Technique question.
My Connor character experiences frequent painful visions. Some are physically painful as he feels the pain of those in the vision, while others are emotionally painful because he has great empathy (one of his supernatural abilities). The visions range from Old Testament violence to Roman Era bloody battles to the Inquisition to gas attacks in WWI and so on. In the spirit of show don't tell, I'm seriously considering showing the visions to the reader as Connor experiences them. He'll narrate the visions. There are enough atrocities throughout history to have one vision per chapter for all three books.
My concern is how disjointed the result will feel. That'll be a lot of page space dedicated to visions that, while connected, won't be revealed as such until the end of the series. The reader will know something strange is going on since the characters will discuss the visions and their possible meaning, but I don't plan to make it easy to figure out before the final reveal.
The reason to have Connor narrate the visions is to create a connection to the rest of the story. For those who saw the original Dune movie, you heard Paul Atreides's thoughts whispered by the actor who played him. Same technique.
Thoughts?