the people of that time and place seem to inherently hold the inverse opinion.

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njc wrote:

Finch is taking the world as he finds it, not as it ought to be.

Well, I'd say that Atticus Finch is not taking the world as he finds it. He is very much trying to change the accepted ways and is highly opposed to the world as he finds it.

Finch is actually out of sorts with the world as he finds it. It is a major premise of the story and there are dozens of Atticus quotes within the text to back that up.

I think I may have been reading a different version of the novel. What I do know is that I don’t care much for the book and that’s that for me. I have long accepted that I’m on a different wave length and that most people will disagree with my point of view, whatever the subject. To Kill a Mocking Bird is the most popular book in the world that exists within many people’s minds. That’s fine and they are welcome to it. A MacDonald’s burger is the most popular meal. Donald Trump and Hillary Clinton are people’s most popular people. To me, it’s so skewed and inverse that within my world I constantly feel that ‘I don’t get it?’ 

And I don’t.

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njc wrote:

The reason it's worse to cheat a colored man IN THAT WORLD is that the colored man is already cheated, is denied the ability to fight back, and is regarded as automatically guity.

That's not condescension, though it would be today in most places.  That's basic 'don't hit a man when he's down'.


Don't hit a man when he's down? If only it were as unilateral as that in its basis.

The way I read it is that race is a consideration. Poor white trash being just as disadvantaged as black men, but assuming they are ten times better on account of their skin. A race apart.

Don't hit a man when he's down, implies (as it should) that a man is a man with no distinction between race or ethnicity.

Although what Lee is showing us through Atticus and her novel in general is that a man is not considered a man, he is (naturally) considered either a white man or a black man. It is her premise.

To make the distinction that there are two types of men (two different races) is of course racist in essence, but the shock to the reader is the automatic distinction between white and black is carried like an instinct in the liberal Atticus who probably considers himself non-racist.

I find it strange to be honest because Finch is not from the Southern American Slavery/Plantation linage (where racism would be inherent). Much is made in the outset of the novel of his forebear, the Methodist Simon Finch, from Cornwall England.

I know the novel is set "IN THAT WORLD" but it still makes my shit itch.

.... And as much as I don't like to wet-noodle thrash a man when he's down, I find you "guity" as charged.

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Memphis Trace wrote:

How is it any of those things?

How is it not any of those things?

Interpretation translated into a personal opinion, I suppose.

In my opinion it is akin to a 'carer' saying 'Be kind to the little retard children. Remember the poor little dumb souls don't know they are a dribblin' so.'

Atticus's statement indicates that the originators sentiment is that “a white man” is a factor of ten times superior or more advantaged compared to the “colored folk”. Whether that be in terms of vulnerability, susceptibility, intelligence, privilege or whatever. It is an elitist and condescending mind-set.

“Atticus says cheatin‘ a colored man is ten times worse than cheatin’ a white man,” I muttered. “Says it’s the worst thing you can do.”

In my opinion (interpretation) it is a statement of pure bigotry but not from the mouth of a bigot character but from the mouth and mind of the supposedly un-bigoted character. It is scary because it shows the racism is inherent and deeply engrained or institutionalised and it shows that at his core Atticus is a racist and doesn’t even know it. In terms of the novel it a least gives the Atticus character some depth. Without it he is just a sounding board for ‘stock’ noble mantras.

I know this was written in the 60’s but I find it hard not to relate to the day-to-day and subliminally put this in the context of say, the white man, Hilary Clinton and the black man, Barak Obama and the solemn directive that one is ten times more superior to the other on account of skin tone and ancestory.

To me it seems that the statement is based purely upon the perspective of racial denominations and nothing else. The racist’s automatic, fundamental belief that an illiterate “white man” farm-hand of low IQ is ten times superior to the “black man” brain-surgeon purely upon the basis of their ethnicity. Essentially, to me, this is saying that one of those pair is a more important human being than the other.

I can’t read this book; I have neither the time nor the spirit. I’m half-way into the re-read but I’m done. If it were a paperback rather than a free-to-read pdf, it’d be lobbed it into a hedge to join my first copy of this dirge.

In my opinion the first few chapters are sort of okay, but it degenerates after that.

Sorry. No hard feelings; horses for courses and all that. It is simply not my bag. To me it reads as a shallow sounding board for anti-racism mantras. It is as an appealing piece of literature to me, as say a Mills & Bloom or Harlequin novel where the romance premise is swapped for a racisim premise.

In terms of a story I think the author should have had Maudie Atkinson murdered and Tom Robinson accused.  Much more of a whodunit with more depth and meat upon the bones.

But that’s just me. I love Dicken’s ‘A tale of Two Cities’ but others hate it. I really like ‘Gone with the Wind’ but plenty decry the novel. I am a great enthusiast of the novels of John le Carré and many of his titles are beloved to me, but there is a huge amount of readers who simply cannot stand his writing. Japanese eat dolphin and whale, the Koreans eat dog. Marilyn Manson and Slipknot are to some, as Beethoven and Bach are to others. An episode of ‘The Walton’s’ will make some viewers feel emotionally warm and glowing and others will be left with a splash of vomit in their mouths.

Preference and interpretation, we are all different, we all like different stuff. We all dislike different stuff. Likers like and haters hate.

I don’t like ‘To Kill a Mockingbird’ and that is from my gut. Like a spoonful of dolphin soup it is distasteful to me.  Sorry, it just is what it is. The prose simply does not fly in my mind, it does not engage me, my attention wanders, I lose focus and become  bored.

Apparently, there is a movie and I might try that in order to see how the story and prose translates from the page into a script with actors and orators.

Anyway, I’m moving on from this conversation; this novel because I have nothing of value to add. I’m glad that ‘To Kill a Mocking Bird’ exists, I feel that it adds to the rich tableau of Literature and I think this community has held a splendid conversation upon the novel and I’m richer for that. I fully respect anyone who likes or loves the the novel but I’ve discovered (or confirmed) that I really don’t like it.

As much as I don’t like the novel, I do respect the success it has achieved and I also acknowledge the joy it has bought to so many people. I would also like to express my respect for the author Harper Lee and my condolences to her family and friends.

Cheers! Dill

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j p lundstrom wrote:

A respectful pause for the death of a gifted human being.

.....I'd wager a guess that it even seems condescending to some people. How insulting in modern times to say that a whole race is unable to solve their problems without the benevolence of one white man!

Condescending indeed.

A quote from the text....


“Atticus says cheatin‘ a colored man is ten times worse than cheatin’ a white man,” I muttered. “Says it’s the worst thing you can do.”

Condescending, patronizing, discriminatory, elitist, demeaning, superior, belittling, downright hypocritical from the man who also spouts that all men should be treated equally. The very opposite of equality, Atticus treats a colored man with condescension but is so self-absorbed that he thinks it kindness.

This book is making me squirm on several levels.

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One of the Amazon reviews of 'To Kill a Mockingbird' pretty much sums up the way I felt about it when I read it. This is a bit more vociferous than I'd have put it, but I can relate in essence to the criticisms this reviewer expresses.

(Not my words - A review from Amazon)

This is not great literature, and I avoid teaching it at all costs. It’s not even good. The characters are black and white two-dimensional cardboard cutouts. The rednecks are evil, the blacks are victims, and the self-righteous Atticus is too good to be true. There is nothing here to examine or explore. Critical thinking skills need not be applied for understanding. Moreover, if the lack of complexity and verisimilitude doesn’t stick in your craw, then the insipid narration of the androgynous Scout will. This novel is popular due, in part, to the fact that the reader can feel morally superior to white trailor trash as he identifies with the demigod, Atticus. Shakespeare, the consummate craftsmen of characterization, understood that even the evil (save Iago) have some redeeming qualities, and the good flaws. To Kill a Mockingbird is about as deep as a rain puddle.

SOURCE
http://www.cynical-c.com/2009/03/18/you … ckingbird/ 

I read the book many years ago as a young teenager and yes, it stuck in my craw (or should I say claw for the delight of the noodle thrashers?)

I'm re-reading again, now as an immature adult and I have to say that straight away the tense throws me. It is a kind of first person in retrospect that swirls in and out of past and present tense using the remembrance as a device to introduce omniscience into the first person.

Elanor felt she was about to discover who'd been pissing on her parlour carpet.

https://www.youtube.com/watch?v=tgN1TmGkY2M

...broken and blind he died
The darkest way, and did not turn away...

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Memphis Trace wrote:
njc wrote:
corra wrote:

Toe the line?

Got it in one!

I thought Dill was using a hybrid of "Tow the barge, walk the line."

Memphis

You can take that to the bank and smoke it. I tend to burn bridges as I come to them. Putting the idiot into idiom, I was probably three sheep to the wind when I wrote that.

The rent, it needed to be paid she knew that; but oh, how she cursed her impoverishment and wished to God there was another way.

The metronome thump of the grandfather clock beside the door accompanied her husband’s slow beat up the stairs; but the typhoid had hollowed her when it took their baby and she couldn’t face the funeral, couldn’t face him, home now from the burial; couldn’t face a life with little Jessica not in it.

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corra wrote:

Joking aside, I wish I could join you! I'd love another read of To Kill a Mockingbird. I've never tried reading it with my analysis cap on. I've always read with my brain fully intact,

Be my guest;

http://ecx.images-amazon.com/images/I/5 … 3,200_.jpg

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Looks like a decent pros and cons argument here from a teacher;

https://goodbyteaching.wordpress.com/20 … nt-page-1/

I'm reading a bit about To Kill a Mocking Bird, here and online. I have read Memphis Trace's comments upon the disparity between reading the novel as a younger person and then re-reading as a mature adult.

I guess I was 13 or 14yrs old when I read it. That's a good while ago (a distant memory) and I think I should re-read it now to update my opinion.

"Where, o where did I leave that fat mannequin?"

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Dill Carver wrote:

If the Mocking Bird prose was published here as unknown text from and unknown author, it'd get ripped to bits.

corra wrote:

Not by me. Not for a second. It has voice, it has soul, it has grit.

Oh, yeah? What about page 53 where it is written;


“Dill saw it next. He put his hands to his face.”


How do think it feels to traverse an entire lifetime being asked if I’ve seen Boo Radley lately?

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Dill Carver wrote:

It's hardly a best-seller due to avid readers choosing the title from the bookstore after perusing the shelves looking for something interesting.

corra wrote:

You can't possibly know why people like the book. I'd absolutely pick it off the shelf based on the story description. This is the sort of book I'd have under my text book when I was supposed to be studying. This is the sort of book I pull to when I'm sick or sad and want a friend to keep me reading and sweep me away.

I do not claim to know why people like the book. I am quoting a bookstore fact upon why the Novel sells so many copies.

The parents and guardians of students, or students themselves, or schools, colleges, universities and learning facilities are required to purchase the novel because it forms coursework assigned within an English Literature syllabus that is dictated by a curriculum.

I myself have bought three copies of the book because of that very reason (and not by personal choice).

So yes, I do absolutely know for a fact why the vast majority of copies of ‘To Kill a Mocking Bird’ are sold.  They are not bought by people who necessarily love (or even like the book); it is a required purchase to facilitate the educative process; like gym-shorts, a protractor, Dora-The-Explorer lunchbox or school-tie.

These are just facts and not to be confused with subjective sentimentality.

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corra wrote:
Dill Carver wrote:

It is politically correct to like the book.

I certainly don't love it because it's politically correct to love it. I have a brain, thank you. I love it because it's a good story.

To like something and to love something are very different and I'm sorry that you became confused upon the two sentiments.

However, I fully understand your point, but my comment was made upon the high-level general perspective. The book is selected by Education Authorities in many nations for student study, more so for the moral and sociological lesson that its exposure of racism and inequality delivers, than it is an example of fine prose literature.

Your answer is based upon a subjective perspective. You happen to like the book on a personal basis, and that is a wonderful thing, although it doesn’t alter my point. It has nothing to do with my point.

I am extremely fond of Joseph Heller's 'Catch 22'. I have a ‘working’ paperback copy and a 1st edition hardback that I treasure and was bought surprisingly cheaply (I thought) on Ebay. I’ve read the book several times (four or five), save to say that I love that novel and it is also safe to say that it has been influential upon my life.

Catch 22 is another novel that is often selected for student study; more for the moral and sociological lesson that its exposure of the insanity or war and the irrational craziness of the military machine, than it is an example of fine prose literature...
 
…but I love it as you love Mocking Bird; because it is a good story. I love Joseph Heller’s gallows humour within Catch 22; the sardonic wit, the insane scenarios, the cynicism, the irony and mainly because after ten years in the military, I can relate and it stirs me.

Catch 22 and to kill a Mocking Bird are examples of books that we (as students) are asked to read with our brains. We are instructed to interpret and analyse the messages these novel deliver in order to aid our sociological and political development upon a humanitarian basis. There is an agenda (that could be described as politically correct) behind the selection of these novels. (Just as, if the Axis powers had won WW2 and Nazism had prevailed, To Kill a Mocking Bird, (if written), would be high on the bonfire list and the author persecuted or worse). 

I certainly don't love Catch 22 because it's politically correct to read it. I too have a brain, thank you. I love it because it's a good story and when I read it, I put my brain aside and I read with my heart.

Mocking Bird is in my brain and Catch 22 is in my heart. We love what we love; chalk and cheese; different strokes; one man's poison is another man's medicine; variety is the spice…. etc. etc.

Readers who read with their heart have a much better time of it that than those who read with their brain. I would heartily recommend that you try it.  wink  x


Blue touchpaper lit, he dons steel helmet and retires twenty paces.

corra wrote:

Those are quite beautiful. x

Here is one I've listened to several times:

https://youtu.be/ii_aZ6djNkM

Wow! I mean WOW!

I've read the Molly Bloom dialogue but my word this narration is delicious and a completely different dimension! I'm in love!

Now I have to find the movie 'Bloom' and watch it immediately!

"The sun shines for you, he said."   How does she make it sound so... so bloody marvelous? There is joy and love and impish pride in her voice; as clear as day, there is!

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Mariana Reuter wrote:
max keanu wrote:

The fictional character Jesus may overtake the popularity of the fictional character Scout, but then this makes Harper Lee into a Goddess who wrote the present-day bible of redemptive fiction that assuaged many of us to better understand the complexities good and evil, and love and hate.

Max, when you say "the fictional character Jesus" do you actually mean if? If so, I think the comment doesn't belong to this thread. This thread is about the  loss of a great author, not a religious discussion. I really feel it's disrespectful to introduce this kind of out-of-context comments which  may hurt the beliefs of part of the people reading them, moreover because not being this thread a religious discussion, they're absolutely not called for.

If it was a joke, it was a very poor one.

Kiss,

Gacela

He already has a fatwa issued to him, and now a knock upon his door could mean the Spanish Inquisition have come calling. The KKK probably want his bollocks too.

Sorry, that was a joke, it was a very poor one. smile

...but to be fair, other posts were comparing 'To Kill a Mocking Bird' with the Bible in terms of popularity, so Max's post had context.

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njc wrote:

Children are asked to read a lot of things that don't interest them.  That's not a knock on the book.  It may be a knock on the teacher who can't or won't bother to infuse a little life into it..

In England, my English Literature teacher had to teach the curriculum as set by the great socialist circus on high. It was all determined by the exam questions at the end of the school  process. The students had to learn the subject matter from which the questions would be drawn.

I know that my teacher was frustrated about having to tow the line. In the after-school book club he could go off-piste and introduced us to some wonderful literature.

I recall once, getting caught reading 'Brighton Rock' by Graham Greene in class. I had the paperback open inside of the covers of a bigger book, one we were supposed to be reading for the lesson. I was engrossed and didn't notice the teacher walking between the desks, so I got caught. He seemed more pleased than angry, and took the confiscated contraband novel to his desk at the front, where he settled down to read it, whilst I had to get back to the mind numbing dirge that is 'The Scarlet Letter by Nathaniel Hawthorne, or maybe it was 'To Kill a Mockingbird,' I can't remember.

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Memphis Trace wrote:

I bought a 50th Anniversary copy of the book about 5 years ago as part of my program to see how much the classics I've liked at first reading have improved as I've learned to read better. I was stunned about how I could no longer suspend my disbelief about Atticus. He came across as a cardboard character. It made me wish I wasn't such a great judge of a story.

I couldn't buy into Atticus either. A cardboard stooge, a puppet of the book's agenda.

I remember spouting as much, give or take a word, when writing a synopsis of 'Mocking Bird' whilst at school.

(How I used to make my English Literature teacher squirm and grimace, frown, grin and laugh with my opinions upon the literature he fed us. I was irreverent and vociferous, young and impetuous, filled with passion and arrogance. He is a kindly and learned man, a gentle soul. He taught my daughters, in turn too. He shared with them and their respective classes, some of my old work that he'd kept for a decade and a half. One of my finest moments (self-indulgent pride) was to find that something I'd written at aged 15 became an 'example piece' for an English Literature teacher who trooped it out at least once to every class he ever taught from the day I wrote it, until the day he retired).

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Memphis Trace wrote:

Were you old enough to have an opinion about what constituted great prose when you were lobbing it into the hedge?....

I didn't choose the prose, it found me. I simply followed my nose and liked what I liked and couldn't be doing with anything that didn't grab me (even when I'd been told that I should like or not). As I mentioned up the thread a way, at that time I read the Adventures of Tom Sawyer and loved it; Adventures of Huckleberry Finn and love, loved it. I read the Tale of Two Cities and love, love, loved it.  The Thirty Nine Steps blew me away, my first page turner and I remember feigning illness to stay home because I couldn't put it down. Heart of Darkness and Frankenstein gripped me. These books, all classics in their own right raised emotions, led me on a journey and rocked my young world. To kill a mocking bird did none of that to me. I never connected and I think that I resented the book because we weren't reading and studying something awesome and inspiring instead…

Memphis Trace wrote:

I grew up in a remote Virginia town that had no transparent racial divisions because there were no blacks—no blacks, as in zero blacks—to segregate from or integrate with. I was pretty much an innocent, untrained bigot. The only experience I remember with a black man before I went away to university came at about 4 years old (1947). My father took me with him to some place of business in Big Stone Gap, Virginia, and during his conduct of business I managed to wander away from him. When he found me, I was sitting across the street on a stone wall, helping a black man leaned against the wall eat a box of doughnuts.

I grew up as a component of the stew within the melting pot of a decayed empire; in Battersea in South London, England. We lived amongst racial hatred and intolerance. The African Hutu and Tutsi people hated each other, Somalians and Nigerians also hated each other and all Africans hated the Afro-Caribbean’s. The Pakistanis hated the Indians and the sentiment was reciprocated. The Muslims of Sunni or Shia extraction hated each other and both sects hated the Hindus who also hated the Sikhs who both hated all Muslims. The Irish Catholics and Ulster Protestants were at war with each other who along with the Scots, hated the English. The Turks didn’t discriminate they were out to get you whoever you were. Everyone hated the French (although no one had ever seen one), and distrusted the Jews that dress like ZZ-Top/Boy George fusion band members and anyone at all from North London.

As a young child I was mixed in with my fellow children, the offspring of all of the above. The adults were the problem because we, the kids, didn’t care. You are right, racism is definitely taught. 

My mother took in foster kids; the orphans and unwanted until they were placed with adoptive families. One boy, Paul was the illegitimate and unwanted son of an unidentified African American airman from a USSAF Airbase in East Anglia and a local Suffolk (hick country) girl of 15yrs age who’d swapped sexual favours for Coca-Cola and cheeseburgers. Paul became my brother and was adopted, a part of our family; the favourite child for fifteen years and deservedly so for he was the finest human beings I’ve met to date. He was killed whilst in the service of the British Army by USAAF ‘friendly fire’ in the Middle East. Ironic; they come back for their own. That’s my novel in the wings, the story of Paul.  Anyway I digress; save to say that my own perspective of racism was very different than if I’d been raised in rural Alabama during the ‘50s and ‘60s As such I never really got the racist angle to ‘Mocking Bird’. To me it was a tale of injustice or wrongful accusation. I never understood the gulf between black and white people in this southern part of the USA. After all, the USA derived telly and movies that we saw were brimming with characters played by Bill Cosby, Sidney Poitier, Danny Glover, Eddie Murphy the stateliest American of them all seemed to be Morgan Freeman. American music seemed to me to be the Jackson Five, Stevie Wonder and Diana Ross… etc. etc. The concept that one race held such social power over the other was lost on me. I never understood why the black guy couldn’t simply tell the white guy to ‘piss off’ whilst he cheerily clumped him on the hooter.