New money. A change of banknote and coin in England...
Celebrating Jane Austen in her bicentennial year.
The Austen £10 note (in polymer plastic)...
and the Austen £2 coin....
New money. A change of banknote and coin in England...
Celebrating Jane Austen in her bicentennial year.
The Austen £10 note (in polymer plastic)...
and the Austen £2 coin....
Maybe it's in the banjo?
Or maybe the lyrics?
https://www.youtube.com/watch?v=mSgnC5eQ5u0
Looks like chicken....
...I've given up on this one halfway through the first book..
Yay! Tess of the Doldrumsvilles.
Well played!
Well, Dill. I'm afraid you may have to withdraw any esteem you've ever held for me.
I entered the Tolkien books {beginning with The Hobbit} expecting to find them dry and dull. I was pulled in almost immediately {amusing dialogue, clever characters}, & have devoured the books & films this summer...
I've never actually knocked Tolkien's writing, just my own personal inability to reconcile the content. The thing I am often to be found having fun with is the fanboy/fangirl effect that these novels have upon certain readers. It’s the Star-Trek 'Trekkies' type phenomenon where the enamoured fans endeavour to live the fantasy beyond the book or the film and into their own lives as a part of their daily existence.
I read the Hobbit at school when I was eight or nine years old… my first ‘big’ book. We read together it as a class (it was mainly narrated to us by our teacher) and we explored many aspects of the story within the lesson, between chapters. I have to say that I loved it at the time. The sense of escapism (surrendering the reality of this world to Tolkien’s world and its characters) was exhilarating and formative within the establishment of my life-long love of literature.
I read the Hobbit again to my first daughter when she was a tot, in bedtime instalments. Watching her face light up in anticipation and frown in trepidation as the story unfurled was truly magic. I knew she was living the story and experiencing the same wonder and exhilaration that I myself felt when I encountered the story as a child. The only problem was that the storytelling invigorated her senses and stimulated her mind to such an extent that sleep (or the possibility of it) was driven away by her involvement or investment within the story. We had to move the Hobbit instalments to pre-bedtime sessions in order for her to surrender to sleep at the appropriate time.
However, by that time my inner-cynicism for fantasy novels was well established and despite my thrill at experiencing my daughter’s involvement and enjoyment of the novel, I was reading a book about an annoying garden gnome in fairyland. The story no longer had/has any credibility within me. Something occurred during military service. At some point after the blunt-force trauma of active service I lost the capacity to suspend my disbelief. Fantasy novels; singing swords, wizards, dragons and elves… Spiderman, Superman, Wonderwoman et al… I just wanted to pick people up and shake them rigorously back to reality. I found the escapism of these fantasy genres to be juvenile, puerile and ridiculous to the point of cringe worthy embarrassment.
A medical professional once cited this behaviour within me as a symptom of PTSD. I have mellowed since then, for sure; but I still can’t do fantasy within literature TV or movies.
I love literature from the likes of Hemingway and le Carré. The gritty reality of those writers; the stories and characters grounded in the real world. It’s like they could be true, like they could have happened or be happening. I can invest in these stories one hundred percent.
You mention ‘Gone with the Wind’ and that was a novel I knew of but had never read. I had accumulated pre-conceptions about it and thought it to be a 19th century romance story. I read it upon your recommendation and found it to be a fantastic literary adventure. Once read, never forgotten. There is plenty of magic within that book, but proper magic, it is grounded within human characters and realism.
I could read ‘Gone with the Wind’ again too. However, I couldn’t read Lord of the Gnomes this side of a lobotomy.
...stew
(Ingredients)
Dijon
Hopeless
it's when the 'reality game show' generation gets to vote.
Dill Carver wrote:... I do experience a pull toward the coast. I love it where strong tempestuous seas collide with craggy gargantuan rocks. The perpetual conflict of waves breaking upon cliffs.
We spent numerous summer holidays when I was a child along the wild coasts of Cornwall and Devon. I am most alive during a violent coastal thunderstorm. I think I could happily live in a stone cottage on a rocky outcrop amongst wild seas with a dog and never want for a town or city or the people that occupy them.
Ah, yes. That sounds lovely. I wonder if your ancestors felt that same pull, or if it's individual to you. x
My dad for certain. It was he who took us on those holidays to the Cornish coast. His passion for the cliffs, rock-pools, caves, castles ancient tin mines and the moors. Oh, and the legends. The stories and myths of the place. The logan-stone of Nancledra; the creeping stone at Madron. The Black Horseman of Carn Kenidjack. The legend of Jan Tregeagl. Dozmary Pool. Jamaica Inn, Tintagel and King Arthur. Smugglers, pirates and grave-robbers. He loved the old stories of that place and his telling of them, it was riveting. Well, it was to a wide-eyed young boy anyway.
My line is farmers. For ages going back! Not rich planters. Just farmers. Through my Scottish line as well as the line that came in through London into Massachusetts. When that line {the London one} arrived in Georgia, it won a bunch of land in a land lottery.* It's up in Ellijay. My cousins still own it. I was able to walk it a couple autumns ago while one of my cousins told me about my great-great-great grandfathers and grandmothers. Surreal. Then we visited generation after generation of my ancestors, all buried together in a family plot that stretched all the way back to our first days in Georgia.
* Which is ironic because I have Cherokee in my blood through the line that came in through Scotland. That line would eventually marry the one that won the land lottery.
I've always felt a longing to plow a field, all day long, every day. It's a strange longing, especially in 2017, as a five foot tall woman living in the city, but sincerely, I've always been pulled to such a life. As a child, I used to simply love the smell of dirt. I'd get it under my fingers and in my hair {my mother was appalled} just because I loved to be part of it. Soil, earth, growing things, animals. I think that if someone told me, "Here's a plow, here's a plot of land, here's a cow," I'd be utterly happy simply plowing all day long, rhythmically, listening to the music of the land. Now where does that come from? I've never plowed a field. I've barely grown a houseplant. I've always lived on small plots of land surrounded by concrete. I've never known the sort of life that seems to be sewn into my dna. Because I can't plow a field I run. I run everywhere. I love to push my body to the brink like that. To be outside and do manual labor. What an odd thing! It has to be because of all those many, many farmers before me. Well, maybe.
I wonder if such a legacy is in you -- your line, your people's daily movements, the memory of who they were, echoing through you?
To have family land; populated and passed down to generation after generation is a wonderful thing. There must be a real sense belonging, knowing exactly where you came from and how you came to be. To be a part of a place.
I've also always lived on small plots of land surrounded by concrete. A townie I suppose. I harbour no affinity with farming or tilling the land but I do experience a pull toward the coast. I love it where strong tempestuous seas collide with craggy gargantuan rocks. The perpetual conflict of waves breaking upon cliffs.
We spent numerous summer holidays when I was a child along the wild coasts of Cornwall and Devon. I am most alive during a violent coastal thunderstorm. I think I could happily live in a stone cottage on a rocky outcrop amongst wild seas with a dog and never want for a town or city or the people that occupy them. The purity and sheer power of nature to constantly remind me of just how inconsequential, puny, corrupt and irrelevant we vile humans are as a species.
I'm seeing your point on To Kill a Mockingbird. I'm not sure why I was so dense on the topic before, but pardon me, I was dodging you remarks on Americans. However, I see your point now. I think simply as a piece of American history TKAM is valuable: it made a dent in our country the same way Uncle Tom's Cabin made a dent a century prior, and that has meaning. But yes -- let's not read it and assume we have the whole story, any more than we should read Uncle Tom's Cabin & assume it can speak to our era the way it spoke to its own.
I not knocking anything, but with such a great and inspiring true story, I can't but wonder why a weak and flawed fictitious parable is more than a million times more recognised and celebrated than an actual event which is so much more powerful in terms of the message the parable was contrived to deliver.
I've never read Uncle Tom's Cabin, but I've heard a lot about it. One day I shall read it and my life will be complete
{I mean the American Revolution. The War for Independence? I'm not sure what it's called in the UK.} T
I'm not sure either. There's not much mention in the UK of when Britain won it's independence from the US.
Britain was fighting France (as usual) all over the world. The French victory in the America was a bit of a side-show and although they won that battle, they actually lost the war. I think that french victory is what modern historians call 'The American Revolutionary War?'
Seriously. Back in school we learned an awful lot about the history of Canada and Mexico but little about the gap in between. Our only source of education re: the USA was endless re-runs of 'Happy-Days' and 'Top-Cat' on the T.V. I learned everything I know about South Canada/North Mexico from those shows.
The movie 'Braveheart' is about as historically accurate as Spiderman II and I find it quite disconcerting how many people learn their view upon actual historical events from made-up fiction.
Concur. I'm seeing your point on To Kill a Mockingbird. I'm not sure why I was so dense on the topic before, but pardon me, I was dodging you remarks on Americans. However, I see your point now. I think simply as a piece of American history TKAM is valuable: it made a dent in our country the same way Uncle Tom's Cabin made a dent a century prior, and that has meaning. But yes -- let's not read it and assume we have the whole story, any more than we should read Uncle Tom's Cabin & assume it can speak to our era the way it spoke to its own.
William Wallace is {apparently} my first cousin {quite a few times removed.} Reginald Crawford was my great+ grandfather -- Wallace's uncle. I'm directly descended down Reginald's line. Is he in the novel you're reading?
My Scottish line is pretty distant. We left Kilbirnie in the 1600s & landed at Jamestown, Virginia when America was just a glint in England's eye. My ancestor must have wanted to leave Scotland for some reason. I'm not sure what yet, except wanting to see the New World or start fresh somewhere. He crossed the ocean with his father, but when he arrived in America his father immediately took the ship back to Kilbirnie. Pa must have simply wanted to see his son safely across. I doubt they ever saw each other again. Hard to contemplate! Well, this guy lingered at Jamestown for a while, married, had a bowlful of babies {one was later hanged as an adult} and then after about half a century, the line moved through the Carolinas for several decades, & into Georgia by the early 1800s. Probably intermarrying British, Native Americans, and other nationalities within America along the way.
Another line came in directly from London to the Massachusetts Bay Colony in the 1600s. {This person immediately became an indentured servant.} Then another came in through Alsace-Lorraine during the Franco-Prussian War: we were fur traders. Another is fairly recent: she was born in Ireland, raised in London & Canada, & settled in Alabama as a madam! My mother looks exactly like my great-grandmother Maggie, so of course I tease her about when she's going to open a brothel house.
Truly fascinating.
Have you ever considered writing the story (stories) of your ancestors? The embellished (fiction) based upon non-fiction? True pioneers living on the frontier. What a time; the new world awaiting.
My Sister traced our family back as far she could. Generation after generation of London street urchin. Menial trades after soldiering for the males, domestic service and childbirth and early death for the females. Nothing much has changed, I followed within the footsteps of my forebears; same patch, same path.
Lapin a La Cocotte
Medieval Scotland is my heritage! I've traced back to Kilbirnie in the William Wallace days.
Wow! Indeed, the novel is full of wild fiery people of short stature and mad ginger hair.
The trilogy deals with the Bruce/Wallis era from the late 1200's to early 1300's. It has been commended upon its adherence to historical fact and detail. I don't mind investing in these Historical pieces, if the fiction stick to the facts. The movie 'Braveheart' is about as historically accurate as Spiderman II and I find it quite disconcerting how many people learn their view upon actual historical events from made-up fiction.
The real story of that era is so much more intriguing and complex than the fictional movie. I find it annoying in the same vein, for instance that a puerile, flawed and contrived comic-like character children's book, To Kill a Mocking Bird, is held up with international acclaim as a civil rights masterpiece when much lesser known, the likes of Newton Knight, and the Free State of Jones events are ten-times the story, being so much more poignant, powerful, inspirational and enlightening... not to mention that they actually happened!
I forgot to mention I read this last week! LOVED it. The author was from Atlanta. I found her style bold & delightful. x
...hailed by novelist James Branch Cabell as "the most brilliant, the most candid, the most civilized, and most profound book yet written by any American woman." Says the jacket. Woolfesque, they say. I might have to give this a look
Foot and Mouth
KFC Shareholders
Insurrection by Robyn Young
Historical novel based upon medieval Scotland. I’m new to Robyn Young and have found her a very decent writer. This is the first in a trilogy and I will buy and read the following two novels.
M. L. Dana wrote:I feel like I never write anything new because I'm constantly editing what I've already written! When do you draw the line?
It never ends! I have file after file of things I've written from long ago. Every time I open one of those files, I make changes in something. "What was I thinking when I said that?" LOL! I can spend hours editing my own stuff.
I've made lifelong enemies by offering constructive criticism or politely disagreeing with someone on other critique sites
Thanks
It's universal. Expect nothing different here. You are dealing with human nature after all.
Tread very gently until you form relationships; at which point you will know which authors are mature enough to process an 'honest' constructive review.
I'm afraid that many take harsh critique very badly, no matter how valid, honest and constructive the opinion and advice might be. Despite what they might say in a biography etc. there are many authors who will accept nothing other than gushing praise and adoration, no matter whether their prose is pants or priceless.
As I said, human nature. This site is no different to the rest of the world. Like parents with ugly offspring, the majority of amateur writers run upon a heady mixture of inflated ego and disillusion and to those souls, constructive criticism can be deeply wounding.
However, anyone who wants serious, in-depth totally objective literary opinion that is fair and honest, can pop a chapter into…
The Write Club -- Creative Writing and Literature Discussions Group → The Infamous ‘SHRED THREAD’
Not many do. It used to run on the old tNBW site and several writers benefitted hugely from a real, honest nuts and bolts appraisal of their prose. Their writing improved immensely once their eyes were opened.
Narcissists, egotists and the plain deluded? As you say; enemies for life.
That's a pile; and it cannot be read without leaving its mark.
You'll come out of the other side, short with unruly wild hair, enlarged hairy feet complete with webbed toes and a short temper with a tendency to stab humans who threaten your precious things.
I realise that you had a head start within these matters and that the transition will be minor; but a transition all the same.