Re: Titles in The Pendragon and The Beast of Caer Baddan

janet reid wrote:
KHippolite wrote:
janet reid wrote:

Surely we all can agree on the superbness (is this even a word?) of the beefcakes?! yikes

In the graphic novel, the Spartans aren't wearing anything under those skirts, so there's a whole lot of flapping around

I don't care. As long as they are wearing skirts, and no shirts, I'm good. tongue

See, this doesn't apply for me. Pretty much all the actors in the movie are just a wee bit over that "you're too old for me" threshold, which means they don't even show up on my radar.

No beefcakes for me. sad

-Elisheva

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Re: Titles in The Pendragon and The Beast of Caer Baddan

You are so twenty year old, sweetie. Pretty is pretty. The guys in 300 were hot and lumpy in all the right places. How many years ago did that come out? Wasn't it 4 years ago? Or five?

It might be worth a re-watch to see if they can change your mind :-) It's like Daniel Craig as 007 in Spectre. Is he uninteresting because he's as old as your father? Hmmmm?

Re: Titles in The Pendragon and The Beast of Caer Baddan

The movie 300 came out 9 years ago, although I didn't watch it until a few years after it came out. I have friends who watch a movie with some guy that's 10+ years older and they "ooh" and "ahh" at him, but I just never understood. I can see why they are attractive, but I couldn't tell you how attractive if I was asked.

Not sure that makes sense, but I've always been that way. smile Too far out of my "radar" and I just can't give an opinion.

-Elisheva

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The paradox of painting, photography, sound recording, and cinema is that they let us see a glimpse of the past as though it were there when we know otherwise.  We can fall in love with Judy Garland, ache at the longing in Satchmo's voice or the richness of Connie Francis's, be charmed by the young Shirley Temple,  enjoy the youthful performances of Nimoy and Shatner, hear an orchestra under the baton of Toscanini or Bernstein, just as if we'd lived with them.  Creepy?  A little, maybe.

My advice, for what little it's worth, is to consider the last verse of Tennyson's =The Lady of Shallot= and make your peace with this time travel.

Re: Titles in The Pendragon and The Beast of Caer Baddan

Oh, good question! Scathach herself is really just a "cameo". But I have used her school for two purposes. One is to build the schism with Drech on one side and Enhinti's friends on the other. Enhinti is currently working for the rival school to Scathach's. Drech being accepted by Scathach thus extends this rivalry. The second purpose is to get rid off the "Cunedda's sons are unworthy" problem. In the first book Drech fights five of Cunedda's sons one at a time and beats them all. In the fifth book, Drech will fight the youngest son who turns out to be a true contender. That last chapter with the school (hopefully) explains why the youngest is so good. Mainly because he got taught at a really famous and secretive school. If you don't feel these things are worth a whole extra chapter though, definitely tell me! smile

Rebecca, keep in mind that I'm late to the party. I've only read book III and now book IV. It seems to me that you have a (REALLY) good reason to have this scene included - I like how it extends the rivalry/tension between Drech and Enhiniti. I guess Drech doesn't know that Enhinit works for the rival school? *snickers* That'll be good!!!! In any case, no need to delete it - it has purpose. I'd probably change my comment then to maybe foreshadowing or hinting (subtly of course!) at some of this purpose and reason for having this scene. As it stand now, and this is only my opinion, it reads kind of out of place and I couldn't make out what the purpose of the scene was. So if you add something, as I say, subtly, for the slow ones like me, it will very likely make my whole comment go away.

Hope this helps/makes sense! Janet

Re: Titles in The Pendragon and The Beast of Caer Baddan

janet reid wrote:

Rebecca, keep in mind that I'm late to the party. I've only read book III and now book IV. It seems to me that you have a (REALLY) good reason to have this scene included - I like how it extends the rivalry/tension between Drech and Enhiniti. I guess Drech doesn't know that Enhinit works for the rival school? *snickers* That'll be good!!!! In any case, no need to delete it - it has purpose. I'd probably change my comment then to maybe foreshadowing or hinting (subtly of course!) at some of this purpose and reason for having this scene. As it stand now, and this is only my opinion, it reads kind of out of place and I couldn't make out what the purpose of the scene was. So if you add something, as I say, subtly, for the slow ones like me, it will very likely make my whole comment go away.

Hope this helps/makes sense! Janet

I'll leave it in for now and deal with it next draft then! It is possible when I get to the end of this book, everyone will be like "Why is that chapter with the Fortress of Shadows there?" Haha!

Re: Titles in The Pendragon and The Beast of Caer Baddan

KHippolite wrote:

Okay. A quick Google says you're stuck with "Scathach". That's a pity.

I can change the spelling to "Sgathach" if you think that is better? Let me know!

Re: Titles in The Pendragon and The Beast of Caer Baddan

njc wrote:

The paradox of painting, photography, sound recording, and cinema is that they let us see a glimpse of the past as though it were there when we know otherwise.  We can fall in love with Judy Garland, ache at the longing in Satchmo's voice or the richness of Connie Francis's, be charmed by the young Shirley Temple,  enjoy the youthful performances of Nimoy and Shatner, hear an orchestra under the baton of Toscanini or Bernstein, just as if we'd lived with them.  Creepy?  A little, maybe.

My advice, for what little it's worth, is to consider the last verse of Tennyson's =The Lady of Shallot= and make your peace with this time travel.

Growing up, we watched all the old classics, and my younger sister developed a hard crush on Yul Brynner! Never mind the fact that he died less than a year after she was born!

Re: Titles in The Pendragon and The Beast of Caer Baddan

I've left a few extra comments on the latest chapter's review! smile Also, I'm starting to see how compelling writing trumps everything else. Despite all the "oopsies", I still read each chapter eagerly. That said, I have made some really brilliant blunders myself! And that's why we're here, for others to give us a fresh set of eyes and tell us where we have missed things! So we're all good, no need to feel bad!!!! smile

Re: Titles in The Pendragon and The Beast of Caer Baddan

Janet:
From here ... When Drech had walked a distance away that he was sure the rest of the party could not hear them, he addressed Sir Elisedd. Maybe I have missed it, but it feels all of a sudden that Drech addressed Sir E's Latin ability. It feels out of the blue.

Ah! I see! What if I get rid of the scene break?

While the servants made fires, Drech and Orson talked.
“You shall have to be careful with this charade, Drech,” Orson said. “A man's training, upbringing, habits, always come out.”
“I was born a prince and am playing one,” Drech said. “I doubt anyone will suspect I am more, unless one of the knights calls me Dominus' or an Eire has seen me before in Albion.”
As he spoke, Drech realized that both situations were highly likely. The sooner he got to Teamhair and addressed the Ard Ri the better it would be.
“Perhaps,” Orson mused. “Yet you have adapted to your role as Pendragon, and I believe that does come out in your behavior.”
Drech could not help but smile at his mentor's words. Less than three and a half years before, he had to convince Orson that he was ready to claim his inheritance.
But a new thought spun in Drech's mind.
“Excuse, me, Lord,” he said. “Captain Samyl, Sir Elisedd, I am in need of your assistance.”
The two men rose immediately and followed Drech away from the camp. When they had walked far enough away that Drech was sure the rest of the party could not hear them, he addressed Sir Elisedd.
“You read in Latin, Sir-Knight,” Drech said.
Sir Elisedd knight hesitated, knitting his brow in confusion. “I… do…”
“A Gewissae knight,” Drech said. “A Saxon 'ridend' learn to read in Latin. I do not believe it.”
“I had an excellent education, Dominus.”
“Too excellent, Sir. Speaking Latin and Brythonic one might expect in this age, but to read so fluently in Latin? You must have had the best education in Gewisland!”
“King Acca paid for my tutoring,” Sir Elisedd replied. “He was most generous.”
“That is generous,” Drech mused. “That he should pay for a knight to have a better education then many a prince.”
The Giwessae's jaw dropped and for a moment he could not utter a sound. “I… do not–”
“Chose your words carefully, Sir,” Drech warned.
Sir Elisedd sighed, surrendering. “I am no knight. I am a prince. I am the Prince of Tiwton.”
“King Acca's heir,” Drech mused.
“Yea,” Sir Elisedd muttered, reverting to the language of the Saxons.
“You should have told me.”
“I obeyed my father's wishes and joined your cavalry in secret,” Sir Elisedd replied. “How could I then tell you I was a prince?”
“You could because you had to,” Drech said. “Lord Orson did not choose you. He picked all of the other men to be in my Guard, but not you. I picked you. I told Orson that I wanted you to be in my Guard because I trusted you with my life.”
“And now you no longer.”
“How can I? When dozens of princes on both islands want me dead, and here I find a secret prince in my own Guard!”
Sir Elisedd nodded in silence.
“Go back to the others,” Drech said. “We shall not speak on this now.”
The Gewissae went without another word, and Drech turned to Captain Samyl.
“What do you think?” Drech asked.
“I do not know, Dominus,” the Captain replied.
“Neither do I.”
###

Re: Titles in The Pendragon and The Beast of Caer Baddan

I can also add in a little with Drech's thoughts. Better? Even more needed?

While the servants made fires, Drech and Orson talked.
“You shall have to be careful with this charade, Drech,” Orson said. “A man's training, upbringing, habits, always come out.”
“I was born a prince and am playing one,” Drech said. “I doubt anyone will suspect I am more, unless one of the knights calls me Dominus' or an Eire has seen me before in Albion.”
As he spoke, Drech realized that both situations were highly likely. The sooner he got to Teamhair and addressed the Ard Ri the better it would be.
“Perhaps,” Orson mused. “Yet you have adapted to your role as Pendragon, and I believe that does come out in your behavior.”
Drech could not help but smile at his mentor's words. Less than three and a half years before, he had to convince Orson that he was ready to claim his inheritance.
But a new thought spun in Drech's mind.
We can tell a man's true upbringing by the way he behaves!
“Excuse, me, Lord,” he said, aloud. “Captain Samyl, Sir Elisedd, I am in need of your assistance.”
The two men rose immediately and followed Drech away from the camp. When they had walked far enough away that Drech was sure the rest of the party could not hear them, he addressed Sir Elisedd.
“You read in Latin, Sir-Knight,” Drech said.
Sir Elisedd knight hesitated, knitting his brow in confusion. “I… do…”
“A Gewissae knight,” Drech said. “A Saxon 'ridend' learn to read in Latin. I do not believe it.”
“I had an excellent education, Dominus.”
“Too excellent, Sir. Speaking Latin and Brythonic one might expect in this age, but to read so fluently in Latin? You must have had the best education in Gewisland!”
“King Acca paid for my tutoring,” Sir Elisedd replied. “He was most generous.”
“That is generous,” Drech mused. “That he should pay for a knight to have a better education then many a prince.”
The Giwessae's jaw dropped and for a moment he could not utter a sound. “I… do not–”
“Chose your words carefully, Sir,” Drech warned.
Sir Elisedd sighed, surrendering. “I am no knight. I am a prince. I am the Prince of Tiwton.”
“King Acca's heir,” Drech mused.
“Yea,” Sir Elisedd muttered, reverting to the language of the Saxons.
“You should have told me.”
“I obeyed my father's wishes and joined your cavalry in secret,” Sir Elisedd replied. “How could I then tell you I was a prince?”
“You could because you had to,” Drech said. “Lord Orson did not choose you. He picked all of the other men to be in my Guard, but not you. I picked you. I told Orson that I wanted you to be in my Guard because I trusted you with my life.”
“And now you no longer.”
“How can I? When dozens of princes on both islands want me dead, and here I find a secret prince in my own Guard!”
Sir Elisedd nodded in silence.
“Go back to the others,” Drech said. “We shall not speak on this now.”
The Gewissae went without another word, and Drech turned to Captain Samyl.
“What do you think?” Drech asked.
“I do not know, Dominus,” the Captain replied.
“Neither do I.”
###

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Re: Titles in The Pendragon and The Beast of Caer Baddan

We see a man's true upbringing in his acts -- Drech will be troubled first, however briefly, at the thought applied to him, and after he will see Sir E in that light.

Re: Titles in The Pendragon and The Beast of Caer Baddan

But a new thought spun in Drech's mind.
We can tell a man's true upbringing by the way he behaves!

This and removing the section break before 'When Drech had walked a distance away' work better in my opinion. You can even, for the really slow-witted ones like me, rub it in just a tad more, but this is all up to you ...

But a new thought spun in Drech's mind.
We can tell a man's true upbringing by the way he behaves!
Why haven't I noticed it sooner?

Or some such. It could push it too much again as the other two changes are already an improvement and gives me that 'missing link' I've missed the first time around. This could also only be me ... so if everyone else 'gets' it, you might not need to change anything else.

Re: Titles in The Pendragon and The Beast of Caer Baddan

Ok! I'll play with them more! I don't want anyone thinking Drech just thought of this out of the blue!

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Re: Titles in The Pendragon and The Beast of Caer Baddan

You made the comment that you don't understand why people care about using the word, 'dinky', in a historical fiction book set in pre-medieval times.

I had the same feelings because I write a character in my books who uses a more modern speech pattern. It is a contrast to the more formal speech used by others on my medieval setting. I did it on purpose, but people would always point out certain phrases that stuck out as too trendy.

All I can say is that another person's work makes the issue glaringly obvious. These words stick out. They just do. And when I have to stop reading and say, "Huh?", then the flow is interrupted. Kinda like hitting a speed bump on a highway.

Re: Titles in The Pendragon and The Beast of Caer Baddan

K. wrote:

This thread has been backed up.
I've ghosted myself out of it

It is up on the other site?

Re: Titles in The Pendragon and The Beast of Caer Baddan

amy s wrote:

You made the comment that you don't understand why people care about using the word, 'dinky', in a historical fiction book set in pre-medieval times.

I had the same feelings because I write a character in my books who uses a more modern speech pattern. It is a contrast to the more formal speech used by others on my medieval setting. I did it on purpose, but people would always point out certain phrases that stuck out as too trendy.

All I can say is that another person's work makes the issue glaringly obvious. These words stick out. They just do. And when I have to stop reading and say, "Huh?", then the flow is interrupted. Kinda like hitting a speed bump on a highway.

I suppose I can replace "dinky" with "scanty". What I want it for the General's speech to resemble his personality. He is mocking the enemy, so I want a word that sounds funny (even if it is not actually) and sadly there aren't a lot of words that I feel bring that across.

I guess my real question is, what is the criteria for words being too modern? I suppose that each people has their own ideas on this, but I seem to get a lot of contradictory advice when it comes to what words to avoid.

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Re: Titles in The Pendragon and The Beast of Caer Baddan

It's a hard question to answer. I have a sense for words because of my medical background. Dissecting Latin means that I'm looking for the origin of words. Part of the patterning that I do when I think.

It is interesting because I was nitted on modern words/ phrases (in my own work) frequently in the beginning of my time at TNBW. I used to use slang for Alda in an attempt to make her an anachronist (out of place and time). Instead of her saying, "Verily" and "Forsooth", I chose modern terms and slang to shift her voice out of the standard phrasing of the other characters.  If I used common current phrasing (most recent was saying that a situation 'sucked like a babe newborn'), then my readers picked up on these immediately.

So my way of deciding the criteria? If this was one of my attempts to shift Alda's voice and someone recognized it, then I delete that phrase. In my opinion, there are going to be a lot of readers, but the cross-section of TNBC will pick up on a shift of tone or voice that I miss. I don't dig my heels in the sand over one word. This is one of the many ways that I use the people who nit at my work. Elisheva pointed out more than one of these moments in her last review. As she comes into her own as a reviewer, she is using her skills as a reader to my advantage.

I'm rambling.

OK, IMO, the criteria for 'too modern' is a technical term or something that hasn't become 'invisible speech'.  I:E, words that have been added to English within the past 200 years or that have morphed into different meanings.  Ex: Gay used to mean happy. Now it has an entirely different meaning. I would never use it in my fantasy world because it could be misinterpreted. Dinky is a term from the late 1780's (scottish=dink) meaning small, delicate, neatly dressed and then altered over time to mean tiny and insignificant.

Another example is the term 'jerkwater'. As in 'jerkwater town'. (A tiny little place in the middle of nowhere.)  This term evolved from the railroads, where water was required for steam locomotives. The train would pull up, jerk on the rope/ chain, and fill their reservoir with water. Then the train would continue to the real destination. Using this term in medieval fantasy would be inappropriate.

I place 'dinky' in the same category as 'jerkwater'.

FYI, I think that sarcasm can be placed into a phrase without using these types of words. Give me the General's sentence again and lets see if I can come up with a new word or phrase for you.

A

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Re: Titles in The Pendragon and The Beast of Caer Baddan

I don't think you need to set the cutoff at 200 years.  WWII, or even WWI (100 years) will do, with room to spare.  The word 'role' entered English somewhere around then, I think.  C.S Lewis put the French hat on the 'o' when he used it.

Re: Titles in The Pendragon and The Beast of Caer Baddan

Nearly all of the words I use have changed meaning.

Re: Titles in The Pendragon and The Beast of Caer Baddan

Rebecca Vaughn wrote:

Nearly all of the words I use have changed meaning.

My nemesis is 'tosspot'. Apparently that isn't a drunkard any more in the UK at present, it now means wanker. sad

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Re: Titles in The Pendragon and The Beast of Caer Baddan

Toper.

Re: Titles in The Pendragon and The Beast of Caer Baddan

AJ Reid wrote:
Rebecca Vaughn wrote:

Nearly all of the words I use have changed meaning.

My nemesis is 'tosspot'. Apparently that isn't a drunkard any more in the UK at present, it now means wanker. sad

Hahahahahahaha! I was thinking of common words like "care"...

149 (edited by Rebecca Vaughn 2016-02-08 06:39:32)

Re: Titles in The Pendragon and The Beast of Caer Baddan

Amy:

I'm still at a loss. sad

I guess I'll just worry about each problem word as reviewers point them out. I'm just too confused and frustrated.

The General's comment in chapter nine was:
"That’s some trip to take in those dinky little boats."

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Re: Titles in The Pendragon and The Beast of Caer Baddan

Worse, 'dinky' sounds almost like 'dinghy'.