Go, go, go, Dirk! Let's see it.    :o)

Both are fine, Dirk. You get the point across either way, although one could argue that 'it slips under doors' makes 'rather than tear[ing] them off their hinges' obsolete, if you know what I mean.

Dirk:

Is this a novel for Catholics or a broader audience?

Dirk:

I don't understand you at all, my man. Why worry about something that's totally unrealistic to begin with? Do you think Stephen King worries about details like that?

I've used Hodges' Harbrace Handbook for too many years I care to remember.

https://www.amazon.com/Hodges-Harbrace- … 1337285048

Ignoring it is a rule, too, Dirk.   Just like being drunk every day is a regular life, too.   :o)

Dirk:

Why try to explain the unexplainable? Nobody wants to get lost in a biology lesson.

33

(7 replies, posted in TheNextBigWriter Premium)

And you, Mike.

34

(6 replies, posted in TheNextBigWriter Premium)

Temple Wang wrote:

You: You're not interested in knowing which forums are most active?
Me: I’d rather chew rusty nails.

You: I rely on active forums to bounce ideas off other writers.
Me: *groans*

Dirk, surely you know this the most popular forum on the site—by far (and without your comments or those instigated by your questions, it would be far less so - that’s not judgement, just a fact).
If  you need proof, go to the forum page, and just scan through activity.  It’s a graveyard.

If you crave forum action or social connection, try reddit

This site is predominantly populated by 1. people wanting their work critiqued, 2) pathetic wannabe serial editors, such as yours truly *courtesies*, 3) thousands of inactive members (+99%, if you compare membership to posting activity), 4) a handful of folks who live on line and who have nothing better to do.

And then there’s Dirk.  And you, dearest, are nonpareil.

Well, wadduya know? We agree.   :o)

njc wrote:
ray ashton wrote:
njc wrote:

Mahler, Symphony of a Thousand.  The von Neuman recording, if you can find it.

Yes, good stuff, although I prefer the first movement of his unfinished 10th. It's all too complex to write by, though.

Dvorak's Symphony from the New World, almost any Sibelius Symphony, either Book of The Well-Tempered Clavier, or a good organ recording of The Art of the Fugue.
The symphonic presentation of the LotR score.

I frequently play Glenn Gould's Goldberg Variations.
https://www.youtube.com/watch?v=Cwas_7H5KUs&t=9s

njc wrote:

Mahler, Symphony of a Thousand.  The von Neuman recording, if you can find it.

Yes, good stuff, although I prefer the first movement of his unfinished 10th. It's all too complex to write by, though.

Dirk:

Here's a tip: Put your word processor aside, do what I do: Get a few fancy writing pads, a bunch of HB Soft pencils with very sharp points or a fountain pen that glides along the paper so smoothly you never want to stop writing, and write up all you wanta say: sentences, words, descriptions, ideas, sudden flashes of brilliance. Check out thesaurus.com to avoid unnecessary repeats of words. Let it roll.  Free association. Don't go to bed. Smoke a lot. Get drunk, for Chrissakes! Did you know Graham Greene wrote 1,000 words every morning? And he stopped at word # 1,001. And then the next afternoon he would read what he wrote the day before and, occasionally, throw everything out. When you've eventually written what you feel should be written, use your PC or laptop, and paint the picture. Chances are you'll stumble across some things that don't make sense, which is what you want. Make sure you've got your last chapter pretty much lined up, and anything your cast of characters want to do between the beginning and the end is all up to them.

And that's all I have to say about that.   :o)

Did I mention listening to Miles Davis helps a lot?

Good luck!

Ray

Dirk B. wrote:

Zzz. Just kidding. The current draft is focused mostly on working out the plot and characters. Next draft will include more showing, as long as I don't kill the pace. I'm also not doing enough internal monologue in some scenes, the exorcism included. I might as well be in Connor's point of view, given how little Romano had to do or think in that scene.


Showing never kills the pace. How can it? The alternative is telling. As to speech tags, if you've set it up correctly, you don't even need them. The reader will know who's talking at any time. Neil Stephenson, a bestselling (sci-fi) author even uses empty tags ('...') to indicate silence from a participant.

But, hey, what can I tell you.

Dirk:

Further to our 'discussion' about speech tags: asked, screamed, gurgled, what have you, are considered telling rather than showing. In fact, there are plenty of purists who hold there should be a comma after 'said', and then the 'show' (if necessary), preferably without using a dreaded 'ly' adverb. Example: 'Blah, blah, blah?' she said, [deflated] voice making it clear she found it an unanswerable question OR '…..?' she said, daring him to object, challenging his authority in a loud, unprofessional way.

You know, shit like that.     yikes)

Merry Christmas. Gelukkig kerstfeest. Frohe Weihnachten. Joyeux Noël. Buon Natale. Feliz Navidad.

Ray

40

(10 replies, posted in TheNextBigWriter Premium)

It was?

Easy to fix.

Yeah, that ain't purty, Dirk.

There you go. Don't get lazy on me again, Dirk!   :o)

Hey, Dirk?

The nun said, “Connor, the reverend mother is asking for you.”
He walked to where she lay on the floor and knelt beside her.
She took his hands in hers and kissed them, tears streaming down her face. Her irises had turned from red to a natural brown. “Thank you, my child!” She swallowed with difficulty and struggled to continue. “Beware the road ahead… dark… everything depends…” She squeezed his hands. “God is with… Always…” She released his hands and breathed her last.
Connor closed her eyes. “The angels await you, Reverend Mother.”

There are 4 sentences here that start with 'She.' I urge you to re-structure some of those. What's her name? Can you use it to easily eliminate at least one?

---> She swallowed with difficulty and struggled to continue. *** He noticed her difficulty swallowing and struggle to continue?
---> She squeezed his hands. “God is with… Always…” She released his hands and breathed her last. ***  “God is with… Always…” she murmured, squeezing his hands, then releasing them, breathing her last [breath]?

Ray

Wow! Nana Mouskouri! There's a name from the past. She was really big in Europe in the sixties.

46

(5 replies, posted in TheNextBigWriter Premium)

***** For heavier fare, such as literary fiction with complex narratives and historical fiction, I find chapter titles helpful reference points (especially if the novel is long and has multiple plot lines.) *****

Temple, we agree! Who knew?  :o)

47

(12 replies, posted in TheNextBigWriter Premium)

Howdy, Charles!

1. Thanks for your reviews of the Divide. Will get back to you on those.

2. I never pass up a Blue Light sale, particularly not when it concerns manuscripts by such a talented writer as yourself. Will dig in shortly.

Best, as always

Ray

48

(10 replies, posted in TheNextBigWriter Premium)

True.

49

(10 replies, posted in TheNextBigWriter Premium)

No, no. I'm where the poet's man and the Consul's ship and the android hope to extract the girl from one of the time portals right from under the eyes of 30,000 PAX troops. (Book 3.)

BTW, I forgot to list Robert Silverberg's Majipoor Cycle under Fantasy.

50

(10 replies, posted in TheNextBigWriter Premium)

Funny you mention that. I'm in book 3 of the Hyperion quartet. Great writing. Equipped with some seriously looooooooong sentences.   :o)