Re: The Galaxy Tales - Dirk B.
Correction, that was Apollo. Andrew just thrashed around until the rope did it's thing.
Fantasy/Magic & Sci-Fi → The Galaxy Tales - Dirk B.
Correction, that was Apollo. Andrew just thrashed around until the rope did it's thing.
I noticed in the latest Star Wars that the stormtroopers were actually hitting their human targets in the opening scene
Don't underestimate the corrective abilities of a laser pointer.
Anyway, Luke's adoptive parents managed to die somehow, so I imagine even ep4-6 had Stormtrooper who could hit the broad side of a barn
I don't mind blowing up 100 million souls on New Bethlehem since you never see it happen
Actually I found not seeing it the most troublesome. Also, I suspect Star Wars didn't show it because of technical limitations. I would hand Lucas the same criticism:
Show me who I'm supposed to care about.
Less Starship Troopers, more Dune.
Hmm *thinks about Dune.*
Giant worms with teeth sharp enough to re-purpose into a razor without being honed.
Giant worms eating people (Oh my!)
Gom jabbar (poisons injected into children to test them for psychic ability and a box that makes you think your hand's burnt off)
Shigawire (Handcuffs that snip limbs off)
I think I've covered chapters 1-10. Don't even get me started about the latter books
All you have to do is have the MC look away (ex: At the hanging). That way, it occurs off screen
I suggest minimizing these. To understand, go rewatch Red Wedding, and picture all the places violence could have been implied rather than shown.
Try to grasp the visceral reaction you have to the episode. Note the pacing of the deaths, how they form a swing or a tide.
wiping the action with bleach won't move your plot forward
Those are sufficiently sanitized to keep
This sanitizing and bleaching... I don't think I'm getting what you're trying to convey.
I suppose I equally have trouble understanding why they would (bother to) edit the guns out of ET
Marsha-1 dies at the hand of her own invention. I suppose I could have sanitized it by having them simply find her dead the next morning.
Is anything gained by showing it?
Yes, absolutely - in that case, it was the villain's chance to show it means business.
The toppling elevator in RocketBaby might get sanitized... but only because I want the camera pointed more at my mains. In this case the reduction would serve a purpose.
I wouldn't remove Einhart's gun-happy musical band: No self-respecting villain shows up to a fight outnumbered by protags
I guess my question is... are you trying to get into PG to widen the potential market?
Even though I'm writing mostly for my own fun, I might as well keep open the possibility of a PG-13 audience.
I don't think of the violence in Dune as particularly graphic. Sure, they nuke the planet in a later book, but it's not like you're seeing bodies melting.
As for the faceless 100M inhabitants, I spend an entire act on the planet, so you do get to know them. There'll be more history about the planet in v3, which may help bring it alive.
The cadet massacre on New Beth was particularly nasty, as was Ecks's decapitation, Classiarii chests exploding, and the slaughter in the throne room attack.
Apollo's decapitation is fine to me since it was staged. Killing off Mama's guards is fine, since they're my equivalent to Stormtroopers, and I don't dwell on their deaths (e.g. faces plastered on the pavement).
I had already replaced the scene in chapter one where the captain gets hit in the face, sending his brains out the back of his head. Instead, he sets his blaster on overload and completely disintegrated in a blinding flash of light, taking the imperials with him, with no blood or gore.
It's primarily the gore noted above that I want to eliminate, so no severed/exploded body parts until the final moment between Lupus and Joseph.
I'm comfortable I can tame down most of the gore, except for Ecks's scene. I need to think about that one.
Kdot, do you think Sibrassi is a sufficiently Japanese surname? I want to stick Seabrass in as the shogun.
I was hoping to keep his pen name more obvious. I'll try Shibrassu.
Thanks
Dirk
Shi"bra"ssu is not possible in Japanese because it contains two consonants welded together B & r
Interesting. I no longer find references to myself or my book on the first page of Google. Just like I want it. Was that due to a change to our group's configuration, or did Sol do something?
Shi"bra"ssu is not possible in Japanese because it contains two consonants welded together B & r
I was afraid of that.
She (bu) ra su. (no double ss is allowed for proper Japanese mora.)
Nippon has two p's, albeit split into four morae: Ni-p-po-n.
correct. Nippon uses "small-tsu" so it doesn't really have two p's any more than "Taipei" has an 'e' and an 'i' in Mandarin.
That is... Nippon is "Ni-tsu-pon" in Japanese
Ponder, I will. Please let me know if you think of a way to make this work. Thanks.
What I was trying to explain is that you're "trying to fit things in" in your first few chapters when you should be concentrating on telling a story.
In the end, that's what it's all about. Tell me who the main character is, explain why I care about him, and set him on his journey. Details like what happened two thousand years ago aren't as important until I've reached the point where I invest. I can't invest yet because I don't know the M/C.
All I have so far is
chapter 1: death
chapter 2: [snippet][snippet][snippet][snippet]
chapter 3: [encyclopedia snippet]
I'd rather read:
chapter 1: death
chapter 2: characterA
chapter 3: characterB
chapter 4: characterA
chapter 5: characterB
chapter 6: [encyclopedia snippet]
Don has a good approach that way. Have a close think about his organization of the A-B-A-B scheme
Those snippets in chapter two are about five pages each. I really don't think it adds much to split them into four standalone chapters with filler. Granted, chapter two is not elegant, but I need to show that God enters their lives at both different years and at different ages. I prefer combining that into one chapter, preceded by the epigraph from Jorge B. Francis that pulls it all together.
The purpose of the history is of course to show where the future society has come from. The next chapter (attack on the royal family) focuses on Joseph, his life, and his world.
Then, a galactipedia entry about the rise of the Julii, followed by Apollo's first full chapter.
How do I write four full chapters about these two MCs without gong into some detail about who they are and where they came from? It requires those galactipedia entries to come first.
As for the name... you're a little bit stuck because you have sounds a Japanese speaker would stumble over.
I can't even suggest "cha-ru-zu" (Charles) because
a) Spoken by a germanic or latin influence, it sound nothing like the original
b) it's an impossible family name in Japanese and it makes me want to grab a broom
I bent my head around this one for the last half an hour. Here's what the issue is...
a) Japanese doesn't have a "si" (they can approximate with a "ti" but it's just not the same.
b) there is no "br". The approximation is "bura"
c) ending in an "s" is possible via "su" which sounds 99% the same... however germanic and latin based languages will make this rhyme with "hue".
One short name has 3 impossible letter combinations. Herein lies the fundamental problem. All possible approaches involve phonetic gymnastics.
I can see no other solution than to punt the name onto a different character. For example, you could assign him to Lady Kay's role. "Kei Kobayashi" works much better than any variant of Seabrass.
Thanks for the half hour. :-) I'll find another place or character to slip him in. It's too bad. I really wanted to make him the shogun.
Shiburasu has grown on me. Is there a meaningful difference between Shiburasu and Sheburasu? I'm guessing the latter sounds more like shay, but I don't know what I'm talking about.
Mmm, there isn't an easy way to make a "shay" sound, so I assumed Amy meant "shee"
Shi, you mean. Japanese doesn't have a "she". I think Amy meant "shi" but was typing phonetically.
They don't have a "si".
I went on
http://review.kakaku.com/review/J0000010505/
to see if I could catch them typing "JVC" because that's the "si" sound you're looking for. Unfortunately, whenever they couldn't render the sound into Japanese, they simply wrote the English letters
Example:
ヘッドホンアンプ・DAC
I trolled that entire page but not once do they write JVC in Japanese. I've heard a native Japanese speaker say JVC, therefore the sound exists to them, but they appear to have no way to write it. Having no way to write it, basically means it won't appear in a family name.
Horrible news, I know.
I suppose you could just make up that the name exists. I bet few readers could catch it.
-K
Wow! Thanks for all the work. I decided Shiburasu is fine. No one but us will get the joke, anyway.
I need a cute name for a robot maid named by young Joseph. So far I've got Miss Rosie (from the Jetsons, except I use it as a last name) and Mammy from Gone With the Wind. I already have the butler, Mr. Uppity, and the cook, Mrs. Butter. Miss Rosie is probably best, except I don't want to deal with cease and desist letters. Are you allowed to name a robot after someone from fiction?
Never mind. I can use Rosary, since it's Joseph, and still give a nod to Rosie.
Opinions, please. I'm writing about the 41st century, and the technology consists of 2D and 3D displays, and "wisethings" (smartwatches that Tim Cook could only dream of). However, I don't yet use "wiseeyes" (contacts lenses). I had originally considered using wiseeyes for bringing up information about whatever was appropriate for the scene, but I think it will become a distraction to explain in each scene what the wiseeyes are displaying. And don't even get me started with hand gestures to interact with the wiseeyes. I was considering having the eyeseyes able to accept input by the wearer staring at "buttons" on the wiseeyes display. I also worry about writing myself into a corner, where the wiseeyes make it impossible to fail.
Thoughts?
Fantasy/Magic & Sci-Fi → The Galaxy Tales - Dirk B.