Dune, the best-selling sci-fi novel of all time used omniscient/headhopping. The author and his son have written well over a dozen books in the Dune universe. Movie, two miniseries, another planned movie, etc.
Just saying...
Dune, the best-selling sci-fi novel of all time used omniscient/headhopping. The author and his son have written well over a dozen books in the Dune universe. Movie, two miniseries, another planned movie, etc.
Just saying...
Also check out Fiverr. They have some highly rated editors. If you're sure your manuscript is written the way you want it, then you probably need just a copy edit, which is cheaper. Personally, I plan to start with a line edit. The more reputable ones will do a sample edit, although you'll probably have to pay for it (e.g. $50 or $100 for 10,000 words).
Outlining to be begin before the end of this month. I have only one important book to reread before I start.
Lo Bidda Corporation. Done.
Turns out the Supreme Court ruled in 1983 that Parker Brothers no longer has a valid trademark on Monopoly. So LowBid Corporation or Monopoly Corporation? They are a technology monopoly.
Nuts. Just when I thought ACME was the Bugs Bunny cartoon name, it turns out they are also referred to Acme. I had just changed all instances of Lowest Bidder to Acme. I guess LowBid Corporation wins by default.
I'm waffling between Lowest Bidder Corporation and Acme, Inc. The latter is less wordy, even if I drop Corporation and Inc. Anyone want to stop me before I change it back to Acme? Either way, it's intended to be silly. The former is my own creation whereas the latter is instantly recognizable as a variant of ACME Corporation. The name ACME dates back a century, so Bugs Bunny has no right to the name Acme, Inc. Also, although my Acme technology is always breaking down, ACME products always worked exactly according to specs. since ACME turned out to be a subsidiary of the Road Runner Corporation. I could consider LowBid Corporation, but it's not as funny as Acme. Or Lowbid?
Thoughts?
The main reason I use the book summary is to attempt to draw the reader to my book, beyond just what the picture and book name can give. It's like the back cover of a physical book.
The main reason I use the chapter summary is to provide guidance about changes I'm making on the fly (e.g., I changed my characters' Imperial titles part-way into the book and didn't want to keep using the old titles for the rest of the draft; I also didn't want to go back and republish the early chapters with the title changes). Too expensive. So I say in the summary "Going forward, I've changed the the titles of my Imperial characters. From now on, the Emperor is referred to as Augustus, the Empress as Augusta, etc. I'll clean up the early chapters in the next draft."
I've pointed this problem out before, but it has yet to be fixed. There are formatting bugs in the Content and Chapter Summaries. I write a well-formatted summary that's structured and easy to read, and it gets clobbered by the formatting bug (random line breaks and html tags). This seems like it ought to be an easy fix, unless there is some unknown purpose to this behavior. It makes the site's main feature, the inlines, look sloppy the moment you click to read a chapter. I think it would make a better first impression for new users if the inlines looked solid.
Thanks
Dirk
The final chapter of Galaxy Tales is up. It includes minor edits from my v2 reviewers. This book will now be shelved while I switch gears to write The Lord of the Earth. Galaxy Tales needs a major rewrite, where I convert God into two different archangels, one for Joseph and one for Apollo. It's easier to have fun with archangels without being too irreverent to Christians, my target audience.
Seabrass and K, thanks for helping me finish v3.
Amen!
Dirk
It's a localized problem. I just clicked on your pen name above and it took me to your profile.
Rayner, I can't remember if I already told you this, but you can subscribe to this thread (upper right of the screen) to be notified via email when there's a new post.
THE LAST JEDI SPOILERS. The final two hours of The Last Jedi aren't as bad as I remember. The ski speeders on Crait were pretty silly, though. Must be old tech. Killing off Snoke near the beginning of his character arc was dumb, but it makes room for Kylo Ren. Not sure why he would put Rey ahead of Snoke, but so be it. I still think they're playing out Jacen Solo's character arc from the non-canon books. It remains to be seen if Rey kills him or not. I'm guessing not. Far too simplistic to kill off the bad guy and have a happy ending. And they definitely should have let Finn take out the cannon on Crait. That would have been a powerful ending for him. Let's face it, they have to start killing off some of the good guys to get down to Kdot's Rule of Two (Two characters left standing? Place your bets!)
I can't believe Netflix yanked episodes one and two of Lord of the Rings. Fortunately I own the DVDs. Short version, not the interminable extended editions.
Good luck with Transformers. When the autobots fight, all you see is metal on metal all over the screen. A lot like the crazy effects in Dr. Strange.
Interesting trivia: the episode of Gilligan's Island mentioned above was rated as the third funniest episode of any show of all time by Inside TV Land. TV Guide rated it number 50.
If you go with option a) you get that kickass scene where Luke appears so powerful, he can literally withstand concentrated cannon fire from half a dozen walkers. Too bad i knew the spoiler. Otherwise, I probably would have been cheering in the theatre over that one. My apologies for revealing that before you saw it.
Tonight's episode of Gilligan's island included a buffet of props and costumes. Phil Silvers guest starred as a producer whose plane went down near the island. According to the radio he was planning a new musical and Ginger pretended to be various Broadway characters as she served him dinner. When she asked for a part in his musical, he laughed at her overacting. To help Ginger, the castaways put on a musical of Hamlet, one of many books that they brought with them on the tour. I've lost count of how many textbooks the professor had on the show over three seasons. They also had fancy butler and maid uniforms for Mr. Howell and his wife, as they were forced to serve Silvers until his rescue boat could arrive. Mr. Howell even had on white gloves. For the musical, they had records and a gramophone from the Howells, crowns and royal robes for a king and queen, multiple wigs, and a fake beard for the Skipper. They wrote silly songs related to Hamlet to go with the records, which were instrumental classics. Silvers slips out at night when his rescue boat arrives. They subsequently hear on the radio that Silvers is planning a musical version of Hamlet, his most brilliant idea to date.
Definitely more entertaining than The Last Jedi so far.
Upon reflection, presenting the visions as self-contained scenes from Connor's POV will be too distracting, both because there will be many of them, and because they'll be too time consuming to research and write in sufficient detail. Also, I don't want to get into Connor's head until the end of book one. Scene one of each chapter will be from Father Romano's POV accompanying Connor in the Holy Land. I can have Connor zone out in each of those scenes, then tell the vision he experienced to Romano. Much simpler.
Tried watching The Last Jedi again. Made it to the thirty-minute mark before I got bored. The worst part so far includes Poe's lone attack on a dreadnought with the First Order not launching a single fighter while he takes out all the cannons. Luke's angry-hermit act is also ridiculous, as Mark Hamill told Rian Johnson at the time.
There's much to be said for planning a trilogy if you're going to make three movies. I hope my next draft of Galaxy Tales ends up in better shape. And most especially The Lord of the Earth trilogy.
As a former Star Wars fan, the only way to save this sh*t is to bring Mara Jade (Luke's wife in the novels) back into canon and have her return as the mother of Rey, with Luke as her father, except he didn't know it. That would explain why Rey is so powerful (both parents being strong in the force). She could train Rey and would also make an acceptable replacement for Leia. There's a rumor that's what they may be doing.
Thank you, NJC.
If you read The Lost Books of the Bible and the relatively recently discovered Gospel of Judas, you will find flaws galore to include deceit which could fill the vacuum of goodness for an always good character. Interesting reading even if you don't get some fresh ideas on character development. Take care. Vern
Thanks, Vern. I'm familiar with some of those stories, but I can't use them. He has to remain Christlike except as noted above. I need it that way for story purposes.
If Connor is Jesus, a Christian audience will expect him to be sinless (as defined by Catholics) although one can probably make allowances for the period between when Connor starts his journey and the end of book one, when he learns who he is. Nevertheless, I have most of that mapped out in my head. His primary opportunity to cause trouble is the acts of revenge which he may be responsible for at the beginning of the book. After that, his course is set by the Church. They send him to the Holy Land to protect him from the Antichrist and to hopefully jog his memory of Himself. From that point on, he's reacting to events as they come at him. He's not in control of his journey, although the reader will see how he handles himself during the trip. He'll also be moody at times because he can't remember, even though he's two years older than Jesus when the latter first showed any signs of being God.
You might want to make the supernatural attacks on Conner's enemies ambigous as to origin. Did he do it, like Morbius in Forbidden Planet, who didn't realize that the Krell monster was an objectification of his own Id? Or is there Someone else involved. If so, who?
In fact, the way to make any compelling character is to introduce conflict. The conflict beween using and misusing supernatural power is a great one to play with. In most people, there is a moral evolution--from good and evil based on fear to the few (like Jesus) who base it on loyalty to being. Why not make part of the story turn on Conner's moral development into a truely good man?
The vague origins of the supernatural attacks is what I settled on in an earlier post. However, for book one, I have to be vague about who Connor really is. It's revealed at the end of the book. The trilogy is his journey.
If memory serves, Jesus cast out other demons without sacrificing animals.