Topic: Serial Releases

I've been doing a lot of research into serializing a novel (which is significantly different from simply cutting it into bits and releasing them in order). I've been considering releasing one of my stories in this format since it kind of over-arches the other novels, but I can't make enough compelling arguments to do it.

They say it's great because it keeps you always "live" in the charts with fresh material but...
a) Once people catch on to the format, they tend to wait for the final (combined) collection then gorge themselves (Hey, look at the success of Netflix dropping entire seasons at a time)
b) The only people who will buy it religiously are those who would buy your work anyway -- this format punishes them. Ergo, it only marginally grows your market at the expense of frustration. Apparently, even Stephen King felt the pain from this

Ignoring these two rather impressive disadvantages, I'm wondering if anyone is also looking at going this route. If anyone is following any interesting serials right now? Opinions of their story execution. How long each read is (conventional advice is 40minutes per episode about 10-16k words)

Re: Serial Releases

Kdot wrote:

I've been doing a lot of research into serializing a novel (which is significantly different from simply cutting it into bits and releasing them in order). I've been considering releasing one of my stories in this format since it kind of over-arches the other novels, but I can't make enough compelling arguments to do it.
. . .

Serializing into what publishing format? Much has changed since the time when King could publish serials in magazines and be paid per word.

Re: Serial Releases

eBook, kindle specifically

Re: Serial Releases

Kdot wrote:

eBook, kindle specifically

But then aren't you stuck with the problem of getting people to notice they exist (marketing)? I would say the purpose of serialization is marketing through a free medium, or even better being paid per word in the old days.

Re: Serial Releases

I paid for serial books about writing craft and eventually found that it wasn't worth four bucks for each Kindle "chapter", so I stopped buying them. However, if your story is interesting, has a compelling climax per book, and a hook for the next book in the series, you could do very well.

Re: Serial Releases

Eeep! That's high. According to my readings, $0.50 through $1.50 is about the maximum you can charge per episode. Any higher and you'll drive people to wait (10 episodes at $4 each? better buy the season for $8)

In the lower range, you'd charge $0.99 (Amazon's lowest) then lower it to $0.50 on Google and hope Amazon price-matches.

The people doing well with it say that each episode provokes sales on other episodes and that's how they can turn a profit (plus provoking sales on related full-price books, of which I have plenty out there). Viewed from this perspective, releasing the overarching book this way seems almost beneficial

Re: Serial Releases

To be fair, the "chapters" were more like "booklets" (e.g., a short book on characterization). But, yeah, it got to the point that it was obvious the author was churning out booklets for sales rather than being truly useful.

Re: Serial Releases

Kdot wrote:

In the lower range, you'd charge $0.99 (Amazon's lowest) then lower it to $0.50 on Google and hope Amazon price-matches.

Pretty much the same question: how are you incentivizing anyone to pay for a book in an expensive way by dribs and drabs. I thought the point would be to tease (cost-free) to buy the entire book. On the other hand,

Kdot wrote:

The people doing well with it say that each episode provokes sales on other episodes and that's how they can turn a profit (plus provoking sales on related full-price books,

you imply that an "episode" is self-contained (not really a serialization of a novel) without a need to buy the "overarching" book, just maybe more episodes in which the math rules out buying all episodes for anything less than an entire book. Are these episodes like episodic TV shows essentially?

Re: Serial Releases

re Question 1:
Ya... 10 episodes at $0.50 then joined up into an $7.99 tome means reader would saved $2.99 to read it as it rolled out. I don't see any other non-spurious price point. One guy decided the complete story was worth the sum of the episodes times 1.5 and felt no issue with charging $14 for the season, but that's a lot of money for an electronic format which has cost the author -nothing- to rerelease.

Re Question 2:
How do we define an episode? I'm thinking as a self-contained story... with a resolution as complete as possible (given the word count). The overarching story arc is treated in each episode but left unresolved. Rather, each acts as a self contained story, introducing its own central plot that is resolved at the end. The series would consist of short stories that happen to share the same characters.

No reliance on dramatic tactics to coerce readers into buying the next -- just a "here's a glimpse into the greater story". Ideally should work if a reader breaks in mid-stream. Like a TV show, one must assume no knowledge of past events. Only core world rules can be assumed (eg airlocks vs transporters). I would cite Stargate as a model to follow. Mind you, I don't like Stargate, but their model is hard to fault. On par with B5, though Straczynski commits the misstep of losing the middle-road consumer

Re: Serial Releases

As long as you don't end a terrific series with Star Trek: Nemesis (38% on Rotten Tomatoes).

Re: Serial Releases

Kdot wrote:

Only core world rules can be assumed (eg airlocks vs transporters). I would cite Stargate as a model to follow. Mind you, I don't like Stargate, but their model is hard to fault. On par with B5, though Straczynski commits the misstep of losing the middle-road consumer

Stargate is a complicated example, don't you think? It had multiple books, 3 TV series, and more movies spun off from a blockbuster movie: simple cowboys in space theme with a tiny core of seed information to remember. SGU TV series,  on the other hand, had to be watched from the beginning, and easily in isolation from the original SG1 in core information, certainly more complicated and engaging, suited to a different sort of audience, continually updated from season 1 through season 2.  Too bad it just sputtered to an end rather than with a planned resolution/finale. To an extent it is what is not right with such serialization in lacking coherence (say, based on a single novel in its beginning to end) that U.S. TV production (versus U.K., generally) do by milking a limited core of seed material to death. Never watched B5 past the second episode - in evidence that this reader of novels takes the liberty of  skipping further into the book to sample what is ahead - making no sense of judging a novel on the basis of the first thousand words or first chapter.

Re: Serial Releases

Kdot, in case your stories turn into a franchise, be sure to release a trilogy of movies with no overarching plot and three different directors. Could be worth $5 billion. Don't forget to kill off favorite characters on a whim just for the hell of it (technically, you've got that covered). Add a Smurf named Kajo who says meesa a lot, and they'll worship you.