Nice! So there is a potential cascade effect.
Good to know.
Thanks
Dirk
Nice! So there is a potential cascade effect.
Good to know.
Thanks
Dirk
The disease manifests as noted above, resulting in visible trembling, which can be taken as a sign of mental illness. Apollo comes from a long line of psychopathic emperors who routinely overthrow each other using the family motto for cover: Only the mentally fit shall rule! Apollo has a half-brother who wants the throne but is not in the direct line of succession, so he's looking for an excuse to move against Apollo.
There are many ways I could represent this, including a disease that's not well understood but is believed to be the result of long-term genetic engineering. With that sentence alone, I'm halfway home. I could stop there, but I'd like to throw in a little genetic depth, on the order of a paragraph.
For example, if the illness is the result of genetic engineering that modified a single gene who's only other known purpose is to, say, improve night vision, then you stop messing with that gene in humans, and the illness goes away. If, however, the gene change(s) provide the only known defense against the "Ebola" of the fifth millenium, then there is no alternative. Again, I could stop there.
However, I'd like to make it so fundamental to genetically-engineered humans that there is no way to change the gene(s) in question without a cascade of deadly effects from other, dependent genes that have also been messed with. Essentially, is it possible to construct a house of cards from which there is no realistic hope of return?
My second question I can probably research on my own, which is how is gene therapy able to alter all copies of a defective gene in a body with trillions of cells that are constantly dividing?
Ideas?
Dirk
The character, Apollo, experiences tremors in his left hand and forearm, especially when he is under stress. Tentatively, it's called Trembler's disease. There's no known cure and the only way to control it is with narcotics. By the time the story gets rolling, Apollo is already an addict.
The mental disease plays into a larger theme in the story about Apollo and his cousin, Joseph, both secretly hearing the voice of God, their reactions to him, and the consequences for the galaxy.
Thanks, dagnee. I'll wait to see if anyone on the site has any knowledge on the subject and then contact DiSalvo with (hopefully) intelligent questions.
I do plan to keep the mental illness a secret from most of the character's family and the galaxy at large, as I do currently. However, my previous attempt at this fell apart after several chapters. I'm hoping to avoid that in my next draft.
Thanks for the lead.
Dirk
Hi.
I'm trying to create a mental disease that strikes one of my characters in a sci-fi future set in 4017. I was hoping to make the disease a side-effect of genetic engineering that cannot be undone.
1. Is it possible to tinker with our DNA to such an extent that the side-effect becomes essentially permanent (e.g., a series of interdependent gene changes that are too complex to unravel just the gene causing the mental disease, without also causing a cascade of other, more serious side-effects)?
OR
2. Can I make it simple, such as making genetic changes to fight off a fatal disease, which results in the mental disease as a side-effect?
Thanks.
Dirk
I think there are two kinds of funny bones. Ex- those who get Seinfeld and those who don't. I am one of those who don't.
And no, I didn't google. I was laughing too hard.
I could never get into Seinfeld. Ditto for Everybody Loves Raymond. However, for years I thought Married With Children was too crude. I'd watch a few minutes here and there while channel surfing. Eventually, I watched whole episodes and soon thought it was a riot. I've since seen every episode.
There are two answers:
a) I have more named entities in my spreadsheet than I will probably ever use. For example, I have ten classes of warships, ten classes of weapons, etc., but I ony sprinkle some of those names in here and there to add a little realism. So far, I've only ever mentioned one ship class by name in the book. Similarly I have ship names (only three in book one), and ship types that are easy to understand (e.g., starfighter, troop carrier, civilian transport, etc.).
b) I remind the reader what the named entity is. For example, rather than saying Dawn, I refer to it as the planet Dawn or the rebel planet, etc. Similarly, rather than saying General Equitius, I say General Equitius, the Imperial physician. In my case, it's especially important because those planets and characters generally only appear once every two chapters (I alternate back and forth between two interwoven stories.
Okay, fess up. You both googled it, didn't you?
One of my favorite surprises while writing my space opera is when I realize that I can use an experience out of my own life, put it on steroids, and insert it into the story. Happens over and over.
Dirk, I love your epigraphs, I suggest leaving some of the quotes as the ones you have already.
Thanks, Karen. I'm only going to replace the "real-world" quotes (e.g., the JFK quote in chapter 3). The epigraphs that you liked in chapters 1 & 2 are the style I'll be going for when I eventually rewrite Acts I & 2. Act III already uses my newer style of quotes. As you'll eventually see, I often use them for something tongue-in-cheek, since the book isn't meant to be too serious.
Dirk
Ontology recapitulates phylonogy.
Every finite dimensional inner product field has an orthonormal basis.
The divergence of the curl is a zero field.
And ... the proper uses of commas and semicolons.
I plugged those four sentences into Google for the hell of it. I got porn.
I read a review of Scrivener not too long ago. The reviewer said one of its biggest drawbacks is the difficulty importing from MS Word. So, if you work with an editor and use track changes and MS Word comments to go back and forth like I do, you'll end up doing a lot of cutting and pasting to get it back in, which also means you can forget about track changes and comments. If it wasn't for that critical limitation I might have bought it.
Instead, I write using MS Word, where I've configured the grammar checker to my taste, and the document map that works with my chapter headings. The document map (available on the View tab/ribbon) is great because it lists all of my chapters; with a single click, I can jump to any chapter I want.
Like penang, I use a spreadsheet to keep track of every named item I have in my story (stars, planets, ships, characters, military ranks, etc.). I also have a Word document for my story and chapter outlines, and another one for research information and a long list of to dos. I should probably split the last file in two.
I've gotten through almost two drafts that way with minimal overhead or fuss.
Dirk
NJC, I recognize a 9-volt Energizer battery in your pictures. If I put that on my tongue it hurts. Besides that, is there anything else I need to know for tomorrow's exam? :-)
Dirk
So ... what is it? I'll bury the answer in the next post. Have fun thinking it over. I think you'll get a little kick out of it.
Amy, make him stop. :-)
Did I answer that sufficiently?
Thanks, Amy. I have a better understanding, but far from perfect. I find it very complex, even without the concept of the matrix. Why did you go with something so hard to understand? For example, mages draw power from the ground with their staffs into their reserve in order to cast spells. Yet, new mages have to ground in order to keep their overloaded reserve from blowing them up. These seem contradictory to me. The first case draws power, while the other sends it back, both by grounding.
I doubt you can simplify it at this point without a major rewrite of the books, but I look forward to reading the first book, which I accidentally skipped, to see how much I understand your explanation there.
Thanks.
Dirk
The motor of your mixer is probably a universal motor, which uses 'brushes', blocks of graphite which carry current into a surface sliding beneath them. In the case of the universal motor, the sliding contacts are a split ring, creating a commutator, which connects the windings differently according to how the rotor is turned.
The motor of the air conditioner is almost certainly a brushless induction motor which requires AC. The motor is completely immersed in the air conditioner's heat-transfer 'coolant', which cools the motor and, via a little oil mixed into the fluid, also lubricates the motor.
I beg to differ, njc. I don't think the Filbert Flange will mesh with the Grapple Grommet.
https://www.youtube.com/watch?v=FJ6jCM3UeZo
You're talking to a guy who's knowledge of electricity is limited to getting zapped by a handmixer and melting a screwdriver. That's probably true of your target audience, too. I had to read your explanation several times just to figure out what questions to ask:
So casting always comes from the reserve? You're not simply routing power from the ground directly at the target (which would be a much easier explanation, BTW)? You have to absorb it into your reserve first? Yes?
If any of that is correct (doubtful), why then do new mages need to learn how to ground quickly to avoid blowing up? If their reserve is limited, why doesn't that simply limit the amount of power they can wield? I'm missing something. I thought the ground (earth) is where the power comes from.
Aside from that, is matrix the same as reserve?
How should I visualize the matrix? When you say reserve, by default, I visualize a star-like place in the chest or mind that glows brighter/hotter (for those who can see it) as the reserve builds. Or power that makes their entire bodies glow brighter/hotter (again, for those who can see it) as the reserve builds.
I'm going to pass on the explanation about Alina and Katerin. She's now a mage, the same as exeryone else, which I understand. Let's leave it at that. :-)
Pretty well. Thank you both.
Now, Amy, when one of your characters grounds their staff:
- Does that mean they're tapping the ground with it?
- Why do they need to ground their staffs to get power? Or are they just doing that to focus their own inner power?
- If it's to focus power, why do they need to ground it to focus it?
Thanks.
Dirk
Thanks, NJC. I appreciate the time you took for this.
I couldn't follow all of it, so let me try with a simple example. A good old-fashioned Shoddy-brand hand mixer plugged into an old-fashioned NON-grounded outlet. Those were fun! Based on what I remember, the mixer is tapping into the electrical circuit that flows through the house, fed from the utility lines outside. If a part of the insulated wiring inside the mixer becomes exposed/worn, the current can flow/leak out from the wiring into other parts of the mixer (e.g., the spinning metal egg beaters or the on/off switch), leading to a potentially painful zap, if touched. Good so far?
When it zaps me, does that have anything to do with me standing on the Earth, or would it jolt me even if I were floating with some of Amy's magic?
Now, let's extend that to grounded outlets. Once again, the wiring inside the mixer is worn. I assume some or all of the leaking current flows through the ground wire into the outlet and down to the Earth. Yes? Is it just some of the leaking current that's diverted? So I can still get zapped, just less so?
If my basic assumptions here are wrong, then I'm a hopeless case.
Thanks.
Dirk
P.S. Amy, don't go far. When/if I understand this, you're next.
I agree with Tom. Initially, there shouldn't be much tension among the flight crew, just Reese's concerns about his crew and Delana. You can begin to increase tension there as the others get to know her better and interact with her on more friendly terms. That's a good point to begin building tension between Reese and his crew.
When I go to respond to an inline review on my (big) desktop, the response field is only 1 inch x 2 inches in size. Naturally, it's quite difficult to write coherent thoughts in such a small space.
When I go back in to view my given response, the field is the size it should be.
Thanks.
Dirk
I stopped reading the Star Wars EU books after they killed off Jacen and Anakin Solo. I didn't want to put it in the effort to learn to like new characters, only to have them killed off too. The only exception is the Darth Plagueis book about the apprenticeship of the Emperor, which I bought recently to study the writing technique. Did I mention it already? Probably. :-)
The author has excellent knowledge of the Star Wars EU, but it's a mess to follow if you're not that deep into that universe. It's information overload. The only thing I liked about it is the use of narration at the beginning of chapters to give a brief background of whatever world the MC was on. A lot like the epigraphs you and I are using, only longer.
I'm trying to figure out how to provide such background, plus the epigraphs. Perhaps two epigraphs, one for the chapter, and another a fictional excerpt from a galactic encyclopedia. I'll have to figure out how to make it work, because it's an excellent way to communicate major elements of my fictional universe (pages of pure telling!). It's quite a bit of extra work, since it will require me to define those elements in greater detail (planets & moons, palaces, cultures, history, family lineages, etc.).
For the next bunch of chapters you'll see in my book, my epigraphs are real-world quotes, which I plan to eliminate. I had originally thought to go back and forth between religious quotes (for Joseph) and atheist/secular quotes (for Apollo). I plan to change them all to be in-universe, like the two you've already seen.
I would think all of these different kinds of training would have been done many times. The days before launch would simply be their last run-through of everything. Of course, two shuttle missions in back-to-back chapters is just as problematic as two sims. Do you need the second shuttle run to be detailed? Can you make the first shuttle run be your detailed shuttle chapter, followed by a simple statement for the 2nd shuttle run that they travelled to the ship via shuttle.
And/or have you thought any more about creating a further (minor?) disaster on Earth as a way to creat more tension/urgency to the mission? Of course, then you'll have to change friendly banter to a more serious conversation (a good thing, IMO). Perhaps you can find some way to slip in Reese's concerns for Delana in there.
I'm sure you'll think of something.
I noticed that when I receive an email notification that someone has replied to a topic to which I'm subscribed, clicking the link in the email takes me to the bottom of the last page of the topic, which is where I want to be. However, the links down the right hand side of the home page take me to the start of the first page of the topic, requiring us to click to the last page of the topic, then scroll down to the bottom. Would it be possible to change it so that it always goes to the end?
EDIT: Thanks! :-)
Karen/Tom, if you post something for me to look at, I just want you to know I don't seem to be getting email alerts. Perhaps it's something I'm doing wrong. I asked Sol to look into it.
If you're not getting a response in a reasonable amount of time, please PM me.
Thanks.
Dirk