Charles_F_Bell wrote:Still friends? ;-)
More than two "happenings" in a paragraph is pushing reader tolerance -- of this reader's tolerance, at least. However, a rapid succession of events as in Dirk's sample has an internal logic most people get -- if done once in a paragraph. Describing action in words will never compare with the visual arts for action/adventure, but some authors do well enough, but those same authors, drawing heavily on plot development for the novel's raison d'etre , do not do so well in theme development and other elements of literary fiction and the narration necessary for that. There's a reason Arthur Conan Doyle's Sherlock Homes is the most filmed character.
I don't understand the resistance to dropping -ing words on TNBW, especially that sloppy dangling [comma] participial phrase. It's use, like the passive tense, marks a major difference between fiction and nonfiction of the technical, bureaucratic, and essayist-journalist sort. I have four -ing words in the above paragraph, for example.
I'm afraid I can't be friends with someone that has no tolerance for more than two -ings in one paragraph
Four in one paragraph, I wouldn't have picked it up if you haven't mentioned it! (There's no hope for me in other words)
I don't think it's so much as a resistance to dropping -ing words than an insistence that it does have its place in writing. There's a subtle difference.
For Dirk's given examples, dropping the -ing words seems to be best. But that doesn't mean he doesn't have other instances where it would work better to keep them. Like I've said, and probably not very clearly, but sometimes an -ing has a 'continuance' to it that would otherwise read too abrupt. I would dig out an example if I wasn't so lazy.
Janet TP also has a good point, combining -ing with was/were is even worse.
But now I'm repeating myself and I'm not sure Dirk is any closer to the answer he was hoping for. *steps to the side*