Hi all, just wanted to share some good news. Back in 2018-19 I workshopped my debut space opera novel on here.
This month, after YEARS of revisions, I signed a contract with the publisher of my dreams! I’m so grateful for everything!
https://www.hachettebookgroup.com/orbit … lens=orbit

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(6 replies, posted in TheNextBigWriter Premium)

I don’t know which “epics” you’re referring to, but I really don’t think there’s “a way.” There are multiple, even within a single book.

The Cloud Atlas has 6 distinct periods across which the 6 stories unfold, and I couldn’t for the world of me remember what the Mitchell did, had to look it up. The first story is told via diary entries, with date stamps, the second is letters, there’s one that’s in the form of an interview, etc. (note that I’m not implying this is a great example, but it’s an example).

I agree with what Vern said though. How important is it for the reader to know the exact time passage? What works for your story?

—she returned there a week later
—His hands grew calloused from months of work aboard the ship
—Over the years, Cercei’s drinking habit made her too fat for her dresses
—mentions of seasons, birthdays, anniversaries
—a change of setting already an indicator of time passing, e.g. if he was a uni student and now he’s working in an office. Dialogue can give more details and  colleagues always ask how long you’ve been working there
—And if you really hate your readers: “after exactly 18,753 hours the ship entered the Bla solar system.” But things do get really confusing between different planets with different calendars. It’s not usually addressed very well (or at all).

I found this amusing:

https://www.buzzfeed.com/shannonreed/ja … r-mfa-work

Nice link. My writing space is my phone, wherever I can find a quite minute. Those a few and far between.

There's a print button just above the text screen. Next to the buttons that change font size and background colour.

Dirk B. wrote:

At the risk of starting a feeding frenzy, I agree with Mariana. Head-hopping done well is often more concise. The following is from a scene in the POV of Father Romano, listening to Alessandro talk to a third person.

Without head-hopping:

Alessandro attempted to speak several times but seemed to have trouble finding the right words. Finally, he said, “...”

With head-hopping:

Alessandro attempted to speak several times but had trouble finding the right words. Finally, he said, “...”

When it's obvious to the POV character from context (omitted above for brevity), why spoon feed the reader "seemed to have"?

Naturally, I follow the herd, but it doesn't mean I always like it.

Deep POV: Alessandro opened and clothed his mouth several times as though words stuck in his throat. Finally, he said, "...

There's a difference between omniscient and head-hopping. There are many articles on that. Here's an example: https://mythsofthemirror.com/2016/09/01 … d-hopping/  It even provides for exceptions.
smile

Definitely the current version.

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(25 replies, posted in TheNextBigWriter Premium)

Bobbie.R.Byrd wrote:

1. "To Kill a Mockingbird" by Harper Lee. I think the Judge in the trial says the line.
2. "A mind needs books like a sword needs a whetstone."

1. Tyrion! Game of Thrones.
2. "... never did we dream that thought could arise from the lonely animals who cannot dream each other's dreams.”

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(7 replies, posted in TheNextBigWriter Premium)

Yay! Congrats and welcome back!

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(30 replies, posted in TheNextBigWriter Premium)

Mark S. Moore wrote:

This.

I felt like there two episodes with somewhat proper pacing. The second episode which was full of tension and character development and the finale. This could also be because the pacing was so piss-poor in the rest of the season that these shined through.

Everything felt rushed which left the viewer needing to piece things together when there was so little to go on. Over-reliance on fade-to-black scenes left out pivotal dialogue. They could have easily stretched this another season+ and it would have been much more satisfying. The turns would have made more sense, the payoff would have been better.

The NK "twist" for me will always be a bit of a let down because it seems to fly in the face of the overall narrative of the entire story, though. If Martin's books really were an allegory for climate change with the NK being the bigger threat it was a shame to see that petty human politics didn't have to be resolved to combat it and in the end, it became a footnote after so much build up.

I fully share your sentiment about the NK. That episode dragged for me as nothing important happened until the end, and then it felt like a massive plot hole. But again, if you imagine the battle against the white walkers lasted several years as opposed to 1 night, it’d be much more satisfying.

Also Bran didn’t get a chance to show the significance of the three-eyed raven. If he made himself somehow useful during the battle... I suppose the moral of George RR’s story was that before building a “new world” we should learn from history...

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(30 replies, posted in TheNextBigWriter Premium)

If you’re willing to suspend your disbelief (a lot) and pretend the events of the last season unfolded over several years, it’s actually a good ending. Everyone ended where they were meant to be.

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(30 replies, posted in TheNextBigWriter Premium)

To be honest, I think the story ran away from George RR somewhat (and even more from the show directors). He'd need to write 8 more books to come to a realistic conclusion and we'd have 8 more seasons... O__o It could end with Bran dying of old age.
Still a good show though, and got everyone talking.

P.S. Jon Snow shouldn't be king. He clearly knows nothing.

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(2 replies, posted in TheNextBigWriter Premium)

j p lundstrom wrote:

Have you been reviewing the work of other writers? That's how people know to review your work. They respond to your efforts.   JP

Naturally:) I wouldn’t have been able to post 10 chapters if I hadn’t been and I’ve got points enough for another ten. My other chapters have reviews aplenty, it’s just this one that wasn’t showing up for people, so they couldn’t know it’s there.

Cheers
A.

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(2 replies, posted in TheNextBigWriter Premium)

Hi lovely people,

Can someone please review chapter 10 of Blackjack Interstellar for me?

I think it’s fallen off the home page when I edited another chapter, so nobody’s seen it.

Happy to return the favour.

Cheers

A.

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(4 replies, posted in Fantasy World Builders)

I’ve gone through two of your chapters so far, Rayner. Will keep going smile

I know someone who has hired a professional local publicist to help with marketing (after working with a paid editor and self-publishing). Apparently, she broke even pretty quickly after that. Not sure what happened then, and if she went on to sell more. I doubt this approach would make sense for something like genre fiction though, it was a book based on an established lifestyle/travel blog.

just change chapter number up top when you’re in edit mode?

If the planning gets overwhelming you can always elope wink

It’s actually version 7 now smile

I agree with both opinions. But I’ve already written about 85% of the story. I found this website after I started editing.

The last three chapters I left for “dessert”. To reward myself for putting in the hard yards. The rest was written “in the dark” on “pure inspiration.”

I told my friends last year that I’d finish the first draft by January and would then rewrite it 27 times. We laughed, but I was kind of serious. It’s my first attempt at long-form fiction and it is very much about learning at this stage.

I don’t intend to try and publish after the 27 times either. Not until I’ve repeated the process 3 or 4 times with other stories (should that ever happen). smile

Kdot wrote:

Oi! Quit revising or it'll never get writ.

Hehe, It's practically already writ. My first draft is 60,000+ words (I reckon the final might be 70K all up at most, because I'm planning to add a few extra chapters). But it's a 60,000-word-long mess. So this is the part where I actually do need to revise  smile

Hello wonderful people of TNBW,

This note is for those who have been reviewing my novel, Blackjack Interstellar, and may be wondering where’d it go.

I’ve received so many useful reviews over the last little while (for which I’m mega-super-grateful, you guys absolutely rock!). But I’m struggling to keep up (because life).

So I’ve temporarily deactivated the chapters to (a) give me a chance to keep up, (b) so you aren’t spending your precious time on versions that may have become absolete.

I’ll reactivate it all as soon as I catch up over the next week or so.

I don’t know if I’ll repost the first few chapters for points again, we’ll see. I won’t be rewriting it heaps, just adressing some of the holes and clarifying some ambiguities. It’s my first novel so my ambitions are pretty low. I’m doing it for fun and to learn a thing or two.

I’ll still be reviewing other people’s stuff as and when I can.

Thanks heaps guys.

Much love

A.

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(4 replies, posted in Fantasy World Builders)

Hey,
I think the forums are a bit dead. The reviews are good though. I've been here just over a months and feels like I've learned a lot. Some writing on here is genuinely likable too, which makes it enjoyable to review.
Good luck
A.

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(15 replies, posted in TheNextBigWriter Premium)

So cool! Congrats and good luck.

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(11 replies, posted in New Members)

Hi, I’ve got a question on using the site on an iPhone. I never have time to sit at a desk, so do in-line reviews from my phone and each time I type a comment in line, I have to reload the page if I want to type another one.  It’s quite difficult to use.
My other question is formatting when submitting chapters. I use google docs for writing (again for easy access across device types) and when I want to post. I have to copy-paste into word and clear formatting and then paste it into this website. Otherwise it comes out all messed up... is there a way around this?

I think the secret is accepting that you suck and not taking yourself too seriously. Even if you don’t objectively suck, you’ll always feel like you do. The question is not whether you’re meant to write. The question is whether you enjoy it. If you focus on the pleasure of it istead of the pressure to be good at it, you might keep your interest in a story long enough to improve it. At the same time, the only way you can improve is practice.

For me, the secret for getting a first draft out is to write “like no one’s watching” (because no one is), and accepting that it will be utter crap (first drafts are meant to be), and then pretending it’s someone else’s writing and seeing if I can salvage it. Accepting that things will need to be sacrificed and the final might look completely different, that some ideas are meant to die young. Accept that it may never actually be good, just getting it to the best version it can be.